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This book offers a new approach to film studies by showing how our brains use our interpretations of various other films in order to understand Alfred Hitchcock’s Vertigo. Borrowing from behavioral psychology, cognitive science and philosophy, author Robert J. Belton seeks to explain differences of critical opinion as inevitable. The book begins by introducing the hermeneutic spiral, a cognitive processing model that categorizes responses to Vertigo’s meaning, ranging from wide consensus to wild speculations of critical “outliers.” Belton then provides an overview of the film, arguing that different interpreters literally see and attend to different things. The fourth chapter builds on this conclusion, arguing that because people see different things, one can force the production of new meanings by deliberately drawing attention to unusual comparisons. The latter chapters outline a number of such comparisons—including avant-garde films and the works of Stanley Kubrick and David Lynch—to shed new light on the meanings of Vertigo.

Hitchcock, Alfred, --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Vertigo (Motion picture : 1958) --- Alfred Hitchcock's Vertigo (Motion picture : 1958) --- Aldowar (Motion picture : 1958) --- Amețeala (Motion picture : 1958) --- Aus dem Reich der Toten (Motion picture : 1958) --- Corpo que cai (Motion picture : 1958) --- Darkling I listen (Motion picture : 1958) --- De entre los muertos (Motion picture : 1958) --- Desmōtēs tou ilingou (Motion picture : 1958) --- Desmotis tou iliggou (Motion picture : 1958) --- Donna che visse due volte (Motion picture : 1958) --- Fear and trembling (Motion picture : 1958) --- From among the dead (Motion picture : 1958) --- Golovokruzhenie (Motion picture : 1958) --- Hyeonghijeung (Motion picture : 1958) --- Illicit darkening (Motion picture : 1958) --- Kvinde skygges (Motion picture : 1958) --- Memai (Motion picture : 1958) --- Mulher que viveu duas vezes (Motion picture : 1958) --- Navazhdenie (Motion picture : 1958) --- Ölüm Korkusu (Motion picture : 1958) --- Punainen kyynel (Motion picture : 1958) --- Röd tår (Motion picture : 1958) --- Sargije (Motion picture : 1958) --- Shemet (Motion picture : 1958) --- Studie i brott (Motion picture : 1958) --- Svaigulys (Motion picture : 1958) --- Sueurs froides (Motion picture : 1958) --- Szédülés (Motion picture : 1958) --- Vertigen (Motion picture : 1958) --- Vrouw die tweemaal leefde (Motion picture : 1958) --- Vrtoglavica (Motion picture : 1958) --- Zapamorochenni︠a︡ (Motion picture : 1958) --- Zawrót glowy (Motion picture : 1958) --- Zij die tweemal leefde (Motion picture : 1958) --- Шемет (Motion picture : 1958) --- Наваждение (Motion picture : 1958) --- Головокружение (Motion picture : 1958) --- Запаморочення (Motion picture : 1958) --- Δεσμώτης του ιλίγγου (Motion picture : 1958) --- Motion pictures-History. --- Motion pictures. --- Hermeneutics. --- Aesthetics. --- Consciousness. --- Film History. --- Film Theory. --- Audio-Visual Culture. --- Cognitive Psychology. --- Apperception --- Mind and body --- Perception --- Philosophy --- Psychology --- Spirit --- Self --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Interpretation, Methodology of --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Motion pictures—History. --- Cognitive psychology. --- Psychology, Cognitive --- Cognitive science --- Radio broadcasting Aesthetics --- Aesthetics