Listing 1 - 10 of 15 | << page >> |
Sort by
|
Choose an application
Raphael --- Painters --- Biography. --- Raphael, --- Biography --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello
Choose an application
Drawing, Renaissance --- -Drawings, Renaissance --- Renaissance drawing --- Drawing --- Raphael --- -Picaud, Raphael --- Criticism and interpretation --- -Raphael --- -Criticism and interpretation --- Rafaël --- Raffaello Sanzio --- Sanzio, Raffaello --- Santi, Raffaello --- Drawings, Renaissance --- Raphael, --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Criticism and interpretation. --- Raphaël. Dessins. --- Raphaël. Tekeningen. --- Sanzio, Raffaele --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello
Choose an application
Raphael's Poetics makes the connection between the world famous and the unknown; it reconstructs the visual grammar that underlies the famous works of Raphael and which derives from the classical and contemporary Latin poetry that was so omnipresent in his surroundings but is now largely forgotten. By focusing on principles that from the basis of poetry Rijser explains the context in which Raphael's works were functioning, and arrives at an interpretation that they may have had for their intended audience. Highly innovative, thanks to the emphasis on a literary standpoint while looking at visual objects, Rijsers research results in a truly interdisciplinary methodology.
Poetry --- Iconography --- Raphael --- Art, Renaissance --- Ekphrasis --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Renaissance art --- Themes, motives --- Raphael, --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Criticism and interpretation. --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Ekphrasis. --- Kunst. --- Literatur. --- Malerei. --- Renaissance. --- Themes, motives. --- Bibel --- Italien. --- Italy
Choose an application
Raphael --- Art --- Collectors and collecting --- Exhibitions --- Collectionneurs et collections --- Expositions --- Raphael, --- Exhibitions. --- -Raphaël, --- Rafaël --- Raffaello Sanzio --- Sanzio, Raffaello --- Santi, Raffaello --- France --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Collectors and collecting&delete& --- Raphaël, --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Sanzio, Raffaele --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Art, Primitive
Choose an application
"Within little more than a decade Raffaello di Giovanni Santi (1483-1520) transformed himself from a master of provincial church decoration to one of the greatest painters who ever lived. This illustrated catalogue tells the story of his artistic journey from Urbino, where he was born, to the papal court in Rome, via the Central Italian cities of Citta di Castello, Perugia, Siena and Florence." "This book follows this dramatic evolution from his origins in Urbino and the early influences of his father, Giovanni Santi, and the famous Umbrian master Pietro Perugino. It explores his earliest works in Umbria and his studies in Florence under the influence of Leonardo and Michelangelo, concluding by investigating how and why Raphael's art flourished and changed so dramatically under the enlightened patronage of Pope Julius II in Rome."--Jacket.
Raphaël --- CDL --- 75.071 RAPHAEL --- Raphael, --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Malerei --- Geschichte 1500-1520 --- Geschichte 1840,ca. --- England --- Italien --- London <2004> --- Ausstellung --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Raphael --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Esposizioni --- Zeichnung --- Schilderijen. --- Raphaël, --- Raffaello (Sanzio) --- Critique et interprétation. --- Painting, Renaissance --- Raphaël (1483-1520) --- Critique et interprétation --- Rafaël. --- Rafaël
Choose an application
Vatican Palace (Vatican City). --- Raphael, --- Windsor, House of --- Art collections --- Cappella Sistina (Vatican Palace, Vatican City) --- Raphael --- -Art collections --- Cappella pontificia (Vatican Palace, Vatican City) --- Sistine Chapel (Vatican Palace, Vatican City) --- Papal Chapel (Vatican Palace, Vatican City) --- Sixtinische Kapelle (Vatican Palace, Vatican City) --- -Raphael --- Rafaël --- Raffaello Sanzio --- Sanzio, Raffaello --- Santi, Raffaello --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Art collections. --- Sanzio, Raffaele --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Raphael, - 1483-1520
Choose an application
"Explores artistic depictions of the ostrich from ancient Egypt to the Renaissance works of Raphael. Traces the history of shifting interpretations given to the ostrich in scientific texts, literature, and religious writings"--Provided by publisher.
Ostriches in art --- Art, Renaissance. --- Painting, Renaissance. --- Art, Renaissance --- Renaissance art --- Paintings, Renaissance --- Renaissance painting --- History. --- Raphael, --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Raphael --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Criticism and interpretation.
Choose an application
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
Architecture, Renaissance --- Humanism in architecture --- Architecture --- Sperulo, Francesco, --- Raphael, --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Raphael --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Speroli, --- Sperulus, Franciscus , --- Influence. --- Criticism and interpretation. --- Friends and associates. --- Villa Madama (Rome, Italy) --- Architectural practice --- Group work in architecture --- History --- Team work in architecture --- Teamwork in architecture --- Architect and client --- Architectural services --- Practice --- Vocational guidance --- Rome (Italy) --- Buildings, structures, etc.
Choose an application
In Tracing the Visual Language of Raphael’s Circle to 1527 , Alexis Culotta examines how the Renaissance master’s style – one infused with borrowed visual quotations from other artists both past and present – proved influential in his relationship with associate Baldassare Peruzzi and in the development of the artists within his thriving workshop. Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.
Art, Classical --- Classicisme (art) --- Mural painting and decoration, Italian --- Peinture et décoration murales italiennes --- Mural painting and decoration, Renaissance --- Peinture et décoration murales de la Renaissance --- Influence. --- Raphael, --- Raphaël --- Criticism and interpretation. --- Critique et interprétation. --- painting [image-making] --- influence --- Italian Renaissance-Baroque styles --- Raphael --- Peinture et décoration murales --- Raphael, 1483-1520 --- Classical art --- Classical antiquities --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Rafaël --- Peinture et décoration murales --- Peinture et décoration murales de la Renaissance --- Raphaël --- Critique et interprétation.
Choose an application
Die wiederentdeckte Habilitation Erwin Panofskys 1920 reichte Erwin Panofsky, einer der einflussreichsten Kunsthistoriker des 20. Jahrhunderts, in Hamburg seine Habilitationsschrift zu Michelangelo ein. In den folgenden Jahren arbeitete Panofsky stetig an dem Manuskript weiter, doch veröffentlicht wurde es nie. Seit seiner Emigration 1934 galt es als verschollen. Nach seiner Wiederentdeckung im Zentralinstitut für Kunstgeschichte in München im Jahr 2012 wurde das Manuskript von Panofskys Witwe, der Kunsthistorikerin Gerda Panofsky, ediert. Die Habilitation Panofskys liegt nun erstmals in gedruckter Fassung vor, ergänzt durch eine Einführung der Herausgeberin und das Faksimile des kompletten, handschriftlich korrigierten und ergänzten Manuskriptes. The rediscovered habilitation thesis of Erwin Panofsky
Art criticism --- ART / General. --- History --- Michelangelo Buonarroti, --- Raphael, --- Panofsky, Erwin, --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Raphael --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Michelangelo --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי, --- 1900 - 1999 --- Panofsky, Erwin
Listing 1 - 10 of 15 | << page >> |
Sort by
|