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Harmony --- Continuo --- Music --- Acoustics and physics --- Rameau, Jean-Philippe,
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Harmony --- Continuo --- Music --- Acoustics and physics --- Rameau, Jean-Philippe,
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Harmony --- Continuo --- Music --- Acoustics and physics --- Rameau, Jean-Philippe,
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On considère généralement que les ouvrages de Pierre Estève occupent une place importante dans l’histoire des théories des beaux-arts au XVIIIe siècle : ils contribuent en effet au développement d’une esthétique « sensualiste » qui, peu à peu. remet en cause l’application du principe de l’imitation en musique. Dans cette perspective, la Nouvelle découverte du principe de l’harmonie, dont nous fournissons ici la première réédition depuis 1752, s’applique à développer une explication physique du phénomène des consonances, qui s’inscrit dans le projet d’une « histoire naturelle » des émotions de l’âme. Cette tentative mérite d’être connue, pour des raisons internes mais aussi historiques. D’une part, le principe élaboré par Pierre Estève représente la première version d’une théorie qui, jusqu’à présent, était attribuée à Helmholtz : la Nouvelle découverte est ainsi le premier texte qui explique les consonances par la superposition des sons harmoniques. D’autre part, nous établissons dans cette édition que cet ouvrage constitue une source notable de la doctrine définitive de Rousseau en matière de théorie musicale. En particulier, c’est après la lecture de Pierre Estève que Rousseau entreprend de critiquer l’hypothèse de Diderot, sur la perception des rapports en musique.
Harmony --- Harmonie --- Rameau, Jean Philippe, --- 18th century --- Music --- Philosophy --- musique --- philosophie --- harmonie (musique)
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This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular,the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau's theoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information. GRAHAM SADLER is Professor Emeritus at the University of Hull, Research Professor at Birmingham Conservatoire and Research Fellow at the University of Oxford. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.
Rameau, Jean-Philippe, --- Ramo, Zhan Filipp, --- Rameau, --- Rameau, Johann Baptist, --- Rameau, J. Ph. --- Ramō, J. Ph., --- Ramō, Jan Firippu, --- Composers
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muziektheorie --- Music --- harmonie --- harmonieleer --- Rameau, Jean-Philippe --- anno 1700-1799 --- France --- Frankrijk --- Musique --- Muziek --- Rameau, J.-P. --- Harmonie --- Harmony --- Harmony. --- Music Theory --- History --- History and criticism. --- 78.01 <44> --- -Music theory --- -Academic collection --- Musical theory --- Theory of music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music theory --- Muziekfilosofie. Muziekesthetiek--Frankrijk --- History and criticism --- -Theory --- Rameau, Jean Philippe --- -Rameau, Jean Philippe --- 78.01 <44> Muziekfilosofie. Muziekesthetiek--Frankrijk --- Rameau, Jean-Philippe, --- music [performing arts] --- Academic collection --- Theory --- 18th century --- 78.60.1 --- 78.21.1 Rameau --- 78.60.0 --- Music Theory - History - 18th century. --- Music - France - 18th century - History and criticism. --- Muziekgeschiedenis --- Muziektheorie --- 18e eeuw --- music [performing arts genre] --- Rameau (jean-philippe), compositeur francais, 1683-1764 --- Systeme harmonique --- Theorie --- 18e siecle
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Music --- Music theory --- Enlightenment --- Musique --- Théorie musicale --- Siècle des Lumières --- History and criticism. --- History --- Histoire et critique --- Histoire --- Rameau, Jean-Philippe, --- Criticism and interpretation. --- 78.21.1 Rameau
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