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Maya sculpture. --- Indian sculpture --- Mayas --- Antiquities.
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Rather than view the contours of Late Classic Maya social life solely from towering temple pyramids or elite sculptural forms, this book considers a suite of small anthropomorphic, zoomorphic, and supernatural figurative remains excavated from household refuse deposits. Maya Figurines examines these often neglected objects and uses them to draw out relationships between the Maya state and its subjects. These figurines provide a unique perspective for understanding Maya social and political relations; Christina T. Halperin argues that state politics work on the microscale of everyday routines, localized rituals, and small-scale representations. Her comprehensive study brings together archeology, anthropology, and art history with theories of material culture, performance, political economy, ritual humor, and mimesis to make a fascinating case for the role politics plays in daily life. What she finds is that, by comparing small-scale figurines with state-sponsored, often large-scale iconography and elite material culture, one can understand how different social realms relate to and represent one another. In Maya Figurines, Halperin compares objects from diverse households, archeological sites, and regions, focusing especially on figurines from Petén, Guatemala, and comparing them to material culture from Belize, the northern highlands of Guatemala, the Usumacinta River, the Campeche coastal area, and Mesoamerican sites outside the Maya zone. Ultimately, she argues, ordinary objects are not simply passive backdrops for important social and political phenomena. Instead, they function as significant mechanisms through which power and social life are intertwined.
Figurines --- Household archaeology --- Mayas --- Maya sculpture. --- Politics and government. --- Antiquities. --- Mexico --- Central America
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Mayas --- Antiquities --- Sculpture --- Antiquités --- Quiriguã Site (Guatemala) --- Quiriguã (Guatémala : site archéologique) --- Maya sculpture. --- Antiquities. --- Antiquités --- Quiriguá Site (Guatemala) --- Quiriguá (Guatémala : site archéologique)
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This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity. Julia Guernsey situates the origins and evolution of monumental stone sculpture within a broader social and political context and demonstrates the role that such sculpture played in creating and institutionalizing social hierarchies. This book focuses specifically on an enigmatic type of public, monumental sculpture known as the 'potbelly' that traces its antecedents to earlier, small domestic ritual objects and ceramic figurines. The cessation of domestic rituals involving ceramic figurines along the Pacific slope coincided not only with the creation of the first monumental potbelly sculptures, but with the rise of the first state-level societies in Mesoamerica by the advent of the Late Preclassic period. The potbellies became central to the physical representation of new forms of social identity and expressions of political authority during this time of dramatic change.
Maya sculpture. --- Olmec sculpture. --- Indian sculpture --- Indians of Central America --- Indians of Mexico --- Sculpture, Olmec --- Olmec art --- Sculpture, Mexican --- Mayas --- Sculpture, Maya --- Maya art --- Sculpture, Central American --- Sculpture --- Stone-sculpture --- Social Sciences --- Archeology
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In this book, Alexander Parmington examines how images, texts and architectural form controlled and channelled movement of particular sets of people through various precincts in Classic Maya cities. Using Palenque as a case study, this book analyses specific building groups and corresponding sculptures to provide insight into the hierarchical distribution and use of ritual and administrative space in temple and palace architecture. Identifying which spaces were the most accessible and most public, and which spaces were segregated and highly private, Dr Parmington demonstrates how sculptural, iconographic and hieroglyphic content varies considerably when found in public/common or private/elite space. Drawing on specific examples from the Classic Maya and other early civilisations, he demonstrates that by examining the intent in the distribution of architecture and art, the variation and function of the artistic themes represented in sculpture and other monumental works of art can be better understood.
Spatial analysis (Statistics) in archaeology --- Maya sculpture --- Maya architecture --- Architecture, Maya --- Mayas --- Architecture --- Sculpture, Maya --- Maya art --- Sculpture, Central American --- Sculpture, Mexican --- Archaeology --- Sculpture --- Methodology --- Palenque Site (Mexico) --- Palenque (Chiapas, Mexico) --- Palemke (Chiapas, Mexico) --- Mexico --- Antiquities. --- Antiquities --- Social Sciences --- Archeology
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Maya sculpture --- Inscriptions, Mayan --- Mayas --- Sculpture maya --- Inscriptions maya --- Antiquities. --- Antiquités --- Yucatãn Peninsula --- Mexico --- Yucatan (Péninsule) --- Mexique --- Antiquités --- Yucatán Peninsula --- Yucatan (Péninsule) --- Maya Indians --- Mayans --- Sculpture, Maya --- Mayan inscriptions --- Antiquities --- Sculpture --- Península de Yucatán --- Indians of Central America --- Indians of Mexico --- Maya art --- Sculpture, Central American --- Sculpture, Mexican
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The ancient Mesoamerican city of Izapa in Chiapas, Mexico, is renowned for its extensive collection of elaborate stone stelae and altars, which were carved during the Late Preclassic period (300 BC-AD 250). Many of these monuments depict kings garbed in the costume and persona of a bird, a well-known avian deity who had great significance for the Maya and other cultures in adjacent regions. This Izapan style of carving and kingly representation appears at numerous sites across the Pacific slope and piedmont of Mexico and Guatemala, making it possible to trace political and economic corridors of communication during the Late Preclassic period. In this book, Julia Guernsey offers a masterful art historical analysis of the Izapan style monuments and their integral role in developing and communicating the institution of divine kingship. She looks specifically at how rulers expressed political authority by erecting monuments that recorded their performance of rituals in which they communicated with the supernatural realm in the persona of the avian deity. She also considers how rulers used the monuments to structure their built environment and create spaces for ritual and politically charged performances. Setting her discussion in a broader context, Guernsey also considers how the Izapan style monuments helped to motivate and structure some of the dramatic, pan-regional developments of the Late Preclassic period, including the forging of a codified language of divine kingship. This pioneering investigation, which links monumental art to the matrices of political, economic, and supernatural exchange, offers an important new understanding of a region, time period, and group of monuments that played a key role in the history of Mesoamerica and continue to intrigue scholars within the field of Mesoamerican studies.
History of civilization --- Chiapas --- Excavations (Archaeology) --- Maya architecture --- Maya art --- Maya sculpture --- Mayas --- Petroglyphs --- Carvings, Rock --- Engravings, Rock --- Rock carvings --- Rock engravings --- Rock inscriptions --- Stone inscriptions --- Maya Indians --- Mayans --- Sculpture, Maya --- Art, Maya --- Mayan art --- Architecture, Maya --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Antiquities --- Sculpture --- Art --- Architecture --- Izapa Site (Mexico) --- Soconusco Region (Mexico) --- Antiquities. --- Indians of Central America --- Indians of Mexico --- Inscriptions --- Picture-writing --- Rock paintings --- Sculpture, Central American --- Sculpture, Mexican --- Art, Central American --- Art, Mexican --- Archaeology --- Mexico
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