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Challenges the traditions that privilege visual experience, demostrating that touch was, and still is, crucially important to museums and art history while arguing against ideas of touch as an unmediated and uncomplicated mode of learning.
Art museums --- Art --- Art. --- Museum techniques --- Senses and sensation in art. --- Touch --- Touch. --- Methodology. --- History. --- Philosophy. --- In art.
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Arts, Modern --- Arts, Modern. --- Senses and sensation in art. --- 1800-1999. --- MAD-faculty 17 --- opleiding art sense(s) lab --- cultuurgeschiedenis --- geurkunst
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Sociology of culture --- 7.01 --- kunsttheorie --- kunst --- cultuurfilosofie --- sociologie --- 130.2 --- kunstonderwijs --- filosofie --- tekenkunst --- 741.071 --- Schröder Lotte Lara --- Fragility (Psychology). --- Touch. --- Senses and sensation in art.
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Art --- Senses and sensation --- Senses and sensation in art --- Senses and sensation in literature --- Philosophy --- Senses and sensation. --- Senses and sensation in art. --- Senses and sensation in literature. --- Philosophy. --- Art - Philosophy --- Art - Germany - Philosophy - 18th century --- Art - France - Philosophy - 18th century
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Deze tentoonstellingscatalogus begint met de 16e eeuw en brengt zowel de tijd- en geestesgenoten van Jheronymus Bosch en Pieter Bruegel de Oude in beeld, als moderne kunstenars zoals Félicien Rops, Fernand Khnopff en James Ensor. Naaste vele zinnenprikkelende kunstwerken die de vijf zingtuigen voorstellen krijgt de lezer een breed scala aan verhalentaferelen te zien die - vaak met een knipoog - een beeld geven van de geldende normen en waarden. Ook de meest uiteenlopende feesten komen aan bod: chique buitenpartijen, kermissen, banketten, boerenbruiloften en bordeelscènes. Het lijkt erop dat kunstenaars een voorkeur hadden voor feesten die gepaard gingen met een zekere losbandigheid. Door het nauwkeurig bekijken van de stille wenken in een schilderij achterhalen we de dubbele bodem en krijgen we oog voor de verborgen moraal.
Kunst. --- Painting --- Painting. --- Peinture --- Plaisir dans l'art --- Pleasure in art --- Pleasure in art. --- Sens et sensations dans l'art --- Senses and sensation in art --- Senses and sensation in art. --- Sensuality in art --- Sensuality in art. --- Sensualité dans l'art --- Sinne --- Devriendt, Robert, --- Khnopff, Fernand, --- Khnopff, Fernand, --- Wtewael, Joachim, --- Wtewael, Joachim, --- Belgien. --- Benelux countries.
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Senses and sensation in art --- Philosophy of nature --- Sociology of the family. Sociology of sexuality --- Aesthetics of art --- Senses and sensation --- Sex differences --- History --- Religious aspects --- Christianity --- History. --- Senses and sensation - Sex differences - History. --- Senses and sensation - Religious aspects - Christianity - History. --- Senses and sensation in art - History. --- Sensation --- Sensory biology --- Sensory systems --- Religious aspects&delete& --- Christianity&delete& --- Sex differences&delete& --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Senses and sensation - Sex differences - History --- Senses and sensation - Religious aspects - Christianity - History --- Senses and sensation in art - History
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Sensation is the subject of a burgeoning field in the humanities. This volume examines its role in the religious changes and transformations of early modern Europe. Sensation was not only central to the doctrinal disputes of the Reformation, but also critical in shaping new or reformed devotional practices. From this vantage point the book explores the intersections between the world of religion and the spheres of art, music, and literature; food and smell; sacred things and spaces; ritual and community; science and medicine. Deployed in varying, often contested ways, the senses were essential pathways to the sacred. They permitted knowledge of the divine and the universe, triggered affective responses, shaped holy environments, and served to heal, guide, or discipline body and soul. Contributors include Alfred Acres, Barbara Baert, Andrew R. Casper, Wietse de Boer, Sven Dupré, Iain Fenlon, Laura Giannetti, Christine Göttler, Jennifer R. Hammerschmidt, Joseph Imorde, Rachel King, Jennifer Rae McDermott, Walter S. Melion, Matthew Milner, Sarah Joan Moran, Yvonne Petry, and Klaus Pietschmann.
Christian church history --- emotion --- Art --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Senses and sensation --- Senses and sensation in art --- Sens et sensations --- Sens et sensations dans l'art --- Religious aspects --- Christianity --- History. --- Aspect religieux --- Christianisme --- Histoire --- History --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Religious aspects&delete& --- Christianity&delete& --- Senses and sensation - Religious aspects - Christianity - History --- Senses and sensation in art - History --- Senses and sensation - Europe - History --- religious experience
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Senses and sensation --- Perception --- Civilization, Medieval --- English philology --- Sens et sensation --- Civilisation médiévale --- Philologie anglaise --- History --- Congresses --- Histoire --- Congrès --- Civilisation médiévale --- Congrès --- Europe --- To 1500 --- Senses and sensation in literature --- Senses and sensation in art --- Sense (Philosophy) --- Civilization [Medieval ]
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Material culture. --- Material culture --- Social archaeology. --- Visual perception. --- Visual Perception. --- Culture matérielle. --- Archéologie sociale. --- Perception visuelle. --- material culture (discipline) --- visual perception. --- Social aspects. --- Archéologie sociale. --- Culture matérielle. --- material culture (discipline). --- Senses and sensation in art --- Senses and sensation --- Sens et sensations dans l'art --- Sens et sensations --- History --- Religious aspects --- Histoire --- Aspect religieux --- Art --- History of civilization --- anno 500-1499
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Catalogus van de gelijknamige tentoonstelling die doorging in Villa Vauban, het kunstmuseum van de stad Luxembourg. We maken kennis met de manier waarop de vijf zinnen (smaken, ruiken, zien, horen en voelen) afgebeeld worden in de kunsten. De getoonde werken blijven beperkt tot twee dimensies: geen installaties of sculpturen, alleen prenten en schilderijen.
Middle Ages. --- Musée d'histoire et d'art (Luxembourg) --- Luxembourg (Luxembourg) --- Metz (France) --- Trier (Germany) --- History. --- Middle Ages --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- History --- Musée d'histoire et d'art (Luxembourg) --- Luxemburg (City). --- Museum of Luxembourg --- Musée d'histoire (Luxembourg) --- Luxembourg. --- Musée de Luxembourg --- Musées de l'Etat (Luxembourg). --- State Museum of History and Art (Luxembourg) --- Musée d'histoire de la ville de Luxembourg --- Musée de l'Etat d'histoire et d'art (Luxembourg) --- Musée national d'histoire et d'art (Luxembourg) --- Treves (Germany) --- Trier, Ger. --- Augusta Treverorum (Germany) --- Augusta in Treveris (Germany) --- Augusta Trevirorum (Germany) --- Colonia Treverorum (Germany) --- Trevereca Urbs (Germany) --- Treverensium Civitas (Germany) --- Treverica Urbs (Germany) --- Treveris (Germany) --- Treverorum Civitas (Germany) --- Treviri Civitas (Germany) --- Treviris (Germany) --- Trevirorum Civitas (Germany) --- Trevirum (Germany) --- Tueri (Germany) --- Senses and sensation in art --- Painting, European --- Prints, European --- Iconography --- Painting --- senses --- iconography --- easel paintings [paintings by form]
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