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Judgment Day in art. --- Michelangelo --- Buonarroti, Michelangelo
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Christian church history --- Iconography --- anno 1500-1599 --- Judgment Day in art --- Art and religion --- Reformation in art --- Jugement dernier dans l'art --- Art et religion --- Réforme dans l'art --- -Reformation in art --- -Judgment Day in art --- Reformation in art. --- Judgment Day --- Christian art and symbolism --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects --- Judgment Day in art. --- Réforme dans l'art --- Art and religion - - Europe, Northern
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"Few subjects in Christianity have inspired artists as much as the Last Judgment. Last Judgment Iconography in the Carpathians examines over 100 images of the Last Judgment, with an emphasis on those from the fifteenth century to the eighteenth century, in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania. John-Paul Himka's analysis of these monumental works of art allows him to consider history free from the traditional frameworks and narratives of nations. For nine years, Himka studied Last-Judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region." "Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Originally painted by monks, these images increased in popularity and eventually came to be commissioned and even painted by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and Slavists."--Jacket.
Judgment Day in art. --- Apocalypse in art. --- Icons --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Judgment Day --- History. --- Christianity and art --- Orthodox Eastern Church. --- History --- Carpathian Mountains Region --- Religious life and customs.
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Come ben sapevano i predicatori medievali, delle due grandi leve del comportamento umano ? la paura del castigo e la speranza del premio ? la più efficace era la prima. Di qui, allora, lo sviluppo di immagini dell?Inferno che fra Tre e Quattrocento sono sempre più complesse e crude, così da turbare gli animi e smuovere le coscienze. Ma in che direzione? E a quale scopo? La domanda è assai meno scontata di quanto non possa apparire. Dal momento, infatti, che gli exempla negativi avevano senso solo in funzione di quelli positivi, il grande teatro dei reprobi si prestava anche ad una lettura al contrario, in cui le figure dei peccatori, lungi dal costituire solo un terribile ammonimento, indirizzavano il fedele verso atteggiamenti speculari e opposti a quelli puniti.0La critica si faceva insomma proposta, complici le scelte iconografiche di artisti e committenti (comunità, privati, confraternite, ordini religiosi, ecc.), che attraverso il tema dell?Inferno potevano esprimere i propri ideali di convivenza civile.
Hell in art --- Sin in art --- Judgment Day in art --- Mural painting and decoration, Italian --- Mural painting and decoration, Medieval --- Enfer --- Péché (religion) --- Art chrétien médiéval --- Moyen Age --- Iconographie
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Judgment Day in art --- Panel painting, Flemish --- Panel painting, Renaissance --- Panel painting --- Altarpieces, Flemish --- Altarpieces, Renaissance --- Altarpieces --- Weyden, Rogier van der, --- Hôtel-Dieu de Beaune (Museum) --- Altarpieces, Flemish. --- Judgment Day in art. --- Panel painting, Flemish. --- Judgment Day --- Christian art and symbolism --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Renaissance altarpieces --- Painting --- Renaissance panel painting --- Flemish altarpieces --- Flemish panel painting --- Musée de l'Hôtel-Dieu (Beaune, France) --- Hôtel-Dieu Museum (Beaune, France) --- Panel painting, Renaissance - Flanders --- Panel painting - France - Beaune --- Altarpieces, Renaissance - Flanders --- Altarpieces - France - Beaune --- Weyden, Rogier van der, - 1399 or 1400-1464 - Last Judgment
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Comparative literature --- Iconography --- History of civilization --- Thematology --- anno 1200-1499 --- France --- Italy --- Christian art and symbolism --- Hell in art --- Judgment Day in art --- Future punishment in art --- Art et symbolisme chrétiens --- Enfer dans l'art --- Jugement dernier dans l'art --- Châtiment éternel dans l'art --- 7.046 --- 091.31:7.04 --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Judgment Day --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Verluchte handschriften: iconografie --- Hell in art. --- Judgment Day in art. --- -Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- 091.31:7.04 Verluchte handschriften: iconografie --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- -Judgment Day --- Art, Christian --- Art et symbolisme chrétiens --- Châtiment éternel dans l'art --- Hell --- History of doctrines --- Devil --- Middle Ages, 600-1500 --- Middle Ages, 500-1500 --- Christian art and symbolism - France - Medieval, 500-1500 --- Christian art and symbolism - Italy - Medieval, 500-1500 --- Enfer --- Theologie --- Enfer dans la litterature
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