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The nineteenth century was a remarkable period in art history during which the practices of painting, printmaking and photography intersected in new and unexpected ways. Massive changes in the technology of reproduction took place, and France in particular became a leading testing ground for new printing and photographic techniques. This abundantly illustrated book investigates for the first time the complex and lively interactions between painting, printmaking and photography in France during the 1800s. Cultural historian Stephen Bann explores why rising reproductive media did not supplant traditional modes and how, instead, printmakers, photographers and painters influenced and inspired each other's work, together creating a visual culture of unique richness and breadth. The book focuses especially on pictorial reproduction involving painting, printmaking and photography in combination. Bann includes in the discussion the interweaving careers of Ingres and such contemporary painters as Vernet and Delaroche, such printmakers as lithographer Nicolas Charlet and engraver Luigi Calamatta and such pioneering photographers as Niepce, Daguerre and Robert Bingham. Setting the nineteenth-century issues of reproduction in the context of art history and theory, Bann also offers insights into the nature of art reproduction in our own era of radically changing reproduction technology.

Graphic arts --- Painting --- Photography --- anno 1800-1899 --- France --- technieken --- schilderkunst --- fotografie --- grafiek --- reproducties --- 19de eeuw --- Frankrijk --- 76 <44> "18" --- 77 <44> --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Fotografie--Frankrijk --- Prints, French --- Study and teaching --- History. --- History --- 77 <44> Fotografie--Frankrijk --- 76 <44> "18" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Oil painting --- Painting, Primitive --- Paintings --- French prints --- Study and teaching&delete& --- CDL --- 7.035 --- 19de eeuw. --- Frankrijk.

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76.041.7 <44> --- 761 <44> --- 769.4 --- Prints, French --- -Printed ephemera --- -Broadsides --- -#VCV fonds R. van der Linden --- #VCV monografie 1999 --- Ballad-sheets --- Broadsheets --- Broadside ballads --- Journalism --- Street literature --- Ephemera, Printed --- Ephemeral printing --- Printing, Ephemeral --- French prints --- Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Frankrijk --- Hoogdruktechnieken in de grafische kunst--Frankrijk --- Prentenverzamelingen: doodsprentjes santjes bidprentjes devotieprentjes --- Themes, motives --- Broadsides --- Popular culture --- Printed ephemera --- Catalogs. --- 769.4 Prentenverzamelingen: doodsprentjes santjes bidprentjes devotieprentjes --- 761 <44> Hoogdruktechnieken in de grafische kunst--Frankrijk --- 76.041.7 <44> Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Frankrijk --- Estampe française --- Publications éphémères --- 762 <44> --- Diepdruktechnieken in de grafische kunst--Frankrijk --- 762 <44> Diepdruktechnieken in de grafische kunst--Frankrijk --- Estampe française --- Publications éphémères --- Culture populaire --- Catalogs --- Catalogues --- -Popular culture --- 769.4 Prentenverzamelingen: doodsprentjes; santjes; bidprentjes; devotieprentjes --- Prentenverzamelingen: doodsprentjes; santjes; bidprentjes; devotieprentjes --- Folklore --- Graphic arts --- France --- Musée national des arts et traditions populaires --- Bibliothèque nationale de France --- Imagerie populaire --- Gravure sur bois --- Musée national des arts et traditions populaires [Paris] --- Musée des arts et traditions populaires [Paris] --- Engraving, French --- Prints, French - Catalogs --- Printed ephemera - France - Catalogs --- Broadsides - France - Catalogs --- Popular culture - France --- -Themes, motives --- Art populaire --- Imagerie --- Illustration des livres --- Illustrations, images, etc. --- Arts graphiques francais