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In this volume, 13 authors from several different countries examine how music has been created and used by YouTube users to establish and a promote a narrative for their daily lives. The digital platform has been used to create and disseminate sonic and emotional soundscapes, to stage performances and build artistic (cyber)identity, to engage in producing and circulating aural content for composing and teaching, and even to customize listening habits. This volume mixes long and short essays to explore these interactions from a variety of angles, from YouTube users' comments to online collaborations between composers and listeners and virtual stages for real and imagined performances.
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Wikström provides an international overview of the music industry and its future prospects in the world of global entertainment. He illuminates the workings of the music industry and capture the dynamics at work in the production of musical culture.
Industrie de la musique et du son --- Music trade. --- Music trade --- Music and the Internet. --- Technological innovations. --- Music --- Social aspects. --- Industrie de la musique et du son.
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This book provides a theoretically grounded account of the impact of digital technology on the music business, and develops the concept of the musical network to understand the transformation of this economy over space and through time.
Music trade --- Music and the Internet --- Economic aspects. --- Economic aspects --- E-books --- Internet and music --- Internet --- Music business --- Music industry --- Cultural industries
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Information storage and retrieval systems --- Music and the Internet --- Music publishing --- Music trade --- Music --- Music --- Computer network resources --- Computer network resources
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"This is a book about how technology has affected the music industry through a series of disruptions that have taken place ten times over the past century. Whenever technological innovations result in a compelling new way to distribute music to the public, the music industry changes in myriad and fundamental ways to adjust to the new format. And while the technologies themselves have evolved over the decades, the changes within the business follow a distinct pattern. Key Changes describes this pattern: it defines an analytical structure, the 6C Framework, that explains how the music business transformed in each era. The ten disruptions are the formats for distributing recorded music: phonograph records, radio, LPs, tapes, CDs, television, digital downloads, streaming, and streaming video; and then into the future with voice response and AI technologies, where the changes are in progress now. Each of these has a chapter in the book. The book concludes with an examination of how the 6C Framework applies across the timeline of various music formats, as well as to technologically induced changes in other industries, ranging from movies to sports to coffee, and it offers some observations about how blockchain technology could be the source of the next set of disruptive innovations in the music industry"--
Enregistrements sonores --- Music and the Internet. --- Music trade --- Music trade. --- Musique et Internet. --- Musique --- Sound recording industry --- Sound recording industry. --- Industrie --- Histoire. --- History. --- Technological innovations. --- Innovations.
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"An exploration of YouTube as a platform for remix, reuse, and sampling"--
Collages (Musique) --- Composition (Music) --- Composition (Musique) --- Mashups (Music) --- Music and the Internet. --- Music videos --- Music --- Musique et Internet. --- Musique --- Médias sociaux. --- Remix --- Remixes --- Sampling (Sound). --- Social media. --- Vidéoclips --- social media. --- Échantillonnage de sons. --- Histoire et critique. --- Collaboration. --- History and criticism. --- Philosophy and aesthetics. --- Philosophie et esthétique. --- YouTube (Electronic resource).
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