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The epoch-making revolutionary period universally known in Germany as '68 can be argued to have predated that year and to have extended well into the 1970s. It continues to affect German society and culture to this day. Yet while scholars have written extensively about 1968 and the cinema of other countries, relatively little sustained scholarly attention has thus far been paid to 1968 and West German, East German, and Austrian cinemas. Now, five decades later, Celluloid Revolt sets out to redress that situation, generating new insights into what constituted German cinema around 1968 and beyond. Contributors engage a range of cinemas, spanning experimental and avant-garde cinema, installations and exhibits; short films, animated films, and crime films; collectively produced cinemas, feminist films, and Arbeiterfilme (workers' films); as well as their relationship to cinemas of other countries, such as French cinéma vérité and US direct cinema.

Motion pictures --- History. --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- 1968. --- French cinéma vérité. --- German cinema. --- US direct cinema. --- cinema. --- cultural and political happenings. --- cultural impact. --- revolution. --- screen cultures.

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The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote. Volume II centers on questions of aesthetics and the cinema's ontological relationship with the real.

film --- cinema --- filmkritiek --- Frankrijk --- filmgeschiedenis --- filmtheorie --- marxisme --- mei '68 --- 20e eeuw (twintigste eeuw) --- E-books --- Motion pictures --- HISTORY / Social History. --- Periodicals. --- Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism

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Chic, sophisticated, seductive and enigmatic, the Parisienne possesses a je ne sais quoi which makes her difficult to define. Who or what is the Parisienne and how she is depicted in cinema is the subject of this work. Here, Chaplin expands on existing scholarship on the Parisienne type in fields such as art history, literature and fashion history, and builds on scholarship on the films discussed to both enrich and offer new perspectives on these films.

Paris (France) --- In motion pictures. --- Women in motion pictures. --- Motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- France --- France (Provisional government, 1944-1946) --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- City of Paris --- Paris --- Women --- Film, TV and radio. --- Films, cinema. --- HISTORY / Europe / France. --- Society & Social Sciences --- Society & culture: general --- Cultural & media studies --- Cultural studies. --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- French cinema. --- Paris. --- Parisienne. --- cinema. --- cosmopolitanism. --- cosmopolite. --- courtesan. --- fashion icon. --- fashion. --- femme fatale. --- iconography. --- la Parisienne. --- modern life. --- muse. --- nineteenth-century art. --- prostitution. --- star personae. --- stardom.