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Galileo's O, Band III, ist in der Buchgeschichte ohne Vorbild. Ein Kreis von Spezialisten der Kunst-, Buch-, Wissenschafts-, Material- und Restaurierungsgeschichte korrigiert in diesem Werk die eigenen Ergebnisse der ersten beiden Bände. In deren Zentrum stand das New Yorker Exemplar von Galileis "Sternenboten" (Sidereus Nuncius) von 1610. Die Analyse war als Beispiel einer umfassenden Kooperation gedacht, und zahlreiche Ergebnisse sind nach wie vor gültig, doch das zentrale Objekt hat sich als Produkt einer internationalen Gruppe von Fälschern erwiesen. Indem Band III die Chronologie und die Methoden dieser Entdeckung beschreibt, könnte er eine Art Wasserscheide im andauernden Wettstreit zwischen den immer feineren Methoden von Fälschern und den neuen Methoden darstellen, ihnen auf die Spur zu kommen. Das Buch ist schließlich auch ein Psychogramm von Spezialisten, die gleichsam gegen sich selbst forschen, um vergleichbare Irrtümer in Zukunft zu vermeiden. Galileo's O, Volume III, is perhaps without peer in the history of the book. In this work, historians in various fields revise the results they presented in the first two volumes, which focused on the New York copy of Sidereus Nuncius, written in 1610. The analysis of this book was conceived as a uniquely multidisciplinary and cooperative undertaking, and many of its findings remain valid. Yet the subject of analysis proved to be the work of an international group of forgers. Volume III describes the chronology and methods by which the discovery of forgery was made - a veritable watershed moment in the continuing struggle between the ever-more refined methods of forgers and new methods used to apprehend them. Ultimately, the work also provides insight into the psychology of specialists who "research themselves" in order to prevent similar errors in the future.

ART / History / General.

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History --- art history --- Art --- Festschriften

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"Theatricality in Early Modern Art and Architecture offers the first systematic investigation of exchanges between the arts, architecture and the theatre. The authors present many new instances of the interaction between the arts, providing a theoretical and historiographical context for these interactions. Offers the first systematic investigation of exchanges between the arts, architecture and the theatre, not simply the influence of the theatre on the arts, and vice versa Develops a theoretical and methodological model to study such exchanges and interactions Presents many new, hitherto unknown instances of the interaction between the arts, particularly architecture, and the theatre, and provides such interactions with a theoretical and historiographical context Authors have opened up new ways of analyzing theatricality both in the arts, architecture and the theatre"-- "Interactions between the visual arts and the theatre are not simply a matter of exchanges of media or genres. They affect the way a play, painting or statue is viewed, the media, genres and arts involved, and the characters on stage or represented in painting or sculpture. These interactions raise questions about the ways genres are distinguished and defined, and ultimately the relation between representation and presence. This book offers the first systematic investigation of exchanges between the arts, architecture and the theatre, and not just an overview of the influence of the theatre on the arts, and vice versa. The authors take as their starting point a study of the implications of the use of four elements that define early modern theatre: the scenario, the actor, the theatrical space, and the audience. In doing so, the authors open up new ways of analyzing theatricality both in the arts, architecture and the theatre. They also present many new, hitherto unknown instances of the interaction between the arts, and provide these interactions with a theoretical and historiographical context"--

Art, European. --- Theater in art. --- ART / History / General --- ART / History / General. --- Art, european. --- Art / history / general.

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Art --- #GGSB: Kunst --- art history --- Kunst

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history --- archaeology --- museology --- art history and culture