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How can we think of the “aura” of (sacred) contexts and (sacred) works? How to think of individual and collective (esthetic/religious) experiences? What to make of the manipulative dimension of (religious and esthetic) “auratic” experiences? Is the work of art still capable of mediating the experience of the “sacred,” and under what conditions? What is the significance of the “eschatological” dimension of both art and religion (the sense of “ending”)? Can theology offer a way to reaffirm the creative capacities of the human being as something that characterizes the very condition of being human? This Special Issue aspires to contribute to the growing literature on contemporary art and religion, and to explore the new ways of thinking of art and the sacred (in their esthetic, ideological, and institutional dimensions) in the context of contemporary culture.
aesthetic --- harmony --- n/a --- beauty --- Gerhard Richter --- haptic --- Cologne Cathedral window --- secularism --- iconography --- Strip --- aesthetic experience --- iconology --- retro-avant-garde --- photography --- Augustine --- concepts: image --- Franciscan theology --- faith --- post-secular --- intentionality --- aura --- theurgy --- freedom --- authorship --- Magdalene --- contemporary painting --- mysticism --- wonder --- belief --- sacred --- art --- Vermeer --- chance --- abstract painting --- sensory experience --- skepticism --- digital imagery --- reading/readers --- aesthetics --- rhythm --- book(s) --- culture --- sentience --- Jerome --- ratio --- Art and religion. --- Postsecularism. --- Post-secularism --- Post-secularity --- Philosophy, Modern --- Religion --- Secularism --- Art --- Arts in the church --- Religion and art --- Religious aspects
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In this book, Ernest Sosa explains the nature of knowledge through an approach originated by him years ago, known as virtue epistemology. Here he provides the first comprehensive account of his views on epistemic normativity as a form of performance normativity on two levels. On a first level is found the normativity of the apt performance, whose success manifests the performer's competence. On a higher level is found the normativity of the meta-apt performance, which manifests not necessarily first-order skill or competence but rather the reflective good judgment required for proper risk assessment. Sosa develops this bi-level account in multiple ways, by applying it to issues much disputed in recent epistemology: epistemic agency, how knowledge is normatively related to action, the knowledge norm of assertion, and the Meno problem as to how knowledge exceeds merely true belief. A full chapter is devoted to how experience should be understood if it is to figure in the epistemic competence that must be manifest in the truth of any belief apt enough to constitute knowledge. Another takes up the epistemology of testimony from the performance-theoretic perspective. Two other chapters are dedicated to comparisons with ostensibly rival views, such as classical internalist foundationalism, a knowledge-first view, and attributor contextualism. The book concludes with a defense of the epistemic circularity inherent in meta-aptness and thereby in the full aptness of knowing full well.
Virtue epistemology. --- Epistemic virtue --- Epistemology, Virtue --- Knowledge, Theory of --- Virtue epistemology --- AAA normativity. --- AAA structure. --- Meno problem. --- Meno. --- Plato. --- Platonic problems. --- Theaetus. --- apprehension. --- assertion. --- awareness. --- belief. --- bootstrapping. --- circularity. --- contextualism. --- contextualist fallacy. --- epistemic agency. --- epistemic circularity. --- epistemic faculties. --- epistemic normativity. --- epistemic performances. --- epistemology. --- experience. --- experiential states. --- human knowledge. --- ignorance. --- interlocutors. --- knowledge first. --- knowledge. --- meta-aptness. --- normativity. --- perceptual knowledge. --- performance aims. --- performance based. --- performance normativity. --- proper action. --- propositional experience. --- radical knowledge. --- relevant alternatives. --- sensa. --- sense data. --- sensory experience. --- skeptic. --- testimonial knowledge. --- testimonies. --- testimony. --- threshold setting. --- traditional knowledge. --- true belief. --- trust. --- virtue epistemology. --- Ethics --- Philosophy
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From our first social bonding as infants to the funeral rites that mark our passing, music plays an important role in our lives, bringing us closer to one another. In The Music between Us, philosopher Kathleen Marie Higgins investigates this role, examining the features of human perception that enable music's uncanny ability to provoke, despite its myriad forms across continents and throughout centuries, the sense of a shared human experience. Drawing on disciplines such as philosophy, psychology, musicology, linguistics, and anthropology, Higgin
Communication in music. --- Music --- Music and language. --- Intercultural communication in the performing arts. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Performing arts --- Language and music --- Language and languages --- Music and society --- Musical communication --- Social aspects. --- Philosophy and aesthetics. --- Philosophy --- 78.81 --- 78.87.1 --- music, perception, sensory experience, human connection, humanity, musicology, bonding, community, culture, philosophy, psychology, linguistics, anthropology, sociology, ritual, folklore, education, work, labor, healing, security, joy, pleasure, nonfiction, society, solidarity, cross cultural, division, universality, communication, language, aesthetics, synesthesia, ethnocentrism, comfort, emotion, cognition, affect theory.
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"This book introduces a practice based and contextually sensitive approach to studying lived religion, employing cases from diverse disciplines, locations, and traditions and providing accessible guides to students and novice researchers eager to begin their own exploration of religious and spiritual practices"--
Religion and sociology. --- Religion --- Philosophy. --- Abolition movement. --- Action research. --- Aesthetics. --- Alfred Schutz. --- Archaeology. --- Arlie Hochschild. --- Beauty. --- Beliefs. --- Black churches. --- Buildings. --- Clothing. --- Cognitive science. --- Communication. --- Content analysis. --- Conversion. --- Culture. --- Cyberspace. --- Disability. --- Emotion. --- Established religion. --- Ethics. --- Everyday religion. --- Food. --- Gender. --- Global health. --- Golden Rule. --- Habitus. --- Healing. --- Hinduism. --- Icons. --- Institutionalized religion. --- Interviewing. --- Lived Theology. --- Mapping. --- Methods. --- Michel Foucault. --- Michele Lamont. --- Morality. --- Movement. --- Music. --- Muslim fashion. --- Narrative. --- Nature. --- Neoliberal contexts. --- Non-ordinary reality. --- Participant observation. --- Pentecostals. --- Pierre Bourdieu. --- Place. --- Postcolonialism. --- Qualitative analysis. --- Racism. --- Rapture stories. --- Reflexivity. --- Religious objects. --- Religious regulation. --- Ritual. --- Sampling. --- Seekers. --- Sensory experience. --- Sexuality. --- Shrines. --- Social activism. --- Socialization. --- Space. --- Taste. --- Theology. --- Tomb sweeping (Qingming). --- Transcendence. --- Twitter. --- Values. --- Vatican II. --- Vicarious religion. --- Virtues. --- Visual methods. --- definitions of religion. --- embodiment. --- lived religion. --- materiality. --- organized religion. --- practical knowledge. --- religious context. --- research methods. --- social practice theory. --- spirituality.
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