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Ou bien... ou bien : la reprise : stades sur le chemin de la vie : la maladie à la mort
Authors: --- --- ---
ISBN: 2221073738 9782221073735 Year: 1993 Publisher: Paris : Robert Laffont,

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Le festin de pierre (Dom Juan)
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ISBN: 2600003002 9782600003001 Year: 1999 Volume: 500 Publisher: Genève : Droz,

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Don Giovanni : complete orchestral and vocal score
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ISBN: 0486230260 9780486230269 Year: 1974 Publisher: New York, N.Y.: Dover,

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"Unabridged republication of the edition by Georg Schünemann and Kurt Soldan ... originally published by C. F. Peters, Leipzig, n. d. (editorial matter dated 'summer 1941'). ... Preliminary matter, editorial remarks in the score and the editors' commentary ... originally in German, appear in a new English translation ... by Stanley Appelbaum."

Molière : Don Juan
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ISBN: 0521478677 0521432960 Year: 1995 Publisher: Cambridge Cambridge University Press

Don Juan ou l'héroïsme du désir
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ISBN: 213046095X 9782130460954 Year: 1993 Volume: *98 Publisher: Paris Presses Universitaires de France

Les Don Juan ou la liaison dangereuse : musique et littérature
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ISBN: 2738443001 Year: 1996 Volume: *1 Publisher: Paris ; Montréal L'Harmattan

The Don Giovanni moment : essays on the legacy of an opera
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ISBN: 0231137540 9780231137546 0231510640 0231137559 Year: 2006 Volume: *1 Publisher: New York ; Chichester Columbia University Press

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Mozart's Don Giovanni is an operatic masterpiece full of iconic and mythical tensions that still resonate today. The work redefines the terms of power, seduction, and morality, and the resulting conflict between the aesthetic and the ethical is deeply rooted in the Enlightenment and romanticism.The Don Giovanni Moment is the first book to examine the aesthetic and moral legacy of Mozart's opera in the literature, philosophy, and culture of the nineteenth century. The prominent scholars in this collection address the opera's impact on the philosophical visions of Kierkegaard, Goethe, and Williams and its influence on the literary and dramatic works of Pushkin, Hoffmann, Mörike, Byron, Wagner, Strauss, and Shaw. Through a close and careful analysis of Don Giovanni's literary and philosophical reception and its many appropriations, rewritings, and retellings, these contributors treat the opera as a vantage point from which theory and philosophy can reconsider romanticism's central themes. As lively and passionate as the opera itself, these essays continue the spirited debate over the meaning and character of Don Giovanni and its powerful legacy. Together they prove that Mozart's brilliant artistic achievement is as potent and relevant today as when it was first performed two centuries ago.

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