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Grafikdesigner lieben Musik. Das zeigt nicht zuletzt die große Begeisterung der Leser des Typografie-Magazins "Slanted" für die Rubrik "Typo Lyrics", in der Gestalter Musik mithilfe von Schrift ganz neu interpretieren. Für die gleichnamige Publikation haben sich renommierte Grafikdesigner wie Fons Hickmann sowie junge Talente aus der ganzen Welt von Songtexten zu innovativen Font-Designs inspirieren lassen. Entstanden ist eine Sammlung faszinierender Visuals - "Schriftbilder", die zeitgenössische Fonts auf eine etwas andere Weise präsentieren. Das außergewöhnliche Zusammenspiel von Schriftgestaltung und Musik macht die Fonts lebendig und bringt sie regelrecht zum Tanzen. Im Gegensatz zu klassischen Musterbüchern oder Schriftenfächern wird so ein besonderer, emotionaler Zugang zur Typografie geschaffen, der das große Ausdruckspotenzial von Schriften deutlich macht. Analog zur traditionellen Schriftklassifikation gliedert sich das Buch in elf Kapitel, die sich jeweils mit einer Schriftfamilie und Songtexten einer bestimmten Musikrichtung auseinandersetzen. Graphic designers love music. This is attested not least by the tremendous enthusiasm that readers of the typography magazine Slanted bring to its "Typo Lyrics" column, in which designers interpret music in entirely new ways with the help of fonts. For this publication of the same name, celebrated graphic designers like Fons Hickmann as well as talented young designers from all over the world have taken song lyrics and used them as the inspiration for innovative font designs. The result is a collection of fascinating visuals - "typographic images" that present contemporary fonts a little bit differently. The extraordinary interplay of type design and music brings the fonts to life and practically sets them dancing. In contrast to classical pattern books and font fans, this volume provides a special, more emotional experience of typography and illustrates the great expressive potential of typefaces. On analogy with the traditional classification of fonts, the book is organized into eleven chapters, each of which treats a particular font family and song lyrics from a particular musical style.

Type and type-founding --- Songs --- Lyrics --- Popular music --- Popular music lyrics --- Popular song lyrics --- Popular song texts --- Song texts --- Specimens of type --- Type specimens (Printing)

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From Tin Pan Alley to the Beatles to Beyoncé, ";Mr. Bradley skillfully breaks down a century of standards and pop songs into their elements to reveal the interaction of craft and art in composition and performance." (The Wall Street Journal) Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n' roll to today's hits. George and Ira Gershwin's "Fascinating Rhythm." The Rolling Stones' "(I Can't Get No) Satisfaction." Rihanna's "Diamonds." These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.

Popular music --- Songs --- Lyrics --- Popular music lyrics --- Popular song lyrics --- Popular song texts --- Song texts --- History and criticism --- Texts --- Popular music. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions