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Recherche de l'élégance, conformité au goût du jour, gaspillage ostentatoire, manifestation d'une transgression Depuis le XIXe siècle, la manière de se vêtir est soumise à la mode. Ce phénomène social, dont la naissance coïncide avec l'émergence d'une société des individus, a intéressé la littérature comme les sciences humaines et en particulier la sociologie. De la figure du dandy jusqu'à l'explosion du prêt-à-porter et la multiplication des collections, cet ouvrage présente les approches sociales de la mode. Il montre comment, loin de s'exclure, la volonté de distinction et la recherche d'un conformisme social sont intimement liées dans nos choix vestimentaires. Il révèle combien la mode imprègne notre imaginaire collectif

Fashion --- Clothing and dress --- Mode --- Vêtements --- Social aspects --- Aspect social --- BPB0605 --- 316.62 --- Désherbage --- 316.62 Sociaal gedrag. Leefstijl --- Sociaal gedrag. Leefstijl --- Deselectie --- Vêtements --- Fashion - Social aspects --- Clothing and dress - Social aspects

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Clothing and dress --- Vêtements --- Costume --- Social aspects --- Symbolic aspects --- Aspect social --- Aspect symbolique --- Vêtements --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Clothing and dress - Social aspects - Rome --- Clothing and dress - Rome --- Clothing and dress - Symbolic aspects - Rome

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Le souci du paraître et des apparences imprègne nos sociétés occidentales. L’espace européen fut, dès le Moyen Âge, très actif dans l’élaboration de modes de paraître et d’apparences qui ont su s’étendre à d’autres espaces géographiques et culturels. L’apport croisé de différentes disciplines (histoire, histoire de l’art, sociologie, littérature, cultural et fashion studies) enrichit la réflexion sur la sémiologie du paraître et sur ses espaces d’expression du Moyen Âge à nos jours. Les contributions analysent différentes manifestations matérielles du paraître, allant des vêtements et parfums aux décors de table et d’intérieurs, en passant par les objets chinés, les collections d’art et les accessoires high-tech de communication. Elles questionnent différents signes et codes du paraître en relation avec l’âge, le sexe et la profession de leurs promoteurs, et en fonction du moment de la semaine et de l’espace dans lequel ils se manifestent. Elles abordent les échanges de modes de paraître entre différents espaces européens et intercontinentaux, la représentation des apparences des peuples d’espaces géographiques donnés, la question du paraître dans les intérieurs privés ainsi que la fonction emblématique de Paris comme espace de la Mode.

Clothing and dress --- Appearance (Philosophy) --- Social aspects --- History --- Philosophy --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Apparence --- Histoire --- Clothing and dress - Social aspects - Europe, Western - History - Congresses --- Clothing and dress - Europe, Western - History - Congresses --- Appearance (Philosophy) - Congresses --- Europe occidentale --- histoire --- paraître --- apparence --- Moyen-Âge

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This book is about the application of ergonomics in handicraft manufacturing and design keeping in mind the two sets of users, craftsmen and customers buying handicraft items. Written in an easy to understand language and in a story telling format. It requires no prior knowledge of the subject nor any knowledge of science or technology for using this book and applying it in handicraft manufacturing and design. The book starts with an overview of the application of ergonomics in different aspects of craft manufacturing, touching upon tools, space, process and then moves into the aspects of ergonomics of craft packaging and displaying. Alongside the book also explains the ergonomic aspects of designing of handicraft products keeping the users of the products in mind, their dimensions, capacity, limitations etc. Each chapter starts with an "overview" and ends with "key points" and exercises to help the readers in applying the principles of ergonomics in handicraft. The last chapter is dedicated to exercises in different areas of handicraft and the ergonomic applications for them, followed by ergonomic design directions to solve them.

Engineering design. --- Occupational health services. --- Clothing and dress—Social aspects. --- Human body in popular culture. --- Industrial design. --- Engineering Design. --- Occupational Health. --- Fashion and the Body. --- Industrial Design. --- Design, Industrial --- Mechanical drawing --- New products --- Design --- Body, Human, in popular culture --- Popular culture --- Employee health services --- Medical care --- Medicine, Industrial --- Design, Engineering --- Engineering --- Industrial design --- Strains and stresses

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rituals [events] --- Ethnology. Cultural anthropology --- costume [mode of fashion] --- Clothing and dress --- Nudity --- 391 --- 391 Kleding. Mode. Sieraden. Volksdracht --- Kleding. Mode. Sieraden. Volksdracht --- Nakedness --- Nude --- Nudism --- Society and clothing --- Religious aspects --- Social aspects --- Moral and religious aspects --- Religious aspects. --- Social aspects. --- Vêtements --- Nudité --- Aspect religieux --- Aspect social --- Clothing and dress - Social aspects --- Nudity - Social aspects --- Clothing and dress - Religious aspects --- Clothing and dress - Moral and religious aspects