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fotografie --- twintigste eeuw --- stadsfotografie --- documentaire fotografie --- Verenigde Staten --- New York --- Abbott Berenice --- 77.071 ABBOTT --- Photography --- History --- Abbott, Berenice, --- New York (N.Y.)
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Architectural photography. --- Photography, Artistic. --- Portrait photography. --- Abbott, Berenice,
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Pendant plus de 30 ans, Eugène Atget photographia avec obsession la ville de Paris et ses environs. Il découvrit un marché de photographies documentaires du vieux Paris qui furent rachetées par des artistes en tant que motif pour leurs toiles. Mais pour Atget, la production de photographies sur l'ancienne culture française était également l'occasion de faire de l'art. Ses photographies sont sans égal dans leur réalisme et leur réponse lyrique aux vibrations vivantes de la ville ainsi qu'aux artéfacts qui décrivent la vie humaine dans quasiment toutes les classes sociales. Il créa quelques-unes des images de lumière et d'espace les plus harmonieusement articulées.
Photographe --- Atget, Eugène --- 20e siècle --- Photographers --- Photographers. --- Photography, Artistic. --- Abbott, Berenice, --- United States. --- fotografie --- photography [process] --- Photography --- Abbott, Berenice --- Women photographers --- Fotografen --- Ben Lifson --- Frankrijk --- architectuurfotografie --- reportagefotografie --- Atget Eugène --- 77.071 ATGET --- Fotograaf --- Abbott, Berenice, 1898-1991 --- Abbott (berenice), 1898-1991
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etsen --- Graphic arts --- etchings [prints] --- Whistler, James Abbott McNeill --- Etchers --- Biography. --- Biography --- Whistler, James McNeill
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Whistler, James Abbott McNeill --- Whistler, James McNeill, --- Catalogs --- Whistler, James McNeill --- -Catalogs --- Catalogs. --- Whistler, James Abbott McNeill, --- Uistler, Dzhems Mak Neĭlʹ, --- Whistler, --- Whistler, J. McNeill --- Whistler, James A. McNeill --- Whistler, J. A. McN. --- Whistler, J. A. MacNeill --- Whistler, James McNeil, --- Uistler, Dzhems Mak Neĭlʹ --- Whistler, James McNeil --- Whistler, James McNeill, - 1834-1903 - Catalogs --- Whistler, James McNeill, - 1834-1903
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Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called 'Japonisme', and it spread widely throughout Western art. Artists introduced Japanese objects and details from Japanese art into their work. They assimilated elements of Japanese art and from these they formed their own style: it was an immense source of inspiration for European artists such as Claude Monet. This book explores Japanese influences on British Art and focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933). Whistler was one of the earliest figures to incorporate Japanese elements into his art, but he never visited Japan. Menpes visited the country and learned Japanese artistic methods from a Japanese artist, whilst Henry and Hornel visited Japan and responded to Japanese photography mass-produced for foreign market. Just at the time Europe started to find inspiration in Japanese art, European civilization surged into Japan. The opening of Japan was a process of major political, economic and social change that took place rapidly after the arrival of Commodore Perry in 1854. Learning Western art was considered part of the modernization of Japan, which eventually lead to the establishment of new genre, 'Yoga'. Ono examines this symmetry in this timely volume, to be published in the centenary year of Whistler's death.
Japonisme --- Whistler, James Abbott McNeill --- Menpes, Mortimer --- Henry, George --- Hornel, Edward Atkinson --- 19de eeuw --- Groot-Brittannië --- Japan --- Art --- Art, Modern --- Japonism --- Japanese influences. --- stijlen in beeldende kunst (Japonisme) --- Japonisme. --- Whistler, James Abbott McNeill. --- Menpes, Mortimer. --- Henry, George. --- Hornel, Edward Atkinson. --- 19de eeuw. --- Groot-Brittannië. --- Japan.
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"Despite his importance to understanding the history of early 19th century medicine, science and Protestant identity, Andrew Fernando Holmes has never been the subject of a comprehensive study. This study is based on a wide-ranging examination of primary sources, both manuscript and printed, (some of which were unknown to previous historians) that illuminate key aspects of Holmes' public life: as a student at Edinburgh in the late 1810s, as a young physician and surgeon in private and hospital practice, as a assiduous collector of botanical and mineralogical specimens and mainstay of the Natural History Society of Montreal, as one of the founding members and first Dean of the McGill medical faculty; and as a leader in the Montreal Protestant community. This study is situated at the intersection of religious, scientific and medical history. While providing an analysis of his role in the early formation of McGill's medical faculty, it seeks to move beyond a narrow institutional focus to address questions about how Holmes thought about and actually practiced medicine and surgery; how he engaged in public medical controversies, and how his religious beliefs intersected with his scientific and medical work."--
Physicians --- Holmes, A. F. --- McGill University. --- Faculty --- Quebec --- Andrew Fernando Holmes. --- Holmes’s heart. --- Maude Abbott. --- Natural History Society of Montreal. --- Protestant evangelicalism in Quebec. --- Quebec. --- origins of McGill medicine. --- politics of medicine in Lower Canada.
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Joodse kunst --- Leighton, Frederic --- Millais, John Everett --- Manet, Edouard --- Collier, John --- Whistler, James Abbott McNeill --- Sickert, Walter Richard --- John, Gwen --- 1860 - 1914 --- 19de eeuw --- 20ste eeuw --- Groot-Brittannië --- Modernism (Art) --- England --- Art [English ] --- 19th century --- 20th century --- Manet, Édouard --- Joodse kunst. --- Leighton, Frederic. --- Millais, John Everett. --- Manet, Édouard. --- Collier, John. --- Whistler, James Abbott McNeill. --- Sickert, Walter Richard. --- John, Gwen. --- 1860 - 1914. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië. --- muurschilderkunst. --- friezen. --- Munch, Edvard.
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Artists' houses and their gardens formed a distinct and influential strand in Victorian architecture and decoration, eliciting public interest and coverage in the popular press of the day. The artist's home and its contents were essential components of the Aesthetic Movement, in which artists - as home-owners, interior designers, producers and consumers - drove the movement into the mainstream. Artists such as Frederic Leighton, G.F. Watts, Dante Gabriel Rossetti and Edward Burne-Jones were the product of the phenomenon of the Victorian art world which brought fame and public adulation to its most successful exponents. "Artistic Circles" takes the unique approach of examining Aestheticism from a social perspective and reveals how the art movement influenced the development of domestic building and homemaking for an emerging section of Victorian society, the educated middle-class professional.
Artists --- Interior decoration --- Decorative arts --- Art and society --- Aesthetic movement (Art). --- Art and society. --- Decorative arts. --- Interior decoration. --- Homes and haunts --- History --- Homes and haunts. --- 1800-1899. --- England. --- Victoriaans tijdperk. --- architectuur. --- mecenaat. --- design. --- Aesthetic Movement. --- kunstenaarshuizen. --- Watts, George Frederic. --- Leighton, Frederic. --- Morris, William. --- Rossetti, Dante Gabriel. --- Whistler, James Abbott McNeill. --- Burne-Jones, Edward Coley. --- Tissot, James. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië.
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