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Art cinématographique --- Filmkunst --- Documentary films --- Motion pictures and language --- Motion pictures --- Reality in motion pictures --- Documentaires --- Cinéma et langue --- Cinéma --- Réalité au cinéma --- History and criticism --- Production and direction --- Philosophy --- Histoire et critique --- Production et réalisation --- Philosophie --- Realism in motion pictures --- Cinéma vérité --- Cinema verite --- Realism in moving-pictures --- Direct cinema --- Truth cinema --- History and criticism. --- Cinéma vérité. --- Realism in motion pictures. --- Cinéma et langue --- Cinéma --- Réalité au cinéma --- Production et réalisation --- Cinéma vérité --- CDL --- 791.41 --- Documentary films - History and criticism

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The epoch-making revolutionary period universally known in Germany as '68 can be argued to have predated that year and to have extended well into the 1970s. It continues to affect German society and culture to this day. Yet while scholars have written extensively about 1968 and the cinema of other countries, relatively little sustained scholarly attention has thus far been paid to 1968 and West German, East German, and Austrian cinemas. Now, five decades later, Celluloid Revolt sets out to redress that situation, generating new insights into what constituted German cinema around 1968 and beyond. Contributors engage a range of cinemas, spanning experimental and avant-garde cinema, installations and exhibits; short films, animated films, and crime films; collectively produced cinemas, feminist films, and Arbeiterfilme (workers' films); as well as their relationship to cinemas of other countries, such as French cinéma vérité and US direct cinema.

Motion pictures --- History. --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- 1968. --- French cinéma vérité. --- German cinema. --- US direct cinema. --- cinema. --- cultural and political happenings. --- cultural impact. --- revolution. --- screen cultures.

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Documentary films --- Documentary television programs --- History and criticism. --- #KVHA:Documentaires --- #KVHA:Media --- #KVHA:Non-fictie film --- 791.41 --- 791.43 --- antropologie --- autobiografie --- autobiografische film --- cinéma vérité --- compilatiefilms --- direct cinema --- documentaire film --- documentaires --- etnografie --- film --- film en antropologie --- film en etnografie --- televisie --- televisiedocumentaires --- tv-documentaires --- Documentaries, Television --- Documentary programs, Television --- Telementaries --- Television documentaries --- Television documentary programs --- Documentary mass media --- Nonfiction television programs --- History and criticism

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Documentary films --- History and criticism. --- film --- documentaires --- documentaire film --- Flaherty Robert --- Flaherty Frances --- Rusland --- Sovjet-Unie --- Groot-Brittannië --- Verenigde Staten --- wereldoorlog II --- Canada --- filmgeschiedenis --- televisiedocumentaires --- tv-documentaires --- British Free Cinema --- New American Cinema --- cinéma vérité --- direct cinema --- twintigste eeuw --- eenentwintigste eeuw --- Burns Ken --- Herzog Werner --- James Steve --- Gibney Alex --- Guggenheim Davis --- Morris Errol --- Sinofsky & Berlinger --- Nelson Stanley --- Watkins Peter --- 791.41 --- 791.43 --- Documentary films. --- Media Studies. --- History and criticism --- Films documentaires --- Histoire et critique

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"Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, 'The Documentary Film Book' is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies."--Page 4 of cover.

Documentary films --- History and criticism --- Social aspects --- Films documentaires --- Documentary films. --- #SBIB:309H1326 --- film --- documentaires --- documentaire film --- Flaherty Robert --- Grierson John --- Canada --- Verenigde Staten --- direct cinema --- Sovjet-Unie --- Rusland --- Groupe des trente --- cinéma vérité --- Vertov Dziga --- Afrika --- Argentinië --- Brazilië --- Israël --- Palestina --- Oost-Europa --- feminisme --- gender studies --- afro-amerikaanse film --- docusoaps --- reality tv --- antropologie --- etnografie --- film en antropologie --- film en etnografie --- geschiedenis --- kunst --- muziek --- Docmedia --- 791.43 --- 791.41 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films documentaires. --- History and criticism. --- Social aspects. --- Documentary films - History and criticism --- Documentary films - Social aspects