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Hair analysis : applications in the biomedical and environmental sciences
Authors: --- ---
ISBN: 3527267875 0895733102 Year: 1988 Publisher: Weinheim ; New York, NY : VCH,

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Crowning achievements : African arts of dressing the head
Authors: --- ---
ISBN: 0930741420 0930741439 Year: 1995 Publisher: Los Angeles, Calif. : Fowler Museum of Cultural History, University of California, Los Angeles,

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Encyclopedia of hair : a cultural history
Authors: ---
ISBN: 0313331456 9780313331459 Year: 2006 Publisher: Westport, CT ; London Greenwood Press

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Sénéfiance
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ISSN: 03391752 ISBN: 2853995674 2821836996 9782853995672 Volume: 50 Publisher: Aix-en-Provence

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Ce volume rassemble les 27 contributions des Actes du colloque du CUER MA (2003) dans divers domaines de la civilisation du Moyen Âge : littérature, peinture, médecine, hygiène, cosmétique, mode, religion... Il n'est de chevelure qu'humaine. Située au chef du corps, elle est métonymique de celui ou celle qui l'offre naïvement auxregard ou bien en joue ou encore la couvre ou s'en prive. Sa couleur, la façon dont est arrangée ou dérangée, ornée ou tondue, sont des signes qu'on perçoit d'emblée ou qu'il faut interpréter. Elle dénote une nature, un âge, une appartenance au monde de la lumière ou des ténèbres. Fixée en boucles menues, retenue par une tresse, galonnée d'or, sagement (ou follement!) couverte, teinte ou postiche, déployée, déferlant parfois jusqu'aux pieds pour couvrir la nudité, sauvagement ébouriffée, arrachée en signe de deuil, rasée, blessée d'une tonsure, elle signale le rapport que l'individu entretient avec les normes de la société à laquelle il appartient. Parfois, il suffit d'un cheveu (d'or!) pour dire l'amour d'une Dame ou, métaphoriquement, les subtilité d'un art d'écrire (4e de couv.)


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Les sens du poil (grec)
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ISBN: 9782251445342 225144534X Year: 2015 Publisher: Paris: Les Belles Lettres,

Medusa's hair : an essay on personal symbols and religious experience
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ISBN: 0226616002 0226616010 9780226616001 9780226616018 Year: 1981 Publisher: Chicago, Ill.: University of Chicago press,

The last taboo : women and body hair
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ISBN: 178170256X 1847794440 9781847794444 9781781702567 9780719075001 0719075009 Year: 2006 Publisher: Manchester : Manchester University Press,

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This is the first academic book ever written on women and body hair, which has been seen until now as too trivial, ridiculous or revolting to write about. Even feminist writers or researchers on the body have found remarkably little to say about body hair, usually ignoring it completely. It would appear that the only texts to elaborate on body hair are guides on how to remove it, medical texts on 'hirsutism', or fetishistic pornography on 'hairy' women. The last taboo also questions how and why any particular issue can become defined as 'self-evidently' too silly or too mad to write about.


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Hot comb
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ISBN: 9781770463486 Year: 2019 Publisher: [Montréal, Québec] : Drawn & Quarterly,

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"Hot Comb offers a poignant glimpse into black women's lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story 'Hot Comb' is about a young girl's first perm--a doomed ploy to look cool and to stop seeming 'too white' in the all-black neighborhood her family has just moved to. In 'Virgin Hair', taunts of 'tender-headed' sting as much as the perm itself. It's a scenario that repeats fifteen years later as an adult when, tired of the maintenance, Flowers shaves her head only to be hurled new put-downs. Realizations about race, class, and the imperfections of identity swirl through Flowers' stories and ads, which are by turns sweet, insightful, and heartbreaking."--


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New Perspectives on the History of Facial Hair : Framing the Face
Authors: ---
ISBN: 3319734970 3319734962 9783319734965 Year: 2018 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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This volume brings together a range of scholars from diverse disciplinary backgrounds to re-examine the histories of facial hair and its place in discussions of gender, the military, travel and art, amongst others. Chapters in the first section of the collection explore the intricate history of beard wearing and shaving, including facial hair fashions in long historical perspective, and the depiction of beards in portraiture. Section Two explores the shifting meanings of the moustache, both as a manly symbol in the nineteenth century, and also as the focus of the material culture of personal grooming. The final section of the collection charts the often-complex relationship between men, women and facial hair. It explores how women used facial hair to appropriate masculine identity, and how women’s own hair was read as a sign of excessive and illicit sexuality.

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