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Looking at laughter : humor, power, and transgression in Roman visual culture, 100 B.C. - A.D. 250
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ISBN: 9780520237339 0520237331 Year: 2007 Publisher: Berkeley, Calif.: University of California press,

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In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" 'Looking at Laughter 'examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious--everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.

A history of English laughter : laughter from Beowulf to Beckett and beyond
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ISBN: 9042012889 9004484876 Year: 2002 Volume: 57


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La civilisation du rire
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ISBN: 9782271081490 2271081491 Year: 2016 Publisher: Paris : CNRS éditions,

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Une étude consacrée au rire qui en souligne le rôle social. Elle présente ses principes de base, notamment en anthropologie, de la Renaissance à aujourd'hui, ainsi que ses manifestations dans l'art, la philosophie, la littérature ou encore dans les médias. ©Electre 2017


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Satire, veneration, and St. Joseph in art, c. 1300-1550
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ISBN: 9048534119 9789048534111 9789462983748 9462983747 Year: 2019 Volume: 16 Publisher: Amsterdam: Amsterdam university press,

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Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's perception as a mere teaching tool for the laity and the antithesis of 'high' veneration and theology, a divide perpetuated by Counter-Reformation thought and the inheritance of Mikhail Bakhtin (Rabelais and His World, 1965). It reveals how humor, laughter, and material culture played a critical role in establishing St. Joseph as an exemplar in western Europe as early as the thirteenth century. Its goal is to open a new line of interpretation in medieval and early modern cultural studies, by revealing the functions of humor in sacred scenes, the role of laughter as veneration, and the importance of play for pre-Reformation religious experiences.

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