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All the Feels / Tous les sens presents research into emotion and cognition in Canadian, Indigenous, and Québécois writings in English or French. Affect is both internal and external, private and public; with its fluid boundaries, it represents a productive dimension for literary analysis. The emerging field of affect studies makes vital claims about ethical impulses, social justice, and critical resistance, and thus much is at stake when we adopt affective reading practices. The contributors ask what we can learn from reading contemporary literatures through this lens. Unique and timely, readable and teachable, this collection is a welcome resource for scholars of literature, feminism, philosophy, and transnational studies as well as anyone who yearns to imagine the world differently. Contributors: Nicole Brossard, Marie Carrière, Matthew Cormier, Kit Dobson, Nicoletta Dolce, Louise Dupré, Margery Fee, Ana María Fraile-Marcos, Smaro Kamboureli, Aaron Kreuter, Daniel Laforest, Carmen Mata Barreiro, Ursula Mathis-Moser, Heather Milne, Eric Schmaltz, Maïté Snauwaert, Jeanette den Toonder

DSB (Literary studies: general) --- interdisciplinary, intercultural, bilingual, humanities, diversity, decolonizing, philosophical theory, poetics, emotion, imagination, semiotics, resistance, feminism, Quebec

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"When Sylvia Van Kirk published her groundbreaking book, Many Tender Ties, in 1980, she revolutionized the historical understanding of the North American fur trade and introduced entirely new areas of inquiry in women's, social, and Aboriginal history. Using Van Kirk's themes and methodologies as a jumping-off point, Finding a Way to the Heart examines race, gender, identity, and colonization from the early nineteenth to the late twentieth century, and illustrates Van Kirk's extensive influence on a generation of feminist scholarship."--Publisher's website.

Feminism and higher education --- Higher education and feminism --- Education, Higher --- Van Kirk, Sylvia. --- Kirk, Sylvia van --- Indians of North America --- Indian women --- Women, Indian --- Women --- American aborigines --- American Indians --- First Nations (North America) --- Indians of the United States --- Indigenous peoples --- Native Americans --- North American Indians --- Historiography. --- Culture --- Ethnology --- Aboriginal, indigenous, women, history, postcolonial, decolonizing.

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In an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices. In discussing both the transformative potential and limitations of arts-based methods, the book asks: What can arts-based methods contribute to decolonising participatory research, its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practise-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context. The book will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies.

Research Methodology. --- Arts and society. --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- academia --- collaborative --- colonialism --- community --- decolonial --- decolonisation --- decolonization --- decolonizing --- diversity --- feminism --- fieldwork --- intersectionality --- justice --- legitimacy --- Malawi --- methodology --- moral --- multivocality --- Nepal --- Norway --- pluralism --- politics --- postcolonialism --- power --- refugee camp --- service design --- theory --- the arts --- workshops --- Arts and society --- Participant observation --- Research

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In contrast to the popular cliché of the 'stoic Indian,' humor has always been important in Native North American cultures. Recent Native literature testifies to the centrality of this tradition. Yet literary criticism has so far largely neglected these humorous aspects, instead frequently choosing to concentrate on representations of trauma and cultural disruption, at the risk of reducing Native characters and Native cultures to the position of the tragic victim. This first comprehensive study explores the use of humor in today's Native writing, focusing on a wide variety of texts spanning all genres. It combines concepts from cultural studies and humor studies with approaches by Native thinkers and critics, analyzing the possible effects of humorous forms of representation on the self-image and identity formation of Native individuals and Native cultures. Humor emerges as an indispensable tool for engaging with existing stereotypes: Native writers subvert degrading clichés of "the Indian" from within, reimagining Nativeness in a celebration of laughing survivors, 'decolonizing' the minds of both Native and non-native readers, and contributing to a renewal of Native cultural identity. This book will be of interest to scholars and students of Native Studies both literary and cultural. Due to its encompassing approach, it will also provide a point of entry for the wider readership interested in contemporary Native writing. Eva Gruber is assistant professor in the American Studies section of the Department of Literature at the University of Constance, Germany.

