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Photography, Industrial. --- Becher, Hilla. --- Becher, Bernd, --- Becher, Hilla, --- Photography, Industrial --- Photographie industrielle

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Architecture, Industrial --- Architecture, Industrial. --- Becher, Bernd, --- Becher, Hilla.

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Architectural photography. --- Industries. --- Photography, Industrial. --- Quarries and quarrying. --- Becher, Bernd, --- Becher, Hilla,

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- Auto-maticity: Ruscha and performative photography / Margaret Iversen##- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar##- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James##- Exit ghost: Douglas Huebler's face value / Gordon Hughes##- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski##- Roni Horn's Icelandic encyclopedia / Mark Godfrey##- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd##- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle##- Morning cleaning: Jeff Wall and The large glass / Christine Conley.

77.01 --- 7.039 --- kunst --- fotografie --- fotografietheorie --- twintigste eeuw --- eenentwintigste eeuw --- Ruscha Ed --- Becher Bernd --- Becher Hilla --- Bochner Mel --- Horn Roni --- Demand Thomas --- Wall Jeff --- Levine Sherrie --- 77.038 --- Fotografie--Semiotiek van de fotografie. Theorie --- Hedendaagse kunststromingen.Post-moderne kunst --- Photography, Artistic. --- Photography in art. --- Art and photography. --- Photographers. --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie

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How have digital technologies affected the truth claim of photography? What has been the artistic response to the technological and societal transformations the digital revolution has brought about? Claus Gunti explores the widespread implications of the digital in the work of renowned photographers of the Düsseldorf School, Thomas Ruff, Andreas Gursky and Jörg Sasse, stretching from ties to conceptual art to the development of a globalized visual culture. The study provides a model for understanding the digital revolution in photography and shows that it ought to be understood beyond a strictly technological perspective.

760.5 --- Düsseldorf School --- 767 --- digitale fotografie --- digitale kunst --- fotogeschiedenis --- Becher, Bernd --- Becher, Hilla --- the Becher protocol --- Ruff, Thomas --- Gursky, Andreas --- Sasse, Jörg --- fotografie, verzamelen - musea - tentoonstellingen --- fotografie, bijzondere technieken in de fotografie --- (Produktform)Paperback / softback --- (Zielgruppe)Fachpublikum/ Wissenschaft --- Art --- Digital --- Culture --- Computer --- Germany --- Düsseldorf School --- Thomas Ruff --- Andreas Gursky --- Jörg Sasse --- Art History of the 21st Century --- European Art --- Visual Studies --- Fine Arts --- (DDC Deutsch 22)700 --- (DDC Deutsch 22)750 --- (VLB-WN)1744: Hardcover, Softcover / Medien, Kommunikation/Medienwissenschaft