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Theatrical science --- Drama --- French literature --- anno 1700-1799 --- anno 1600-1699 --- European drama --- Théâtre européen --- History and criticism --- Histoire et critique --- 792.034 --- Renaissancetheater. Baroktheater --- Théâtre --- Congrès. --- 792.034 Renaissancetheater. Baroktheater --- Théâtre européen

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"During the Middle Ages and early modern period, a dramatic culture of astonishing vitality developed in the Low Countries. Owing to the activities of organizations known as rederijkerskamers, or "chambers of rhetoric", dramas became a central aspect of public life in the cities of the Netherlands. The comedies produced by these groups are particularly interesting. Drawing their forms and narratives from folklore and popular ritual, and entertaining in their own right, they also bring together a range of important concerns; they respond directly to some of the key developments in the period, reflecting the political and religious turmoil of the Reformation and Dutch Revolt, the emergence of humanism, and the appearance of an early capitalist economy. This collection brings together the original Middle Dutch text of ten of these comic plays, with facing translation into modern English. The selection is divided evenly between formal stage-plays and monologues, and provides a representation of the full range of rederijker drama, from the sophisticated Farce of the Fisherman, with its sly undermining of audience expectation, to the hearty scatology of A Mock-Sermon on Saint Nobody, and the grim gallows humor of The Farce of the Beggar. An introduction and notes place the plays in their context and elucidate difficulties of interpretation." --from back cover.

Dutch literature --- Dutch drama --- European drama --- Théâtre néerlandais --- Théâtre européen --- History and criticism --- Histoire et critique --- Dutch drama (Comedy) --- Dutch drama (Comedy). --- Théâtre néerlandais --- Théâtre européen --- Drama, Renaissance --- Renaissance drama --- Drama --- Dutch drama (Comedy) - Translations into English

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Ce livre voudrait libérer les scènes et les esprits. Libérer le théâtre occidental, qu'Aristote vampirise depuis près de 2 500 ans. En son temps, la Poétique fut une machine de guerre contre le théâtre traditionnel. Aristote inventait un théâtre littéraire, élitiste, austère, sans corps ni musique ni dieu : un théâtre de lecteurs. L'idéologie aristotélicienne est plus que jamais présente dans notre théâtre contemporain - souvenons-nous du festival d'Avignon 2005 et des polémiques autour d'Olivier Py et Jan Fabre. Cette idéologie est partout : dans le texte sacralisé, " tout le texte, rien que le texte ", dans le récit, surnommé " fable " depuis Brecht, et placé au centre de tout, dans la mise en scène elle-même et la dramaturgie, inventions pourtant récentes. Ainsi, public, metteur en scène et dramaturge se trouvent aujourd'hui réduits à n'être plus que les lecteurs d'une histoire. Aristote a déthéâtralisé, désenchanté le théâtre. Libérer la scène contemporaine, c'est redécouvrir les théâtres ritualisés, ludiques, musicaux. L'aristotélisme moderne a commencé à s'installer avec Goldoni et le siècle des Lumières, au cri de " Dehors les Bouffons ! ". Ce livre voudrait contribuer au retour des bouffons.

Aristotle --- Drama --- Theater --- History and criticism --- Theory, etc. --- History --- Aristotle. --- Théâtre (genre littéraire) --- Théâtre --- Histoire et critique --- Théorie, etc. --- Philosophie --- Aristote, --- Influence --- Aristote --- Influence. --- Philosophie. --- Drama - History and criticism - Theory, etc. --- Theater - History --- Aristotle. - Poetics --- Economic history --- Industrialization --- Histoire économique --- Industrialisation --- Histoire économique --- Histoire sociale --- 1750-1918 --- 20e siècle --- 19e siècle --- Aesthetics, Ancient. --- Drama. --- Esthétique ancienne. --- Esthétique. --- Influence (Literary, artistic, etc.). --- Influence grecque. --- Literature --- Littérature --- Poétique --- Poétique. --- Theater. --- Théâtre (Genre littéraire) --- Théâtre (Genre littéraire). --- Théâtre (Littérature). --- Théâtre (genre littéraire). --- Théâtre européen --- Théâtre européen. --- Tragedy. --- Tragédie. --- aristotélisme --- drama (literary genre). --- plays (performing arts compositions). --- théâtre (genre littéraire) --- théâtre occidental --- théâtre occidental. --- tragedies. --- tragedy (general genre). --- Histoire. --- History. --- Influence grecque --- 21e s. (début) --- Aristote. "Poétique" --- Influence exercée --- Aristote. --- Critique et interprétation. --- Poetics (Aristotle). --- Antiquité.

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Performing European Memories: Trauma, Ethics, Politics explores the intersections between contemporary European theatre and performance, the interdisciplinary field of memory studies, and current preoccupations with the politics of memory in Europe. Asking whether a genuinely shared European memory is possible while addressing the dangers of a single homogenised European memory, this important book examines the contradictions, specificities, continuities and discontinuities in the European shared and unshared pasts as represented in the works of Harold Pinter, Tadeusz Kantor, and Heiner Muller, Andrzej Wajda, Artur Zmijewski and other European artists. Gluhovic shows different ways in which these artists engage with the traumatic experiences of the Holocaust, the Stalinist Gulags, colonialism, and imperialism, challenge their audiences' historical imagination, and renew their affective engagement with Europe's past.

Theater --- European drama --- Collective memory in literature. --- Psychic trauma in literature. --- Politics in literature. --- Théâtre --- Théâtre européen --- Mémoire collective dans la littérature --- Traumatisme psychique dans la littérature --- Politique dans la littérature --- History --- History and criticism. --- Histoire --- Histoire et critique --- Collective memory --- National characteristics, European. --- Théâtre --- Théâtre européen --- Mémoire collective dans la littérature --- Traumatisme psychique dans la littérature --- Politique dans la littérature

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Comparative literature --- European drama --- Greek drama (Tragedy) --- Théâtre européen --- Tragédie grecque --- History and criticism --- Influence --- Histoire et critique --- European literature --- Mythology, Greek, in literature --- Classical influences --- Congresses. --- Appreciation --- 82-2 --- 875-2 --- -Greek drama (Tragedy) --- -Mythology, Greek, in literature --- -Greek drama --- Toneel. Drama --- Griekse literatuur: toneel; drama --- -Congresses --- -Collected works --- Congresses --- -Toneel. Drama --- 875-2 Griekse literatuur: toneel; drama --- 82-2 Toneel. Drama --- -875-2 Griekse literatuur: toneel; drama --- Théâtre européen --- Tragédie grecque --- Greek drama --- Classical influences&delete& --- Appreciation&delete& --- History and criticism&delete& --- 82-2 Drama. Plays --- Drama. Plays