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Art informel --- van Anderlecht, Englebert, --- Criticism and interpretation. --- Van Anderlecht, E. --- Anderlecht, Englebert van, --- Peintres --- Peinture --- Criticism and interpretation --- Painting, Abstract --- Painters --- Biography --- Art informel - Belgium --- Anderlecht, Englebert van, - 1918-1961 - Criticism and interpretation --- Anderlecht, Englebert van, - 1918-1961
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Monografie van de Nederlandse beeldend kunstenaar (1940). Schrijver en beeldend kunstenaar Jan Cremer (1940) stamt van vaderszijde uit een familie van hoefsmeden en beroepsmilitairen uit Pruisen en Hessen, zijn moeders familie is afkomstig uit Hongarije. Korte tijd volgde hij een opleiding aan de Academie voor Beeldende Kunst in Arnhem. Als schilder kreeg hij snel erkenning met zijn 'peinture barbarisme', intussen reist hij veel en woont overal.
Abstract expressionism --- Cremer, Jan --- Nederland --- 737.8 --- actionpainting --- auteur --- peinture barbarisme --- abstracte schilderkunst --- Expressionism (Art) --- Painting, Abstract --- Art informel --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Exhibitions
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Art --- anno 1900-1999 --- Europe --- Surrealist --- Art Informel --- Iconography --- Art styles --- scripts [writing] --- Fautrier, Jean --- Artaud, Antonin --- César --- Brassaï --- Brauner, Victor --- Giacometti, Alberto --- Tal-Coat, Pierre --- Hélion, Jean --- Richier, Germaine --- Michaux, Henri --- Dubuffet, Jean --- Buffet, Bernard --- Wols --- Gruber, Francis --- anno 1940-1949 --- anno 1950-1959 --- Tal-Coat --- Art, European --- Art, French --- Artists --- Biography.
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art theory --- History --- Art --- art history --- Art styles --- Abstract Expressionist --- Avery, Milton --- Graham, Martha --- Krasner, Lee --- Kooning, de, Willem --- Motherwell, Robert --- Benton, Thomas Hart --- Still, Clyfford --- Rothko, Mark --- Newman, Barnett --- Baziotes, William --- Reinhardt, Ad --- Lipton, Seymour --- Gorky, Arshile --- Gottlieb, Adolph --- Pollock, Jackson --- anno 1900-1999 --- anno 1940-1949 --- anno 1950-1959 --- Abstract expressionism --- -Arts, American --- -American arts --- Expressionism (Art) --- Painting, Abstract --- Art informel --- Arts, American --- -Abstract expressionism --- Arts, Modern --- Algonquin Round Table --- Catharctic Circle (Group of artists)
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body art [visual works, performance] --- Art Informel --- New Realist [post-1945 style] --- Kinetic [style] --- Pop [fine arts styles] --- Photorealist --- Trans-avantgarde --- Arte Povera --- art theory --- happenings --- earthworks [sculpture] --- Art --- art history --- street art --- Fluxus --- Conceptual --- Minimal --- graffiti --- anno 1990-1999 --- anno 1970-1979 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- Nouveau Réalisme --- Kinetic Art --- kunstenaarsbeweging --- kunst in de openbare ruimte --- graffiti [casual notations] --- Photorealist [style]
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In De tweede helft vertelt Ad de Visser niet veel schwung het verhaal van de beeldende kunst van de laatste vijftig jaar. de tweede helft van de twintigste eeuw. Zonder de spreekwoordelijke complexiteit van de materie uit de weg te gaan slaagt hij erin de baaierd van stromingen en individuele kunstenaars overzichtelijk te expliciteren en weet hij (beducht voor kunsthistorische clichés, niet afkerig van persoonlijke voorkeur en kritisch commentaar) zijn verhaal levendig te houden. In vier hoofdstukken (eik voorafgegaan door een tijdsbeeld waarin samenleving en cultuur kort worden gekarakteriseerd) presenteert hij de kunst van na 1945 aan de hand van de vier naoorlogse generaties en hun specifieke ambities en preoccupaties: de deugdzame jaren veertig en vijftig, de provocerende jaren zestig, de 'therapeutische' jaren zeventig en tot slot de vrijblijvende, maar verleidelijke jaren tachtig en negentig. De tweede helft is een verfrissende handleiding voor iedere kunstliefhebber en een gedegen studieboek waarnaar het kunstonderwijs lang heeft uitgezien.
