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Butor, Michel --- Authors, French --- -French authors --- Interviews --- B., M. --- Bi︠u︡tor, M. --- Butor, M. --- Bwittorŭ, Misyel --- Bytor, Misel --- M. B. --- Pu-tʻo-erh, Mi-hsieh-erh --- Pwittorŭ, Misyel --- بوتور، ميشيل --- Interviews. --- -Interviews --- Authors, French - 20th century - Interviews
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Butor, Michel --- Butor, Michel. --- B., M. --- Bi︠u︡tor, M. --- Butor, M. --- Bwittorŭ, Misyel --- Bytor, Misel --- M. B. --- Pu-tʻo-erh, Mi-hsieh-erh --- Pwittorŭ, Misyel --- بوتور، ميشيل --- Butor, Michel. - Emploi du temps
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Les nombreux travaux réalisés en collaboration avec des artistes, peintres, plasticiens ou musiciens constituent désormais la majeure partie de l’œuvre de Michel Butor. Ils demeurent cependant peu connus, et sont rarement envisagés par une critique qui s’en tient toujours aux romans de l’écrivain. Or ces réalisations visent à promouvoir un « dialogue avec les arts » où s’affirme la radicalité d’une démarche résolument moderne. Ce « dialogue » permet de mieux comprendre, rétrospectivement, le véritable projet des premiers livres (de L’Emploi du temps, à Description de San Marco…) en les situant enfin dans une entreprise d’envergure. Surtout il manifeste l’émergence d’une réflexion critique originale sur le statut de la création artistique dans le monde contemporain, saisi à travers ses enjeux poétique, politique, esthétique et philosophique.
Art and literature --- History --- Butor, Michel --- Criticism and interpretation. --- art --- écriture --- dialogue --- roman --- B., M. --- Bi︠u︡tor, M. --- Butor, M. --- Bwittorŭ, Misyel --- Bytor, Misel --- M. B. --- Pu-tʻo-erh, Mi-hsieh-erh --- Pwittorŭ, Misyel --- بوتور، ميشيل
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This work defines the creative principles of Michel Butor's less-known writings that are based on experiment, poetizing and interaction with fine arts. It analyses hundreds of texts and art sources and focuses on the five-part Illustrations cycle, pointing out Butor's most important creative techniques: intertextuality, which deals with an innovative use of citations and rewriting not only other authors' but especially his own texts; and intermediality, dealing with an interaction between fine arts and literature. It presents Butor's transposition of an aesthetical effect provoked by an artwork into a poetic language. The analyses and theoretical reflections are placed into the broad context of Butor's work, with an emphasis on theoretical issues and on the continuity of procedures throughout his work.
Butor, Michel --- Criticism and interpretation. --- B., M. --- Bi︠u︡tor, M. --- Butor, M. --- Bwittorŭ, Misyel --- Bytor, Misel --- M. B. --- Pu-tʻo-erh, Mi-hsieh-erh --- Pwittorŭ, Misyel --- بوتور، ميشيل
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Cities and towns in literature. --- Butor, Michel. --- Cities and towns in literature --- B., M. --- Bi︠u︡tor, M. --- Butor, M. --- Bwittorŭ, Misyel --- Bytor, Misel --- M. B. --- Pu-tʻo-erh, Mi-hsieh-erh --- Pwittorŭ, Misyel --- بوتور، ميشيل --- Butor, Michel. - Emploi du temps.
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French literature --- Butor, Michel --- Criticism and interpretation --- Congresses --- 840 "19" BUTOR, MICHEL --- 82.0 --- 82.091 --- Franse literatuur--20e eeuw. Periode 1900-1999--BUTOR, MICHEL --- Literatuurtheorie --- Vergelijkende literatuurstudie --- B., M. --- Bi︠u︡tor, M. --- Butor, M. --- Bwittorŭ, Misyel --- Bytor, Misel --- M. B. --- Pu-tʻo-erh, Mi-hsieh-erh --- Pwittorŭ, Misyel --- بوتور، ميشيل --- -Congresses. --- 82.091 Vergelijkende literatuurstudie --- 82.0 Literatuurtheorie --- 840 "19" BUTOR, MICHEL Franse literatuur--20e eeuw. Periode 1900-1999--BUTOR, MICHEL --- Congresses. --- Butor, Michel - Criticism and interpretation - Congresses
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