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Hearing --- Auditory Perception --- Auditory perception --- Perception auditive --- Ouïe --- Auditory perception. --- Hearing. --- Ouïe --- Auditory Perception.
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Auditory perception --- Hearing --- Music theory --- Music appreciation --- Perception auditive --- Ouïe --- Théorie musicale --- Musique --- History --- Histoire --- Appréciation --- History. --- Ouïe --- Théorie musicale --- Appréciation
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Auditory pathways --- Auditory perception --- Voies auditives --- Perception auditive --- Computer simulation --- Congresses --- Congresses. --- Programmation fonctionnelle --- Congrès --- Hearing --- Mathematical models --- Congrès --- HEARING TESTS --- COMPUTERS --- METHODS
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Music --- Auditory perception --- Musique --- Sémiotique et musique --- Perception auditive --- Psychological aspects --- Congresses. --- Semiotics --- Congresses --- Aspect psychologique --- Congrès --- Sémiotique et musique --- Congrès
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Auditory perception. --- Cognition. --- Listening. --- Perception auditive --- Ecoute (Psychologie) --- Cognition --- Auditory perception --- Listening --- Auding --- Attention --- Comprehension --- Educational psychology --- Hearing --- Psychology --- Sound perception --- Perception --- Word deafness
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Tinnitus: In alten Zeiten sprachen, so glaubte man, in ihm die Götter. Heute ist das Syndrom eine Volkskrankheit, obwohl noch vor zwei Jahrzehnten nicht einmal jeder Arzt den Ausdruck kannte. Wie man die Ohrenpein erklärt und therapiert, darin spiegeln sich die Kulturen. Uwe C. Steiner erzählt die faszinierende Geschichte des Ohrenklangs und seiner Deutungen, denn das Lei- den hat seit jeher existiert und medizinische Rätsel aufgegeben. Heute versuchen die Ärzte ihr Glück mit akustischer Stimulation, Verhaltenstherapien, Tabletten, Physiotherapie und sogar elektrischen Gehirnstimulationen. Einst aber verordnete man dagegen in Honig gekochte Haselmäuse, Urin oder Mandelöl. Als das moderne Selbst entsteht, klingen ihm auffällig häufig und leidenschaftlich die Ohren. Eine Welt, die im 19. und 20. Jahrhundert immer lauter wird, zollt darauf der Hörfolter neue Aufmerksamkeit. Mittlerweile erkennt sich unsere Zeit wieder im einst verkannten »Ohrensausen«: Tinnitus heute, so lautet Steiners Diagnose, ist die Symptomkrankheit eines überakustischen Zeitalters. In diesem Lärm im Kopf, in den ihm gewidmeten Reden, gibt sich unser Selbst und gibt sich das Gesicht einer medial und kommunikativ strapazierten Gegenwart zu erkennen.
Perception auditive, Troubles de la. --- Voix --- Mythologie. --- Tinnitus --- Buzzing in the ears --- Ear buzzing --- Ear ringing --- Ringing in the ears --- Hearing disorders --- History.
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How can we engineer systems capable of "cocktail party" listening?Human listeners are able to perceptually segregate one sound source from an acoustic mixture, such as a single voice from a mixture of other voices and music at a busy cocktail party. How can we engineer "machine listening" systems that achieve this perceptual feat?Albert Bregman's book Auditory Scene Analysis, published in 1990, drew an analogy between the perception of auditory scenes and visual scenes, and described a coherent framework for understanding the perceptual organization of sound. His account has stimulated much interest in computational studies of hearing. Such studies are motivated in part by the demand for practical sound separation systems, which have many applications including noise-robust automatic speech recognition, hearing prostheses, and automatic music transcription. This emerging field has become known as computational auditory scene analysis (CASA).Computational Auditory Scene Analysis: Principles, Algorithms, and Applications provides a comprehensive and coherent account of the state of the art in CASA, in terms of the underlying principles, the algorithms and system architectures that are employed, and the potential applications of this exciting new technology. With a Foreword by Bregman, its chapters are written by leading researchers and cover a wide range of topics including:. Estimation of multiple fundamental frequencies. Feature-based and model-based approaches to CASA. Sound separation based on spatial location. Processing for reverberant environments. Segregation of speech and musical signals. Automatic speech recognition in noisy environments. Neural and perceptual modeling of auditory organizationThe text is written at a level that will be accessible to graduate students and researchers from related science and engineering disciplines. The extensive bibliography accompanying each chapter will also make this book a valuable reference source. A web site accompanying the text (www.casabook.org) features software tools and sound demonstrations.
Auditory perception --- Auditory perception. --- Computational auditory scene analysis. --- Computer simulation. --- Computational auditory scene analysis --- Human Anatomy & Physiology --- Health & Biological Sciences --- Neuroscience --- Computer simulation --- Perception auditive --- Analyse de scènes auditives computationnelle --- Analyse de scènes auditives computationnelle --- Perception auditive. --- Simulation par ordinateur.
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Imagery (Psychology) --- Auditory perception --- Sound --- Ouïe --- Perception auditive --- Son --- Psychological aspects --- Aspect psychologique --- Imaginations --- Auditory Perceptual Disorders --- Auditory Perception --- Imagination --- Memory --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Visualization --- Sound perception --- Hearing --- Perception --- Word deafness --- Executive Function --- Auditory Perceptions --- Perception, Auditory --- Perceptions, Auditory --- Bioacoustics --- Auditory perception. --- Imagery (Psychology). --- Psychological aspects. --- Perception auditive. --- Aspect psychologique. --- Auditory Processing --- Processing, Auditory
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Linguistics --- Phonetics --- Physiology: movement organs, voice and skin --- Otorhinolaryngology --- Speech Perception. --- Phonetics. --- Auditory Perception. --- Speech perception. --- Bioacoustics. --- Auditory perception. --- Perception de la parole --- Phonétique --- Bioacoustique --- Perception auditive --- Phonétique --- Fysiologie: bewegingsorganen, stem en huid --- Otorhinolaryngologie --- Fonologie --- Taalkunde
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Cet ouvrage met en perspective la problématique des rapports entre le son et l'image en analysant leur imbrication. Nous ne voyons pas un film sonore, un clip ou une émission télévisée, mais nous les « audi voyons ». En d'autres termes, les objets audio-visuels donnent lieu à une perception spécifique, l'audio-vision, qui fonctionne essentiellement par projection et contamination réciproques de l'entendu sur le vu ou bien, « en creux », par suggestion. L'audio-vision est, au sens technique du mot, un illusionnisme dont le cinéma et, plus récemment, l'art-vidéo et le clip ont su exploiter les mille ressources. Le présent ouvrage a été publié aux Etats-Unis sous le titre : Audio-vision - Sound and Screen.
Sound motion pictures --- Motion pictures --- Cinéma --- Musique --- Sémiologie de l'image --- Sound effects --- Aesthetics --- Cinéma et musique --- Films sonores --- Perception visuelle --- Perception auditive --- Sémiotique et cinéma --- Son --- Image --- Perception --- Motion pictures - Sound effects --- Motion pictures - Aesthetics
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