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Professional musicians who perform in hospitals, retirement homes, and prisons, creatively stimulated by the residents; babies crawling over exercise mats, enjoying classical music together with their parents; concert-goers who take their seats between the musicians in order to experience music with all their senses up close - the opportunities to make and experience music are almost unlimited. Various actors in the field of classical music have taken this as a chance to develop a wide range of new artistic and educational practices over the last two decades, aiming to facilitate in-depth aesthetic experiences, to bond with new audiences, and to encourage active cultural participation. The contributors focus on the innovative potentials of Musikvermittlung as a social bridge-builder for concert life, (higher) music education, research, and social life.

MUSIC / History & Criticism. --- Audience Engagement. --- Classical Musicians. --- Community Engagement. --- Concert Studies. --- Cultural Education. --- Cultural and Social Participation. --- Culture. --- Education. --- Educational Research. --- Innovation. --- Music Education. --- Music Management. --- Music. --- Musicology. --- New Audiences. --- New Concert Formats. --- Music --- Social aspects. --- Philosophy and aesthetics. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Music and society --- Philosophy --- Musikvermittlung --- Music Education --- Innovation --- Classical Musicians --- Concert Studies --- New Concert Formats --- Community Engagement --- Audience Engagement --- New Audiences --- Cultural and Social Participation --- Education --- Culture --- Musicology --- Cultural Education --- Educational Research --- Music Management