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Spanish literature --- Arrabal, Fernando --- Arrabal, Fernando 1932
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The Panic Theatre is a set of plays conceived by Fernando Arrabal between 1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, in an attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is a full-time researcher at the Universitat Autònoma de Barcelona.
Arrabal, Fernando --- Arrabal --- Criticism and interpretation. --- Experimental drama, French --- History and criticism. --- French experimental drama --- French drama --- Artistic Creation. --- Avant-Garde Movement. --- Avant-Garde. --- Ceremonial Language. --- Chance. --- Confusion. --- Dramaturgy. --- European Theatre. --- Fernando Arrabal. --- Memory. --- Panic Theatre. --- Paris. --- Teatro Pánico. --- Theatrical Innovation. --- Theatricality.
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Artists' writings, French --- French poetry --- Surrealism --- edited by Mary Ann Caws --- kunst --- twintigste eeuw --- interbellum --- surrealisme --- poëzie --- literatuur --- kunst en literatuur --- Breton André --- Lamba Jacqueline --- Breton Jacqueline --- Char René --- de Chirico Giorgio --- Magritte René --- Man Ray --- Ray Man --- Masson André --- schilderkunst --- Soupault Philippe --- Apollinaire Guillaume --- Arp Hans --- Arp Jean --- Arrabal Fernando --- Artaud Antonin --- Bataille Georges --- Bellmer Hans --- Bonnefoy Yves --- Boyle kay --- Brauner Victor --- Cahun Claude --- Carrington Leonora --- Césaire Amié --- Césaire Suzanne --- de Chazal Malcolm --- Cravan Arthur --- Crevel René --- Dali Salvador --- Damas léon --- Desnos Robert --- Duchamp Marcel --- Duprey Jean-Pierre --- von Freytag-Loringhoven Elsa --- Eluard Paul --- Ernst Max --- Ferry Jean --- Giacometti Alberto --- Gracq Julien --- Henein Georges --- Ivsic RAdovan --- Kahlo Frida --- Lautréamont --- Ducasse Isidore --- Le Brun Annie --- Leiris Michel --- Limbour Georges --- Loy Mina --- Mabille Pierre --- Pieyre de Mandiargues André --- Mansour Joyce --- Mariën Marcel --- Matta --- Ménil René --- Miro Joan --- Nougé Paul --- Oppenheim Meret --- Paalen Wolfgang --- Penrose Valentine --- Péret Banjamin --- Picabia Francis --- Picasso Pablo --- Prassinos Gisèle --- Queneau Raymond --- Rahon Alice --- Rigaut Jacques --- Rosenberg Harold --- Roussel Raymond --- Schwitters Kurt --- Schwob Marcel --- Scutenaire Louis --- Sélavy Rrose --- Seligmann Kurt --- Senghor Léopold Sédar --- Tanning Dorothea --- Tzara Tristan --- dadaïsme --- van Hirtum Marianne --- Williams William Carlos --- Bunuel Luis --- Renaud --- Bounoure Vincent --- Bounoure Micheline --- Bédouin Jean-Louis --- Cornell James --- Hare David --- Vaché Jacques --- naslagwerk --- 7.037 --- 7.036 --- French artists' writings --- French literature
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