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Painting --- Visual perception --- Psychological aspects --- Philosophy --- Painting - Psychological aspects --- Painting - Philosophy
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Painting --- Aesthetics --- Peinture --- Esthétique --- Philosophy --- Philosophie --- Loreau, Max --- 750.1 --- Arts Painting Philosophy and theory --- Esthétique
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Delvaux, Paul --- Painting --- Peinture --- Philosophy. --- Philosophie --- Delvaux, Paul. --- Philosophy --- -Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Delvaux --- Delvaux, P. --- -Philosophy --- Delvaux, Paul, --- Painting - Philosophy
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A recently discovered book manuscript by the celebrated artist Mark Rothko offering a landmark discussion of his views on topics ranging from the Renaissance to contemporary art, criticism, and the role of art and artists in society One of the most important artists of the twentieth century, Mark Rothko (1903-1970) created a new and impassioned form of abstract painting over the course of his career. Rothko also wrote a number of essays and critical reviews during his lifetime, adding his thoughtful, intelligent, and opinionated voice to the debates of the contemporary art world. Although the artist never published a book of his varied and complex views, his heirs indicate that he occasionally spoke of the existence of such a manuscript to friends and colleagues. Stored in a New York City warehouse since the artist's death more than thirty years ago, this extraordinary manuscript, titled The Artist's Reality, is now being published for the first time. Probably written around 1940-41, this revelatory book discusses Rothko's ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of "American art," and much more. The Artist's Reality also includes an introduction by Christopher Rothko, the artist's son, who describes the discovery of the manuscript and the complicated and fascinating process of bringing the manuscript to publication. The introduction is illustrated with a small selection of relevant examples of the artist's own work as well as with reproductions of pages from the actual manuscript. The Artist's Reality will be a classic text for years to come, offering insight into both the work and the artistic philosophies of this great painter.
Art --- Philosophy --- philosophy of art --- Rothko, Mark --- Painting --- Rothko, Mark, --- Written works --- Philosophy. --- Written works. --- Painting - Philosophy --- Rothko, Mark, - 1903-1970 - Written works --- Rothko, Mark, - 1903-1970 - Philosophy --- Rothko, Mark, - 1903-1970
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Comment la main donne-t-elle forme à la matière dans la pratique artistique ? Comment concevoir leur rapport dans la genèse d'une œuvre d'art ? Le présent ouvrage propose une relecture de la pensée esthétique à partir de questions durablement escamotées par ses historiens. Au revers de l'oculocentrisme dominant s'est développée en effet, dès la naissance de l'esthétique au XVIIIe siècle, comme la face occulte d'un Janus, une haptologie de l'œuvre d'art qui détermine l'expérience esthétique comme essentiellement sensorielle et corporelle, et la pratique artistique comme le cheminement de la main trouvant son chemin au cœur de la matière.Herman Parret retrace l'histoire de cette esthétique haptologique et en analyse les concepts-clés à travers une relecture des textes fondamentaux, de Baumgarten à Lyotard, en passant par Lessing, Diderot, Kant, Herder, Nietzsche, Riegl, Husserl, Merleau-Ponty, Jean d'Udine, Henri Focillon et Gilles Deleuze. Il montre comment l'hypothèse haptologique s'immisce dans le cadre général de réflexion de ces penseurs et finit toujours par s'y justifier, dégageant une continuité méconnue sur plus de deux siècles d'esthétique philosophique.
Aesthetics --- philosophy of art --- History --- Gesture in art --- Touch --- Creation (Literary, artistic, etc.) --- Painting --- Philosophy --- Aesthetics. --- Art criticism --- Creation (Literary, artistic, etc.). --- Gesture in art. --- Phenomenology. --- Touch. --- History. --- Philosophy. --- Aesthetics - History --- Painting - Philosophy
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Art --- Painting --- Peinture --- Philosophy --- Philosophie --- Caravaggio, Michelangelo Merisi da, --- Poussin, Nicolas, --- Criticism and interpretation --- Critique et interprétation --- Semiotics --- Caravaggio, --- Poussin, Nicolas --- -Criticism and interpretation --- Critique et interprétation --- Caravage, Le --- Critique et interprétation. --- Criticism and interpretation. --- Painting - Philosophy --- Caravaggio, - 1573-1610 - Criticism and interpretation --- Poussin, Nicolas, - 1594?-1665 - Criticism and interpretation --- Caravaggio, - 1573-1610 --- Poussin, Nicolas, - 1594?-1665 --- Critique et interprétation.
