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Drama in English --- South African writers --- Fugard, Athol --- Fugard, Athol, --- Fugard, Athol. --- Fugard (athol)
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English literature --- Fugard, Athol --- Drama --- Literature and society --- Social problems in literature. --- Theater --- Technique. --- History --- History.
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Cousins --- Dramatists, South African --- Biography --- Biography --- Fugard, Athol --- Childhood and youth. --- Port Elizabeth (South Africa) --- Social life and customs.
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Features analysis of the plays most frequently studied in literature classes. Entries include: introduction providing overview of play; brief biography of playwright; plot summary; discussion of play's principal themes; essays on play's construction; and excerpted critical commentary.
Theater --- Dramatic criticism. --- Drama --- Drama. --- American drama. --- Dramatists. --- History and criticism. --- Study and teaching (Higher) --- Study and teaching (Secondary) --- Genet, Jean, --- Garc�ia Lorca, Federico, --- Soyinka, Wole. --- Schenkkan, Robert, --- Aristophanes. --- Havel, V�aclav. --- Kaufman, George S. --- Hart, Moss, --- Anouilh, Jean, --- Aeschylus. --- Fugard, Athol. --- Chekhov, Anton Pavlovich, --- Albee, Edward, --- Jonson, Ben, --- Ibsen, Henrik, --- García Lorca, Federico, --- Havel, Václav.
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Features analysis of the plays most frequently studied in literature classes. Entries include: introduction providing overview of play; brief biography of playwright; plot summary; discussion of play's principal themes; understandable essays on play's construction; and excerpted critical commentary.
Drama --- Drama --- Drama --- American drama --- Study and teaching (Higher) --- Study and teaching (Secondary) --- Glaspell, Susan, --- Leonard, Hugh. --- Shear, Claudia. --- Jensen, Erik, --- Blank, Jessica, --- Behn, Aphra, --- Osborne, John, --- Kopit, Arthur L. --- Cocteau, Jean, --- Fugard, Athol. --- Simon, Neil. --- Greenberg, Richard, --- Wilson, August. --- Sophocles. --- Arden of Feversham.
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Features analysis of the plays most frequently studied in literature classes. Entries include: introduction providing overview of play; brief biography of playwright; plot summary; discussion of play's principal themes; essays on play's construction; and excerpted critical commentary.
Theater --- Theater --- Dramatic criticism. --- Drama --- Drama --- Drama --- Drama. --- Drama --- American drama. --- Dramatists. --- History and criticism. --- Study and teaching (Higher) --- Study and teaching (Secondary) --- Mamet, David. --- Rabe, David. --- Pollock, Sharon. --- Williams, Tennessee, --- Hellman, Lillian, --- Inge, William. --- Miller, Arthur, --- Baraka, Amiri, --- Orton, Joe. --- Wilson, August. --- Pinter, Harold, --- Bond, Edward. --- Shaw, Bernard, --- Weiss, Peter, --- Fugard, Athol. --- Coward, Noel, --- Shepard, Sam, --- Odets, Clifford, --- Albee, Edward,
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Features analysis of the plays most frequently studied in literature classes. Entries include: introduction providing overview of play; brief biography of playwright; plot summary; discussion of play's principal themes; essays on play's construction; and excerpted critical commentary.
Theater --- Theater --- Dramatic criticism. --- Drama --- Drama --- Drama --- Drama. --- Drama --- American drama. --- Dramatists. --- History and criticism. --- Study and teaching (Higher) --- Study and teaching (Secondary) --- Euripides. --- Fugard, Athol. --- Simon, Neil. --- Shepard, Sam, --- O'Neill, Eugene, --- Coward, Noel, --- Ibsen, Henrik, --- Shaw, Bernard, --- Turgenev, Ivan Sergeevich, --- Hurston, Zora Neale. --- Hughes, Langston, --- Barnes, Peter, --- Mamet, David. --- Fierstein, Harvey, --- Orton, Joe.
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In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Sociology of literature --- English literature --- Drama --- Empires --- Imperia --- Imperialism --- Imperialisme --- Impérialisme --- Onderdrukking (Psychologie) --- Oppression (Psychologie) --- Oppression (Psychology) --- Verdrukking (Psychologie) --- Literature and society --- Imperialism. --- Théâtre (Genre littéraire) --- Littérature et société --- Oppression --- History and criticism. --- Histoire et critique --- Postcolonialism in literature. --- Oppression (Psychology). --- Théâtre (Genre littéraire) --- Littérature et société --- Impérialisme --- History and criticism --- Developing countries --- Literature and society - Developing countries. --- Walcott, Derek --- Criminal psychology --- Personality --- Psychology --- Social psychology --- Colonialism --- Expansion (United States politics) --- Neocolonialism --- Political science --- Anti-imperialist movements --- Caesarism --- Chauvinism and jingoism --- Militarism --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Criticism --- Social aspects --- Aboriginal literature --- Australian literature --- Caribbean literature --- Davis (jack) --- Fugard (athol) --- Karnad (girish) --- Post-colonial theatre --- Sircar (badal) --- Soyinka (wole), 1934 --- -Wilson (august)
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