Art --- Histoire de l'art --- Peinture --- Art, Modern --- hedendaagse kunst --- Contemporary [style of art] --- anno 1940-1949 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- History --- art history --- anno 1900-1999 --- 1945 --- -20e eeuw --- 701.1 --- abstract expressionisme --- arte povera --- Beuys, Joseph --- cobra --- conceptuele kunst --- De Visser, Ad --- Ecole de Paris --- happenings --- hyperrealisme --- kinetic --- kunstgeschiedenis --- land art --- l'art informel --- lichtkunst --- materieschilderkunst --- minimalisme --- neo-expressionisme --- op art --- performance --- pop art --- postmodernisme --- 7.038(03) --- 7.038 --- Beeldende kunst ; 1945-1998 ; naslagwerken --- 7.039 --- 7 <09> --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- algemene kunstgeschiedenis, inleidingen - hand- en leerboeken --- Kunstgeschiedenis ; 1950 - 2000 ; encyclopedieën --- Kunstgeschiedenis ; 1950 - 2000 --- 705.8 --- beeldende kunst --- expressionisme --- kunst --- 20e eeuw --- Abstracte kunst --- Architectuur --- Arte Povera --- Art informel --- Assemblage --- Beeldende kunst --- Body art --- Camp --- Cobra --- Colorfield painting --- Concept art --- Design --- Environment --- Figuration libre --- Happening --- Hollandse nieuwen --- Hyper-concept --- Hyperrealisme --- Kinetica --- Kitsch --- Kunst --- Kunstgeschiedenis --- Land art --- Latijnse school --- Lichtkunst --- Materie-schilderkunst --- Minimal art --- Neo-expressionisme --- Neue Wilden --- New British sculpture --- Nouveau Réalisme --- Op Art --- Performance --- Pop-art --- Postmodernisme --- Transavanguardia --- Kunstgeschiedenis 20e eeuw --- Kunsten --- Schilderkunst --- Tekenkunst --- Beeldhouwkunst --- kunst 20e eeuw --- action painting --- Ad de Visser --- appropriation --- architectuur --- art informel --- assemblages --- Bacon Francis --- beeldhouwkunst --- Beuys Joseph --- body art --- camp --- colorfield painting --- commodity art --- concept art --- design --- environment --- feminisme --- figuration libre --- film --- fotografie --- fundamentele schilderkunst --- graffiti --- Hollandse Nieuwen --- informele kunst --- installaties --- kinetische kunst --- kitsch --- Manzoni Piero --- minimal art --- muziek --- naslagwerk --- neostijlen --- neue Wilden --- new-image painting --- nouveau réalisme --- Nul --- outsider art --- performances --- post-painterly abstraction --- schilderkunst --- simulation --- televise --- theater --- transavanguardia --- twintigste eeuw --- video --- Virtual reality --- virtuele realiteit --- Zero --- kunstgeschiedenis - kunst na 1945 --- 2e helft 20e eeuw --- Art, Modern.
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L'histoire de l'art a jusqu'ici été pour l'essentiel une histoire des formes, des écoles et des styles, la dimension matérielle ou matiériste des œuvres ayant été quelque peu occultée. Or l'art moderne se caractérise à la fois par une véritable débauche de matériaux nouveaux, voire incongrus ou "innommables", et par l'exténuation de ceux-ci jusqu'à l'invisible. D'où la redécouverte de certaines catégories et instruments d'analyse : la transparence et l'opacité, la pesanteur, l'informel, le naturel et l'artificiel, l'immatériel enfin où s'accomplit tout un pan de l'art le plus contemporain. Des premières découvertes des Impressionnistes, soucieux de capter la lumière jusqu'aux recherches actuelles liées aux technologies de pointe comme le laser, la vidéo ou l'image numérique, c'est à une totale relecture de l'art moderne et contemporain que nous invite Florence de Mèredieu. L'ouvrage nous montre ainsi l'art oscillant constamment entre les deux pôles de la pesanteur et de la manière d'un côté, de l'immatériel et du concept de l'autre, les œuvres de Marcel Duchamp, Yves Klein et Joseph Beuys illustrant, parmi beaucoup d'autres, cette bi-polarité fondamentale.
798.4 --- film --- cinema --- 20ste eeuw --- filmgeschiedenis --- film, geschiedenis der filmkunst --- 7 <09> --- Artists' materials --- -Motion pictures --- -7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Art --- Art material --- Art materials --- Art supplies --- Painters' materials --- History --- -History --- History and criticism --- Equipment and supplies --- Matériel d'artistes. --- Esthétique --- Art informel --- Avant-garde (esthétique) --- Histoire et critique. --- Matériaux. --- Technique. --- Histoire. --- Art, Modern --- Motion pictures --- Themes, motives --- History. --- Matériel d'artistes --- Themes, motives. --- Thèmes, motifs --- Histoire --- Film
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Art --- anno 1900-1999 --- New York City --- 7.036 <73 NEW YORK> --- Abstract expressionism --- -Art and society --- -Avant-garde (Aesthetics) --- -New York school of art --- #SBIB:316.7C210 --- #SBIB:309H241 --- New York School --- Art, American --- Aesthetics --- Modernism (Art) --- Art and sociology --- Society and art --- Sociology and art --- Expressionism (Art) --- Painting, Abstract --- Art informel --- Moderne kunststijlen--Verenigde Staten van Amerika. VSA. USA--NEW YORK --- History --- -History --- -Cultuursociologie: kunst: algemeen --- Andere media: functies, genres, historiek --- Social aspects --- Art and society --- Avant-garde (Aesthetics) --- New York school of art. --- 7.036 <73 NEW YORK> Moderne kunststijlen--Verenigde Staten van Amerika. VSA. USA--NEW YORK --- New York school of art --- Cultuursociologie: kunst: algemeen --- New York City [New York]
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Greco, Goya, de Vinci, Dürer, Bosch, Breughel, Picabia, Giacometti, Ubac, Pasque, Kerels, Raine, Magritte, Mesens, Braque… Volume grand format, relié, toilé, 185 ill. en couleurs et en noir et blanc.