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Clouds in art --- Painting --- Composition (Art) --- Nuages dans l'art --- Peinture --- Psychological aspects --- Aspect psychologique --- Ecrit théorique --- Théorie de l'art --- Histoire de la peinture --- Analyse de l'art --- Philosophy --- Panorama mondial --- Kunsttheorie ; kunstfilosofie ; Hubert Damisch over wolken --- Thema's in de schilderkunst ; geschiedenis ; wolken --- 75.01 --- Schilderkunst ; theorie, filosofie, esthetica --- CDL --- Painting - Philosophy
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In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they emotionally affect us. He then applies these questions to painting, demonstrating that certain paintings beckon us to view their contents as real. As emblematic of the fundamental concerns of our lives, paintings, he argues, are not simply in our heads but in our world. Paskow also situates the phenomenological approach to the experience of painting in relation to contemporary schools of thought, particularly Marxist, feminist, and deconstructionist.
Aesthetics --- Belief, Problem of (Literature) --- Painting --- Phenomenology --- Reality in art --- Reality in literature --- Philosophy, Modern --- Problem of belief (Literature) --- Belief and doubt in literature --- Criticism --- Literature --- Literature and morals --- Religion and literature --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Proportion --- Symmetry --- Psychology --- Aesthetics. --- Reality in art. --- Reality in literature. --- Phenomenology. --- Philosophy. --- Painting - Philosophy. --- Arts and Humanities --- Radio broadcasting Aesthetics
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Painting --- Peinture --- Philosophy --- Appreciation --- Philosophie --- Appréciation --- Caravaggio, Michelangelo Merisi da, --- Poussin, Nicolas, --- Semiotics --- Criticism and interpretation --- 7.01 --- -Semiotics --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Caravaggio, Michelangelo Merisi da --- -Poussin, Nicolas --- -Criticism and interpretation --- Semiotics. --- Philosophy. --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Appréciation --- Pusan, Niḳolah, --- Pussen, Nikola, --- Karavadzho, Mikelʹandzhelo da, --- Merizi, Mikelʹandzhelo, --- Merisi, Michelangelo, --- Amerighi, Michelangelo, --- Caravaggio, --- Merisio, Michelangelo, --- Da Caravaggio, Michelangelo Merisi, --- Merisi da Caravaggio, Michelangelo, --- Caravage, --- Merisi, Michelange, --- Caravage, Michelange de, --- Caravaggi, M. de --- קרוואג׳יו --- Criticism and interpretation. --- Poussin, Nicolas --- CDL --- 75.01 --- Painting - Philosophy --- Poussin, Nicolas, - 1594?-1665 - Criticism and interpretation --- Caravaggio, Michelangelo Merisi da, - 1573-1610 - Criticism and interpretation --- Poussin, Nicolas, - 1594?-1665 --- Caravaggio, Michelangelo Merisi da, - 1573-1610
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No detailed description available for "Philosophy of Painting by Shih-T'ao".
Painting --- Philosophy --- Shitao, --- -Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Shih-t'ao --- Philosophy. --- -Philosophy --- A-chʻang, --- Achang, --- Chʻao-chi, --- Chaoji, --- Chi-shan-seng, --- Chih-hsia-sou, --- Ching-chiang-hou-jen, --- Chʻing-hsiang-chʻen-jen, --- Chʻing-hsiang-i-jen, --- Chʻing-hsiang-lao-jen, --- Chu, A-chʻang, --- Chu, Jo-chi, --- Citrouille-Amère, --- Dadizi, --- Daitekishi, --- Daoji, --- Dōsei, --- Dun'gen, --- Hsia-tsun-che, --- I-chih-ko, --- Jingjianghouren, --- Jishanseng, --- Kʻu-kua-ho-shang, --- Kuguaheshang, --- Ling-ting-lao-jen, --- Lingdinglaoren, --- Qingxiangchenren, --- Qingxianglaoren, --- Qingxiangyiren, --- Sekitō, --- Shan-chʻeng-kʻo, --- Shanchengke, --- Shi, Tao, --- Shi-tao, --- Shih-tʻao, --- Shih, Tʻao, --- Sŏkto, --- Ta-ti-tzu, --- Tao-chi, --- Tao-shi, --- Tun-ken, --- Wan-tao-jen, --- Wandaoren, --- Xiazunzhe, --- Yizhige, --- Yüan-chi, --- Yuanji, --- Zhixiasou, --- Zhu, Achang, --- Zhu, Ruoji, --- 石涛, --- 石濤, --- 道濟, --- 釋道, --- 朱若极, --- Painting - Philosophy --- Shitao, - active 17th century-18th century
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