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Art --- Aesthetics --- Philosophy --- History --- History. --- Philosophy. --- Art - Philosophy --- Aesthetics - History
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Aesthetics --- Rhetoric, Ancient --- Rhetoric --- History --- History. --- Radio broadcasting Aesthetics --- Aesthetics - History --- Rhetoric - History.
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"This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars - from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history - some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time."--
Circus --- Avant-garde (Aesthetics) --- History --- Aesthetics --- Modernism (Art) --- Circuses --- Amusements --- Circus - History - 20th century --- Avant-garde (Aesthetics) - History - 20th century
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Aesthetics --- Esthétique --- History --- Histoire --- Rhetoric, Ancient --- Rhetoric --- History. --- -Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- -History --- Esthétique --- Radio broadcasting Aesthetics --- Aesthetics - History --- Rhetoric - History.
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Comment la main donne-t-elle forme à la matière dans la pratique artistique ? Comment concevoir leur rapport dans la genèse d'une œuvre d'art ? Le présent ouvrage propose une relecture de la pensée esthétique à partir de questions durablement escamotées par ses historiens. Au revers de l'oculocentrisme dominant s'est développée en effet, dès la naissance de l'esthétique au XVIIIe siècle, comme la face occulte d'un Janus, une haptologie de l'œuvre d'art qui détermine l'expérience esthétique comme essentiellement sensorielle et corporelle, et la pratique artistique comme le cheminement de la main trouvant son chemin au cœur de la matière.Herman Parret retrace l'histoire de cette esthétique haptologique et en analyse les concepts-clés à travers une relecture des textes fondamentaux, de Baumgarten à Lyotard, en passant par Lessing, Diderot, Kant, Herder, Nietzsche, Riegl, Husserl, Merleau-Ponty, Jean d'Udine, Henri Focillon et Gilles Deleuze. Il montre comment l'hypothèse haptologique s'immisce dans le cadre général de réflexion de ces penseurs et finit toujours par s'y justifier, dégageant une continuité méconnue sur plus de deux siècles d'esthétique philosophique.
Aesthetics --- philosophy of art --- History --- Gesture in art --- Touch --- Creation (Literary, artistic, etc.) --- Painting --- Philosophy --- Aesthetics. --- Art criticism --- Creation (Literary, artistic, etc.). --- Gesture in art. --- Phenomenology. --- Touch. --- History. --- Philosophy. --- Aesthetics - History --- Painting - Philosophy
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Poetry of the Revolution tells the story of political and artistic upheavals through the manifestos of the nineteenth and twentieth centuries. Ranging from the Communist Manifesto to the manifestos of the 1960s and beyond, it highlights the varied alliances and rivalries between socialism and repeated waves of avant-garde art. Martin Puchner argues that the manifesto--what Marx called the "poetry" of the revolution--was the genre through which modern culture articulated its revolutionary ambitions and desires. When it intruded into the sphere of art, the manifesto created an art in its own image: shrill and aggressive, political and polemical. The result was "manifesto art"--combinations of manifesto and art that fundamentally transformed the artistic landscape of the twentieth century. Central to modern politics and art, the manifesto also measures the geography of modernity. The translations, editions, and adaptations of such texts as the Communist Manifesto and the Futurist Manifesto registered and advanced the spread of revolutionary modernity and of avant-garde movements across Europe and to the Americas. The rapid diffusion of these manifestos was made "possible by networks--such as the successive socialist internationals and international avant-garde movements--that connected Santiago and Zurich, Moscow and New York, London and Mexico City. Poetry of the Revolution thus provides the point of departure for a truly global analysis of modernism and modernity.
