Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art styles --- Aesthetics --- Literature --- anno 1900-1999 --- Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Avant-garde (Aesthetics) --- Literature, Modern --- History and criticism. --- Avant-garde (Aesthetics). --- Literature [Modern ] --- 20th century --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950's and 1960's. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned ready-mades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.

7.01 --- Kunsttheorie ; Avant-Garde ; Neo-Avant-Garde --- Kunst ; theorie, filosofie, esthetica --- Arts, Modern --- Avant-garde (Aesthetics) --- History --- Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Art --- Arts --- Avant-garde (Esthétique) --- Histoire --- Aesthetics --- Modernism (Art) --- Arts [Modern ] --- 20th century --- 21st century

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends.

Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Progress --- Progrès --- Vooruitgang --- Aesthetics. --- Avant-garde (Aesthetics). --- Progress. --- Aesthetics --- Avant-garde (Aesthetics) --- Philosophy --- Philosophy & Religion --- Social progress --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Modernism (Art) --- Civilization --- Regression (Civilization) --- Social stability --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- philosophy --- kunst en kunstgeschiedenis --- filosofie --- historical treatment of fine and decorative arts

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Paul De Vree (1909-1982) betreedt het domein van de avant-gardekunst op het moment dat hij al een rijkgevulde carrière als dichter en criticus achter de rug heeft. Contacten met de schilder Jef Verheyen en de dichter Henri Chopin zorgen ervoor dat hij zich vanaf het einde van de jaren 50 ontpopt tot een verwoed voorvechter van de nieuwe avant-garde in Vlaanderen. Van dan af staat hij continu in contact met zowat alle belangrijke vertegenwoordigers van de internationale concrete, visuele en sonore poëzie. Daarnaast legt hij zich in de jaren 60 ook toe op het promoten van de radicale beeldende kunst. Met De Vree's archief als sleutelgat op het tijdsgewricht 1960-1980 ontstaat een fascinerend beeld van een internationaal avant-gardenetwerk dat, via actoren als De Vree, ook sporen nalaat in het Belgische kunstlandschap. Het is op deze extreem vruchtbare periode dat 'Neonlicht' zich richt.

Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Vree, De, Paul --- Mannaers, Werner --- Schilderkunst ; 2000-2013 ; Werner Mannaers --- Mannaers, Werner °1954 (°Schoten, België) --- Beeld en woord ; beeld en tekst --- Schilderkunst ; schilders --- Schilderkunst ; 2000 - 2050 --- Poésie visuelle. --- Vree, Paul de. --- De Vree, Paul, --- avant-garde --- art [fine art] --- kunst --- Catalogs --- De Vree, Paul --- Concrete poetry --- History and criticism --- 20th century --- 75.07 --- 75.039 --- Belgische kunstenaars --- Avant-garde (Aesthetics) --- Vree, Paul de --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Avant-garde (Aesthetics) --- Feminism and literature. --- Literary manifestos. --- Modernism (Literature) --- Politics and literature. --- Revolutionary literature --- History and criticism. --- Literary manifestoes --- Manifestoes, Literary --- Manifestos, Literary --- Literature --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Aesthetics --- Modernism (Art) --- Literature and politics --- Women authors --- Political aspects --- Avant-garde (Aesthetics). --- Modernism (Literature). --- Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Crepuscolari --- Crépusculaires (Poètes) --- Crépuscularisme --- Feminism and literature --- Feminisme en literatuur --- Féminisme et littérature --- Literature--Political aspects --- Literatuur en politiek --- Literatuur--Politieke aspecten --- Littérature et politique --- Littérature--Aspects politiques --- Modernisme (Literatuur) --- Modernisme (Littérature) --- Penumbrismo --- Politics and literature --- Politiek en literatuur --- Politique et littérature --- Poètes crépusculaires --- Poésie crépusculaire --- Poésie pénombriste --- Pénombrisme --- Literary manifestos --- History and criticism --- Revolutionary literature - History and criticism. --- Literature and feminism