History --- Aesthetics of art --- Art Informel --- outsider art --- Art --- art criticism --- Sculpture --- Iconography --- art [fine art] --- Pop [fine arts styles] --- outdoor sculpture --- Art styles --- exoticism --- sculpting --- Surrealist --- primitivism [artistic concept] --- art history --- Fautrier, Jean --- Dubuffet, Jean --- Guiette, René --- Giacometti, Alberto --- Picabia, Francis --- Magritte, René --- Lecomte, Marcel --- Richier, Germaine --- Michaux, Henri --- Klee, Paul --- Braque, Georges --- Ubac, Raoul --- Wols --- Mesens, E.L.T. --- anno 1900-1999 --- anno 1940-1949 --- anno 1960-1969 --- anno 1950-1959 --- Dürer, Albrecht --- Véreux, Robert --- Breton, André --- Toyen --- Herold, Jacques --- Goya y Lucientes, de, Francisco José --- Brauner, Victor --- Permantier, Armand --- Kerels, Henri --- Hoeboer, Wout --- Bosch, Jeroen --- Capacci, Bruno --- Suros --- Atlan, Jean-Michel --- Pasque, Aubin --- Leonardo da Vinci --- Lamy --- Bruegel, Pieter [Elder] --- Baskine, Maurice --- Raine, Jean --- Greco, el --- French literature (outside France) --- Kunst --- Lecomte, M. --- Peinture --- Schilderkunst --- Art criticism --- Critique d'art --- Histoire --- Lecomte, Marcel, --- Art. --- Surréalisme --- Ecrit d'artiste --- art [discipline] --- Histoire de l'Art --- Recueil --- Textes
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Chicago School --- Les XX --- Lettrist --- Sezessionstil --- earthworks [sculpture] --- High-Tech --- social realism --- Der Blaue Reiter --- Die Brücke --- Color-field --- Kinetic [style] --- Suprematist --- Cubist --- Photorealist --- Art Nouveau --- Postmodern --- Trans-avantgarde --- Op art --- architecture [discipline] --- Abstract Expressionist --- Fluxus --- Neo-Expressionist --- Orphist --- Arbeitsrat für Kunst --- Neo-Pop --- New Realist [post-1945 style] --- Socialist Realist --- outsider art --- Situationist --- Decadent Movement --- Bauhaus --- Art styles --- Der Ring --- Pop [fine arts styles] --- International Style [modern European architecture style] --- Art Deco --- Post-Impressionist --- Modernist --- Purist --- Cloisonnist --- video art --- Symbolist --- Precisionist --- Impressionist [style] --- Brutalist --- Futurist --- De Stijl --- existentialism --- Novembergruppe --- Synchromist --- Magic Realist --- Art --- Constructivist --- performance art --- art history --- Salon de Rose+Croix --- Neue Sachlichkeit --- Novecento italiano --- Dada --- Synthetist --- Deutscher Werkbund --- Beat generation --- Hongaars Activisme --- Jack of Diamonds --- Neo-Dada --- Arte Povera --- Surrealist --- Ashcan School --- Expressionist [style] --- Neo-Impressionist --- assemblage [sculpture technique] --- body art [visual works, performance] --- Art Informel --- Neo-Romantic --- Arts and Crafts [movement] --- Movimento Italiano per l'Architettura Razionale --- sound art --- Elementarist --- Gruppo 7 --- Mir Iskusstva --- American Scene --- Funk --- Rayonist --- Nabis --- Fauve --- Vorticist --- multi-channel video installations --- Concrete art --- Minimal --- site-specific works --- Groupe de recherche d'art visuel [Paris] --- Les Vingt --- anno 1900-1999 --- anno 1800-1999 --- anno 2010-2019 --- anno 2000-2009 --- United States --- 7 --- 7.036 --- 7.037 --- 7.038 --- 7.039 --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Moderne kunststijlen --- Overgang tussen expressionisme en abstracte kunst. Avant-gardekunst --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- 7.038 Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- 7.037 Overgang tussen expressionisme en abstracte kunst. Avant-gardekunst --- 7.036 Moderne kunststijlen --- 7 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Nouveau Réalisme --- biomorphic abstraction --- Kinetic Art --- Orphist [modern French style] --- Amsterdamse school --- kunstenaarsbeweging --- Kitchen Sink School --- anti-design --- cobra --- internetkunst --- metafysische schilderkunst --- combines --- Ecole de Paris --- Supports/Surfaces --- Photorealist [style] --- United States of America --- CoBra
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