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The rise of the Capetian dynasty across the long thirteenth century, which rested in part on the family's perceived sanctity, is a story most often told through the actions of male figures, from Louis IX's metamorphosis into "Saint Louis" to Philip IV's attacks on Pope Boniface VIII. In Courting Sanctity, Sean L. Field argues that, in fact, holy women were central to the Capetian's self-presentation as being uniquely favored by God. Tracing the shifting relationship between holy women and the French royal court, he shows that the roles and influence of these women were questioned and reshaped under Philip III and increasingly assumed to pose physical, spiritual, and political threats by the time of Philip IV's death. Field's narrative highlights six holy women. The saintly reputations of Isabelle of France and Douceline of Digne helped to crystalize the Capetians' claims of divine favor by 1260. In the 1270s, the French court faced a crisis that centered on the testimony of Elizabeth of Spalbeek, a visionary holy woman from the Low Countries. After 1300, the arrests and interrogations of Paupertas of Metz, Margueronne of Bellevillette, and Marguerite Porete served to bolster Philip IV's crusades against the dangers supposedly threatening the kingdom of France. Courting Sanctity thus reassesses key turning points in the ascent of the "most Christian" Capetian court through examinations of the lives and images of the holy women that the court sanctified or defamed.
Catholic women --- Catholic women. --- Church and state --- Church and state. --- Kings and rulers --- Upper class women --- History --- Religious aspects. --- Religious life --- To 1500. --- France --- France. --- Women --- History. --- Christianity and state --- Separation of church and state --- State and church --- State, The --- Women, Catholic --- Christian women --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Upper class women - Religious life - France - History - To 1500. --- Catholic women - France - History - To 1500. --- Church and state - France - History - To 1500. --- Saintes femmes --- Capétiens --- Isabella v. filia Ludovici VIII regis Franciae --- Dulcelina v. --- Elisabeth monialis in Erkenrode --- Paupertas Mettensis --- Porète, Marguerite --- France - Kings and rulers - Religious aspects. --- France - History - Capetians, 987-1328. --- ascent of the "most Christian" Capetian court. --- holy women and the French royal court, Capetian dynasty. --- roles and influence of holy women.
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Encyclopedia of Medieval Royal Iconography” sets out to be the first extensive collection of data on royal iconography from the Middles Ages (476–1492). In particular, it aims to collect entries about the most important rulers or dynasties that reigned during this period, from the Iberian Peninsula to Levant and from the Scandinavian Peninsula to the Mediterranean Sea. Specifically, “Encyclopedia of Medieval Royal Iconography” focuses on royal official images (namely, those representations that were commissioned at the behest of the ruler) and analyses them not only from an iconographic (namely, ‘static’) point of view but also as parts of a more general political communicative strategy (namely, in a ‘dynamic’ way) in order to better clarify their social functions and, consequently, their iconographic meanings. Thanks to this approach, “Encyclopedia of Medieval Royal Iconography” aims to offer a substantial overview on matters of medieval regal iconography and to be a useful tool for scholars who use royal images for their research.
Biography & True Stories --- Early history: c 500 to c 1450/1500 --- royal images --- royal iconography --- kings of Sicily --- Norman dynasty --- William II of Hauteville --- Aragonese dynasty --- Frederick III of Aragon --- Swabian dynasty --- Frederick II of Hohenstaufen --- kings of Naples --- Angevin dynasty --- Robert of Anjou --- kings of Aragon --- Crown of Aragon --- Peter IV of Aragon --- Alphonse II of Aragon --- crown of Aragon --- Fernando II of Aragon --- James I of Aragon --- Kingdom of Sicily --- Naples --- Joanna of Anjou --- dynastic celebration --- Helen of Anjou --- Nemanide dynasty --- Sopoćani Monastery --- Gradac Monastery --- Queen Helen’s seal --- Vatican icon --- Gračanica Monastery --- King Milutin --- Serbian medieval kingdom --- King’s Church Studenica --- Monastery of Staro Nagorčino --- Monastery of Gračanica --- Nemanide’s Genealogical Tree --- king of Castile and Leon --- Henry II of Castile --- kings of Poland --- rulers of Lithuania --- Jagiellonian dynasty --- Ladislaus II Jagiełło --- Byzantium --- Komnenos --- John II Komnenos --- royal image --- Sasanian Empire --- Khosrow II --- rock relief --- coinage --- Louis XI --- liturgical objects --- Valois kings --- Capetian dynasty --- Order of Saint Michael --- Kingdom of Georgia --- Bagrationi dynasty --- Queen T’amar of Georgia --- legitimacy --- Byzantine imperial costume --- gender studies
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