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The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and "after" artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts-most notably as it emerged in the pages of October magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career.

Appropriation (Art) --- Appropriation (Art). --- Levine, Sherrie --- Levine, Sherrie. --- Criticism and interpretation. --- United States. --- 7.07 --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art

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- Auto-maticity: Ruscha and performative photography / Margaret Iversen##- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar##- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James##- Exit ghost: Douglas Huebler's face value / Gordon Hughes##- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski##- Roni Horn's Icelandic encyclopedia / Mark Godfrey##- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd##- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle##- Morning cleaning: Jeff Wall and The large glass / Christine Conley.

77.01 --- 7.039 --- kunst --- fotografie --- fotografietheorie --- twintigste eeuw --- eenentwintigste eeuw --- Ruscha Ed --- Becher Bernd --- Becher Hilla --- Bochner Mel --- Horn Roni --- Demand Thomas --- Wall Jeff --- Levine Sherrie --- 77.038 --- Fotografie--Semiotiek van de fotografie. Theorie --- Hedendaagse kunststromingen.Post-moderne kunst --- Photography, Artistic. --- Photography in art. --- Art and photography. --- Photographers. --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie

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De negen essays die in dit boek te vinden zijn hebben telkens een andere kunstenares als onderwerp. De centrale vraag die bij hun werk gesteld wordt is de volgende: "zijn er voor de beoordeling van het werk van vrouwelijke kunstenaars specifieke criteria nodig?". Vertrekkend van de misogynie van veel surrealistische werken wordt hier nagegaan hoe vrouwen hun plaats bepalen binnen kunst als vormentaal die grotendeels door mannen bepaald wordt. In veel werken wordt er van uitgegaan dat vrouwen hun positie bepalen ofwel door te conformeren aan die mannelijke norm ofwel door een marginale positie in te nemen. De auteur van dit boek meent dat vrouwen wel degelijk binnen een stroming als het surrealisme hun plaats verdienen zonder dat die tweedeling gehanteerd moet worden.

Kunsttheorie ; 20ste eeuw ; feminisme --- Rosalind E. Krauss --- Kunst ; van vrouwen ; 20ste eeuw --- kunst --- Surrealisme ; invloeden --- gender studies --- Cahun, Claude --- feminisme --- Maar, Dora --- Beeldhouwkunst ; environments ; tekeningen ; Louise Bourgeois --- cultuurfilosofie --- surrealisme --- Hesse, Eva --- Cahun Claude --- Sherman, Cindy --- Maar Dora --- Woodman, Francesca --- Levine, Sherrie --- kunstfilosofie --- esthetica --- Lawler, Louise --- Bourgeois Louise --- Ecriture féminine --- 7.01 --- Martin Agnes --- Hesse Eva --- Sherman Cindy --- Woodman Francesca --- Levine Sherrie --- Lawler Louise --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- women [female humans] --- feminism --- art [fine art] --- Iconography --- Art --- Bourgeois, Louise --- Martin, Agnes --- Feminism and the arts. --- Originality in art. --- Surrealism --- Women artists --- Influence. --- Psychology. --- Philosophy and psychology of culture --- Feminism and the arts --- Originality in art --- Superrealism --- Surrealism in art --- Arts, Modern --- Arts and feminism --- Arts --- Influence --- Psychology --- art [discipline] --- vrouwelijke kunstenaar --- Artists --- Book --- Cultural movements

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Araneae [order] --- Art --- History --- Iconography --- psychology --- Sculpture --- art history --- art [fine art] --- mourning --- psychoanalysis --- sculpting --- parents --- eroticism --- Johns, Jasper --- Levine, Sherrie --- Jean, Marcel --- Giacometti, Alberto --- Bourgeois, Louise --- Hesse, Eva --- Miró, Joan --- Kusama, Yayoi --- Duchamp, Marcel --- Masson, André --- Brancusi, Constantin --- United States --- Mignon Nixon --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Bourgeois Louise --- Frankrijk --- installaties --- Verenigde Staten --- beeldhouwkunst --- psychoanalyse --- lichamelijkheid --- kunst en psychoanalyse --- feminisme --- gender studies --- Klein Melanie --- 7.071 BOURGEOIS --- Feminism and art. --- Psychoanalysis and art. --- Bourgeois, Louise, --- Feminism and art --- Psychoanalysis and art --- Art and psychoanalysis --- Art and feminism --- art [discipline] --- dood --- kunstpsychologie --- United States of America

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Deel 1 : 104 p. 0F Deel 2 : Nederlandse vertaling, 23 p. 08 Aangeboden in ruil. 28

Art --- anno 1900-1999 --- Iconography --- Kosolapov, Aleksander --- Laugs, Martha --- Moufarrege, Nicolas A. --- Levine, Sherrie --- Kohlhöfer, Christof --- Päs, Gerard --- Cutrone, Ronnie --- Vollmer, Wolfgang --- Lersch, Martin --- Sturtevant, Elaine --- Gross, Rainer --- Komar, Vitaly --- Tillmann, Ulrich --- Kunc, Milan --- Gudmundsson, Sigurdur --- Dimitrijević, Braco --- Bidlo, Mike --- Art, Modern --- Exhibitions --- Influence --- Adaptations --- Exposition --- Hasselt --- -Art, Modern --- -Herausgegeben von --- twintigste eeuw --- kunst --- schilderkunst --- citatenkunst --- plagiaat --- kopie --- parodie --- hommage --- fotografie --- tekenkunst --- 7.038 --- 75.036 --- 741.036 --- 77(091) --- Modern art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- -Exhibitions --- Exhibitions. --- Herausgegeben von --- Influence&delete& --- Adaptations&delete& --- 700.4 --- Beeldende kunst --- postmodernisme --- citaten --- citeren en refereren --- 20e eeuw (twintigste eeuw) --- Nieuwe Ploeg (Group of artists) --- beeldende kunst, musea - tentoonstellingen --- Pas, Gerard --- Art, Primitive --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 20th century - Influence - Exhibitions --- Art - Adaptations - Exhibitions --- kunst over kunst