Arts -- Political aspects. --- Arts, Modern -- 20th century. --- Avant-garde (Aesthetics) -- History -- 19th century. --- Avant-garde (Aesthetics) -- History -- 20th century. --- Revolutionary literature --- Arts, Modern --- Arts --- Avant-garde (Aesthetics) --- Literature --- Aesthetics --- Modernism (Art) --- Political aspects --- History --- History and criticism --- Marx, Karl, --- Engels, Friedrich, --- Political aspects. --- History and criticism. --- Marx, Karl, 1818-1883. Das Manifest der kommunistischen Partei --- Manifestes (art) --- Littérature et révolution --- Avant-garde (esthétique) --- Arts et politique --- Littérature révolutionnaire --- 20e siècle --- Aspect politique --- Histoire et critique
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Dem hier präsentierten Band liegt die These zugrunde, daß die Anfänge der Praxis, kunstprogrammatische Texte als Manifest zu bezeichnen, und die anschließende Hoch-konjunktur in der avantgardistischen Nomenklatur vor dem Hintergrund der problematisch gewordenen Intentionalität im Dreieck Künstler, Kunstwerk und Publikum gesehen werden muß. Den Beleg dafür tritt der vorliegende Band von drei Ansätzen aus an: Interpretation, Funktionalität und Strategie. Dabei wird ein Korpus aus verschiedenen Kunstsparten behandelt, das von literarischen Deklarationen der russischen Moderne ab 1893 bis zu postmodernen Manifesten reicht, mit einem besonderen Schwerpunkt auf den Manifesten der historischen Avantgarde. Damit ist das vorliegende Buch auch als ein Beitrag zur Historiographie der Bezeichnung von Texten der Avantgarde als Manifeste, der Rolle von Manifesten in der Avantgarde und letztlich auch der Textproduktion der Avantgarde insgesamt zu verstehen.
Art --- Avant-garde (Aesthetics) --- Arts, Modern --- Avant-garde (Esthétique) --- Arts modernes --- History. --- Philosophy. --- Histoire --- Philosophie --- History --- Philosophy --- -Avant-garde (Aesthetics) --- -Aesthetics --- Modernism (Art) --- Modern arts --- -Philosophy --- -Modern arts --- Avant-garde (Esthétique) --- Aesthetics --- History.. --- Philosophy.. --- Avant-garde (Aesthetics) - History --- Arts, Modern - 20th century - Philosophy
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Art --- anno 1900-1999 --- Dada --- avant-garde --- Pop [fine arts styles] --- Avant-garde (Aesthetics) --- Art, Modern --- History --- Exhibitions --- History. --- -Avant-garde (Aesthetics) --- -Aesthetics --- Modernism (Art) --- Modern art --- -History --- -Art, Modern --- -Exhibitions --- Art styles --- -Modern art --- -Art --- Aesthetics --- Exhibitions&delete& --- History&delete& --- Nieuwe Ploeg (Group of artists) --- Avant-garde (Aesthetics) - History - 20th century - Exhibitions - History --- Art, Modern - 20th century - Exhibitions - History
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How Dada is to break its cultural accommodation and containment today necessitates thinking the historical instances through revised application of critical and theoretical models. The volume Dada Culture: Critical Texts on the Avant-Garde moves precisely by this motive, bringing together writings which insist upon the continuity of the early twentieth-century moment now at the start of the twenty-first. Engaging the complex and contradictory nature of Dada strategies, instanced in the linguistic gaming and performativity of the movement's initial formation, and subsequently isolating the specific from the general with essays focusing on Ball, Tzara, Serner, Hausmann, Dix, Heartfield, Schwitters, Baader, Cravan and the exemplary Duchamp, the political philosophy of the avant-garde is brought to bear upon our own contemporary struggle through critical theory to comprehend the cultural usefulness, relevance, validity and effective (or otherwise) oppositionality of Dada's infamous anti-stance. The volume is presented in sections that progressively point towards the expanding complexity of the contemporary engagement with Dada, as what is often exhaustive historical data is forced to rethink, realign and reconfigure itself in response to the analytical rigour and exercise of later twentieth-century animal anarchic thought, the testing and cultural placement of thoughts upon the virtual, and the eventual implications for the once blissfully unproblematic idea of expression. From the opening, provocative proposition that historically Dada may have been the falsest of all false paths, the volume rounds to dispute such condemnation as demarcation continues not only of Dada's embeddedness in western culture, but more precisely of the location of Dada culture.
Dadaism --- Avant-garde (Aesthetics) --- Human figure in art --- History --- Influence --- Human figure in art. --- History. --- Influence. --- Art --- Comparative literature --- Philosophy and psychology of culture --- anno 1900-1999 --- Human body in art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Dada --- Tabu-Dadaism --- Arts, Modern --- Aesthetics --- Modernism (Art) --- Dadaism - History --- Dadaism - Influence --- Avant-garde (Aesthetics) - History - 20th century --- Dadaïsme
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Aesthetics --- History. --- Ingarden, Roman, --- -Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- History --- Psychology --- Ingarden, Roman --- Phenomenology. --- Aesthetics, Modern. --- Filosofie. --- Fenomenologie. --- Esthetica. --- Literatuurtheorie. --- Ingarden, Roman Witold, --- Husserl, Edmund --- -History --- Husserl, Edmund, --- Radio broadcasting Aesthetics --- Aesthetics - History. --- Ingarden, Roman, - 1893-1970
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