American literature --- Canadian literature --- Humor in literature --- Indians of North America --- #KOHU:CANADIANA --- 820 "20" --- 820 <71> --- 820 <73> --- 820 <73> Amerikaanse literatuur --- Amerikaanse literatuur --- Canadian literature (English) --- English literature --- Agrarians (Group of writers) --- 820 "20" Engelse literatuur--21e eeuw. Periode 2000-2099 --- Engelse literatuur--21e eeuw. Periode 2000-2099 --- 820 <71> Engelse literatuur--Canada --- Engelse literatuur--Canada --- Indian authors&delete& --- History and criticism --- Intellectual life --- Indian authors --- Humor in literature. --- History and criticism. --- Intellectual life. --- Native North American literature. --- Native cultural identity. --- Native self-image. --- cultural stereotypes. --- decolonizing. --- humor. --- identity.

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'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.

Art --- anno 1990-1999 --- anno 2000-2009 --- 77.01 --- 77.03 --- Fotografie--Semiotiek van de fotografie. Theorie --- Documentaire fotografie --- Social movements in art --- Radicalism in art --- Social movements --- Art, Modern --- History. --- Themes, motives --- political art --- social movements --- 77.03 Documentaire fotografie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- community art --- art [fine art] --- Jahangir, Farid --- Hobbs, Stephen --- Melitopoulos, Angela --- Allora and Calzadilla --- Kusolwong, Surasi --- Fayyazi, Bita --- Šušteršič, Apolonija --- Simpson, Buster --- von Osten, Marion --- Almárcegui, Lara --- Wikström, Elin --- Bik Van der Pol --- Ruga, Athi-Patra --- Ai Weiwei --- NSK --- Ilich, Fran --- Lace, Bronwyn --- Oldenborgh, van, Wendelien --- Reyes, Pedro --- Moys, Anthea --- Creischer, Alice --- Schaub, Didier --- Chin, Mel --- Kochta-Kalleinen, Oliver --- Shimabuku, Michihiro --- Oda Projesi --- Kenawy, Amal --- Muniz, Vik --- Hassanzadeh, Khosrow --- Reynolds, Laurie Jo --- Chan, Paul --- Hasheminejad, Ata --- Douala-Bell, Marilyn --- Watkins, Peter --- Fallen Fruit --- Condorelli, Céline --- Ukeles, Mierle Laderman --- Aranda, Julieta --- Neustetter, Marcus --- Nassiri, Sassan --- Rosado Seijo, Chemi --- Alÿs, Francis --- Kalleinen, Tellervo --- Bruguera, Tania --- Collins, Phil --- Vidokle, Anton --- Lacy, Suzanne --- Gil, Alonso --- Cirugeda, Santiago --- Schneider, Florian --- Dion, Mark --- Guzman, Frederico --- Deller, Jeremy --- Šedá Katerina --- Schlingensief, Christoph --- Cuevas, Minerva --- O'Neal, John --- Vazquez Martin, Eduardo --- Haeg, Fritz --- Siekmann, Andreas --- Wade, Gavin --- Barclay, Claire --- Morgan Puett, J. --- Movellán, Begoña --- Gates, Theaster --- Glover, Paul --- the land Foundation --- Greene, Josh --- Torolab --- San Francsico Cacophony Society --- Pulska Grupa --- Slanguage --- Ultra-Red --- Frente 3 de Fevereiro --- Cornerstone Theater Company --- Mammalian Diving Reflex --- Temporary Services --- Sarai and Ankur --- Voina Group --- Wochenklausur --- Barefoot Artists --- Superflex [Copenhagen] --- Basurama --- Ala Plástica --- Colectivo Cambalache --- Chto Delat Group --- Platforma 9.81 --- Long March Project --- Alternate Roots --- Bijari --- Pase Usted --- HAHA --- Public Movement --- Bread and Puppet Theater --- Decolonizing Architecture Art Residency [Beit Sahour] --- Women on Waves --- Free Class Frankfurt --- Mujeres Creando --- Finishing School --- Los Angeles Poverty Department --- Osten, von, Marion --- Kunst --- kunst --- gemeenschapskunst --- sociale bewegingen --- politieke kunst --- Oda Projesi [Istanbul] --- SUPERFLEX [Kopenhagen] --- SUPERFLEX [Copenhagen] --- Almarcegui, Lara --- art [discipline] --- Šedá, Katerina