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Comment concevoir une anthropologie pleinement fondée sur l'emploi de l'image animée ? Telle est la question essentielle de l'ouvrage. L'auteur tente d'y répondre en explorant quelques fondements, principes et stratégies de cette nouvelle discipliné qu'est l'anthropologie filmique ; les conditions dans lesquelles elle arrache progressivement l'appréhension du sensible à l'emprise de l'écrit et de l'observation directe ; la manière dont elle dévoile des aspects de l'activité humaine que les méthodes classiques d'enquête rejetaient dans les coulisses.
Ethnology. Cultural anthropology --- Film --- Motion pictures in ethnology --- Cinéma en anthropologie sociale et culturelle --- Motion pictures in ethnology. --- Moving-pictures in ethnology --- Visual anthropology --- films --- méthodologie --- films ethnographiques --- Films ethnographiques --- Anthropologie --- Méthodologie
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Revue cobra --- Ethnologists --- Anthropology --- Motion pictures in ethnology --- Art, Belgian --- Alechinsky, Pierre, - 1927 --- -Dotremont, Christian, - 1922-1979 --- de Heusch, Luc, - 1927-2012 --- Art, Modern --- Cinéma en anthropologie sociale et culturelle --- Art --- Cobra (Association) --- Africa --- Afrique --- Description and travel --- Descriptions et voyages --- Cobra --- Mythologie --- Folklore --- Cinéma expérimental --- Anthropologie --- Ethnologie --- Zangrie, Luc --- Alechinsky, Pierre --- Heusch, Luc de --- Dotremont, Christian --- Magritte, René --- Storck, Marie
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Motion pictures in ethnology --- Cinéma en anthropologie sociale et culturelle --- Musée d'arts africains, océaniens, amérindiens de Marseille --- Exhibitions. --- Cinéma en anthropologie sociale et culturelle --- Musée d'arts africains, océaniens, amérindiens de Marseille --- Moving-pictures in ethnology --- Visual anthropology --- Exhibitions
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Anthropology --- Motion pictures in ethnology --- Cinéma en anthropologie sociale et culturelle --- Study and teaching --- Audio-visual aids --- Visual anthropology. --- Motion pictures in ethnology. --- Anthropology. --- Photography. --- Audiovisuele middelen. --- Culturele antropologie. --- Onderwijs. --- Cinéma dans l'ethnologie. --- Ethnologie --- Anthropologie. --- Film. --- Kulturanthropologie. --- Methode. --- Visuelle Medien. --- Audio-visual aids. --- Étude et enseignement. --- Travaux pratiques. --- Moving-pictures in ethnology --- Visual anthropology --- Human beings --- Ethnology --- Cinéma en anthropologie sociale et culturelle --- Special anthropography. Ethnology. Individual races --- 572.9 Special anthropography. Ethnology. Individual races --- 572.9 --- Ethnology. Cultural anthropology --- Semiotics --- Study and teaching&delete& --- Primitive societies --- Social sciences
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David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
Ethnology. Cultural anthropology --- Film --- Documentary films --- Motion pictures in ethnology. --- History and criticism. --- Motion pictures in ethnology --- History and criticism --- Cinéma en anthropologie sociale et culturelle --- Documentaires --- Histoire et critique --- PERFORMING ARTS / Film & Video / History & Criticism. --- Akazama. --- Ananas. --- Ballantyne, Tanya. --- Baruya Muka Archival. --- Bhumbra, Jaswant Singh. --- Blue, James. --- Bresson, Robert. --- Brown, Quentin. --- Bunuel, Luis. --- Caldwell, Erskine. --- Cantrill, Corinne. --- Chakrabarty, Dipesh. --- Dali, Salvador. --- Familiar Places. --- Geddes, William. --- German expressionism. --- Greek tragedy. --- Gurrmanamana, Frank. --- Hemingway, Ernest. --- Hollywood. --- Jarmusch, Jim. --- Kabuki theatre. --- Leacock, Richard. --- Lunacharsky, Anatoli. --- absence. --- aesthetics. --- anthropological writing. --- anthropology. --- chronophotography. --- cognitive science. --- collaboration. --- conflict structure. --- connotation. --- consciousness. --- contextualization. --- denotation. --- dialogue. --- documentary film. --- embodiment. --- epistemology. --- ethnocentrism. --- ethnography. --- film editing. --- film structure. --- filmmaking encounter. --- freeze-frame. --- history. --- identification. --- illustrative films. --- indigenous media. --- intersubjectivity. --- kinesics. --- logocentrism. --- Anthropologie --- Ethnologie --- Visuelle Medien --- Moving-pictures in ethnology --- Visual anthropology --- Documentary films - History and criticism
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How religion, gender, and urban sociality are expressed in and mediated via television drama in Kinshasa is the focus of this ethnographic study. Influenced by Nigerian films and intimately related to the emergence of a charismatic Christian scene, these teleserials integrate melodrama, conversion narratives, Christian songs, sermons, testimonies, and deliverance rituals to produce commentaries on what it means to be an inhabitant of Kinshasa.
Sociology of religion --- Mass communications --- Sociology of culture --- Kinshasa --- Video recording in ethnology --- Television in religion --- Vidéo en ethnologie --- Eglises pentecôtistes --- Télévision et religion --- Social condtions. --- Religious television --- Televangelism --- Television, Religious --- Religious broadcasting --- Vidéo en ethnologie --- Eglises pentecôtistes --- Télévision et religion --- Anthropology of religion --- Motion pictures in ethnology --- Pentecostal churches --- #SBIB:39A10 --- #SBIB:39A73 --- Visual anthropology --- Television broadcasting --- Pentecostalism --- Moving-pictures in ethnology --- Religious anthropology --- Ethnology --- Antropologie: religie, riten, magie, hekserij --- Etnografie: Afrika --- Religious aspects --- Kinshasa (Congo) --- Kinshasa, Zaire --- Kinshasha (Congo) --- Kinshasa (Zaire) --- Ville de Kinshasa (Congo) --- Ville-Province de Kinshasa (Congo) --- Leopoldville (Congo) --- Politics and government. --- Religious life and customs. --- Social conditions. --- Cinéma en anthropologie sociale et culturelle --- Anthropologie religieuse --- Religious life and customs --- Vie religieuse --- Conditions sociales --- Politique et gouvernement --- Anthropology of Religion, Media Studies, Anthropology (General), Gender Studies and Sexuality. --- ethnography --- social dynamics in an evangelizing activity group --- moral movements --- confession --- Christianity --- Christian popular culture --- matrimony --- urban sexuality --- sex --- religion and media --- divine afflatus
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