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Social problems in art --- Exhibitions. --- Shahn, Ben, --- Exhibitions.

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Posters, German --- Posters --- Social problems in art --- Exhibitions --- Exhibitions --- Exhibitions. --- Gruppe Plakat, Stuttgart --- Exhibitions.

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"As India consolidates an aggressive model of economic development, indigenous tribal people known as adivasis continue to be overrepresented among the country's poor. Adivasis make up more than eight hundred communities in India, with a total population of more than 100 million people who speak more than three hundred different languages. Although their historical presence is acknowledged by the state and they are lauded as a part of India's ethnic identity today, their poverty has been compounded by the suppression of their cultural heritage and lifestyle. In Adivasi Art and Activism, Alice Tilche draws on anthropological fieldwork conducted in rural western India to chart changes in adivasi aesthetics, home life, attire, food, and ideas of religiosity that have emerged from negotiation with the homogenizing forces of Hinduization, development, and globalization in the twenty-first century. She documents curatorial projects located not only in museums and art institutions, but in the realms of the home, the body, and the landscape. Adivasi Art and Activism raises vital questions about preservation and curation of indigenous material and provides an astute critique of the aesthetics and politics of Hindu nationalism"--

Ethnological museums and collections. --- Social problems in art. --- Intercultural communication. --- India --- Economic conditions. --- Social conditions. --- Politics and government.

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In this book, Diana Bullen Presciutti explores how images of miracles performed by mendicant saints-reviving dead children, redeeming the unjustly convicted, mending broken marriages, quelling factional violence, exorcising the demonically possessed-actively shaped Renaissance Italians' perceptions of pressing social problems related to gender, sexuality, and honor. She argues that depictions of these miracles by artists-both famous (Donatello, Titian) and anonymous-played a critical role in defining and conceptualizing threats to family honor and social stability. Drawing from art history, history, religious studies, gender studies, and sociology, Presciutti's interdisciplinary study reveals how miracle scenes-whether painted, sculpted, or printed-operated as active agents of 'lived religion' and social negotiation in the spaces of the Renaissance Italian city.

Miracles in art. --- Christian saints in art. --- Art, Italian --- Themes, motives. --- Social problems in art. --- Art, Renaissance --- Art and society --- History --- Italy --- Social conditions --- Art --- Art and sociology --- Society and art --- Sociology and art --- Renaissance art --- Social aspects

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#SBIB:39A9 --- #SBIB:316.8H11 --- Medische antropologie / gezondheid / handicaps --- Welzijns- en sociale problemen: gehandicapten (fysiek, mentaal) --- Artists with disabilities. --- Arts and society. --- People with disabilities and the performing arts. --- Social problems in art. --- Sociology of disability. --- Artists with disabilities --- Arts and society --- Arts --- People with disabilities and the performing arts --- Social problems in art --- Sociology of disability --- Disabilities --- Sociology of disablement --- Sociology of impairment --- People with disabilities --- Handicapped and the performing arts --- Performing arts and people with disabilities --- Performing arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Handicapped artists --- Physically handicapped artists --- Political aspects --- Sociological aspects --- Social aspects --- Social policy and particular groups --- Theatrical science --- Sociology of culture --- anno 1900-1999 --- Political aspects.