Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Pop literature of the 1990's enjoyed bestselling success, as well as an extensive and sometimes bluntly derogatory reception in the press. Since then, less censorious scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a longer history of aesthetic practices. This volume draws on recent work and its attempts to define the genre, locate historical antecedents and assess pop's ability to challenge the status quo. Significantly, it questions the 'official story' of pop literature by looking beyond Ralf Dieter Brinkmann's works as origin to those of Jürgen Ploog, Jörg Fauser and Hadayatullah Hübsch. It also remedies the lack of attention to questions of gender in previous pop lit scholarship and demonstrates how the genre has evolved in the new millennium via expanded thematic concerns and new aesthetic approaches. Essays in the volume examine the writing of well-known, established pop authors - such as Christian Kracht, Andreas Neumeister, Joachim Lottman, Benjamin Lebert, Florian Illies, Feridun Zaimoğlu and Sven Regener - as well as more recent works by Jana Hensel, Charlotte Roche, Kerstin Grether, Helene Hegemann and songwriter/poet PeterLicht.

Littérature populaire allemande --- Littérature allemande --- Histoire et critique --- German literature --- Popular literature --- History and criticism. --- Histoire et critique. --- Contemporary German Culture. --- Literary and Aesthetic Theory. --- Pop Literature.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"David Michael Levin's ongoing exploration of the moral character and enlightenment-potential of vision takes a new direction in The Philosopher's Gaze. Levin examines texts by Descartes, Husserl, Wittgenstein, Nietzsche, Heidegger, Benjamin, Merleau-Ponty, and Levinas, using our culturally dominant mode of perception and the philosophical discourse it has generated as the site for his critical reflections on the moral culture in which we are living."--Jacket. "In Levin's view, all these philosophers attempted to understand, one way or another, the distinctive pathologies of the modern age. But every one also attempted to envision - if only through the faintest of traces, traces of mutual recognition, traces of another way of looking and seeing - the prospects for a radically different lifeworld."--Jacket.

Metaphysics --- Philosophy --- Philosophy, Modern. --- Appearance (Philosophy) --- Eyesight --- Filosofie [Moderne ] --- Philosophie moderne --- Philosophy [Modern ] --- Seeing --- Sight --- Vision --- Vision (Physiologie) --- Zien [Het ] --- Philosophy, Modern --- Modern philosophy --- Vision. --- Philosophy & Religion --- Senses and sensation --- Blindfolds --- Eye --- Physiological optics --- aesthetic theory. --- benjamin. --- cultural criticism. --- descartes. --- edmund husserl. --- emmanuel levinas. --- enlightenment. --- ethics. --- friedrich nietzsche. --- heidegger. --- historical materialism. --- human experience. --- husserl. --- intentionality. --- levinas. --- martin heidegger. --- maurice merleau-ponty. --- merleau-ponty. --- modes of perception. --- moral character. --- morality. --- mutual recognition. --- natural philosophy. --- nietzsche. --- nihilism. --- ocularcentrism. --- perspectivism. --- phenomenology. --- philosophy. --- politics. --- privileging of vision. --- rene descartes. --- walter benjamin. --- wittgenstein.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of "ations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of influence is based, thus describing the limitations and merits of this kind of comparative research for critics and scholars.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Judgment (Aesthetics) --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Influence (Literary, artistic, etc) --- -Themes, motives. --- Judgment (Aesthetics). --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Art --- Influence (Literary, artistic, etc.) --- Literature --- -Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Themes, motives. --- Philosophy --- Subjects --- Comparative literature --- Littérature --- Themes, motives --- Thèmes, motifs --- Philosophie --- Aesthetics --- Artistic impact --- Influence (Psychology) --- Intermediality --- Intertextuality --- Originality in literature --- Literature and philosophy --- Philosophy and literature --- Theory --- Influence (Literary, artistic, etc.). --- Philosophy. --- Art - Themes, motives --- Literature - Philosophy --- Adjective. --- Aesthetic Theory. --- Aesthetics. --- Allegory. --- Allusion. --- Anachronism. --- Ancient art. --- Anecdote. --- Antithesis. --- Art criticism. --- Art history. --- Artistic merit. --- Baroque painting. --- Caravaggio. --- Carolingian art. --- Causality. --- Cliché. --- Clinamen. --- Close reading. --- Comparative literature. --- Comparative method (linguistics). --- Contemporary art. --- Contemporary philosophy. --- Counterfactual conditional. --- Criticism. --- Cubism. --- D. H. Lawrence. --- Deed. --- Digression. --- Drapery. --- Engraving. --- Epic poetry. --- Explanation. --- Ezra Pound. --- Fine art. --- Florentine painting. --- Forgery. --- French literature. --- Genre. --- Human Action. --- Humanities. --- Iconography. --- Ideogrammic method. --- Ideology. --- Illocutionary act. --- Illusionism (art). --- Illustration. --- Illustrator. --- Imagery. --- Indian aesthetics. --- Individualism. --- Invention. --- Japanese art. --- Journalism. --- Languages of Art. --- Las Meninas. --- Literary genre. --- Literature. --- Marcel Duchamp. --- Metaphor. --- Monograph. --- Mural. --- Mutatis mutandis. --- Narrative. --- Oil sketch. --- Ontology. --- Originality. --- Overreaction. --- Pablo Picasso. --- Paul Gauguin. --- Perlocutionary act. --- Philosopher. --- Philosophy of history. --- Philosophy of language. --- Plagiarism. --- Poetry. --- Publication. --- Publishing. --- Rapprochement. --- Requirement. --- Result. --- Romanticism. --- Secondary source. --- Speech act. --- Still life. --- Stipulation. --- Stipulative definition. --- Suggestion. --- Symbolism (arts). --- The Conceptual Framework. --- Theory of art. --- Theory. --- Thought. --- Titian. --- Treatise. --- Value judgment. --- Visual arts. --- Work of art. --- Writer. --- Writing.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Narration (Rhetoric) --- Chinese fiction --- Chinese literature --- Congresses. --- History and criticism --- #SML: Joseph Spae --- #SML: Nan Huaiyi --- S16/0160 --- S16/0400 --- S16/0440 --- History and criticism&delete& --- Congresses --- China: Literature and theatrical art--General works on traditional literature --- China: Literature and theatrical art--Traditional novels: studies --- China: Literature and theatrical art--Traditional tales and short stories (incl. Zhanguoce; Liaozhai) essays, letters, prose: studies --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Adage. --- Aesthetic Theory. --- Allegory. --- Anatomy of Criticism. --- Anecdote. --- Antithesis. --- Aphorism. --- Apologue. --- Archetype. --- Arthur Waley. --- Biography. --- Book. --- Calligraphy. --- Cao Xueqin. --- Chih. --- Chinese literature. --- Classical language. --- Confucianism. --- Confucius. --- Creative writing. --- Criticism. --- Diary of a Madman (short story). --- Disenchantment. --- Doctrine of the Mean. --- Dream of the Red Chamber. --- Dream vision. --- E. M. Forster. --- Epic poetry. --- Erudition. --- Ezra Pound. --- Fabliau. --- Fang La. --- Fiction. --- Filial piety. --- First appearance. --- Franz Kuhn. --- Genre fiction. --- Genre. --- Good and evil. --- Guan Yu. --- Henri Bergson. --- Historical fiction. --- Historiography. --- Hu Shih. --- I Ching. --- Ian Watt. --- Ibid (short story). --- Irony. --- Jin Ping Mei. --- Journey to the West. --- Juvenal. --- King of Wu. --- Laurence Sterne. --- Lin Yutang. --- Literary fiction. --- Literary theory. --- Literature. --- Liu Bei. --- M. H. Abrams. --- Magic square. --- Memoir. --- Mircea Eliade. --- Narration. --- Narrative history. --- Narrative thread. --- Narrative. --- Non-fiction. --- Novel. --- Novelist. --- Obscurantism. --- Philosophical language. --- Picaresque novel. --- Plato. --- Poetry. --- Political satire. --- Predestination. --- Pseudohistory. --- Quintilian. --- Regulated verse. --- Religion. --- Richard Gregg (social philosopher). --- Robert Scholes. --- Romanticism. --- Satire. --- Scholasticism. --- Shakespearean comedy. --- Six Dynasties. --- Superiority (short story). --- Taoism. --- The Four Books. --- The Other Hand. --- Traditional story. --- Warfare. --- Water Margin. --- Wickedness. --- Writing. --- Xuanzang. --- Yin and yang. --- Zhu Bajie. --- Zhuge Liang.