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Welles, Orson, --- Criticism and interpretation. --- Welles, Orson (1915-1985) --- Critique et interprétation
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Ce designer est une figure symbolique du design finladais. Cet ouvrage, abondamment illustré en étudie toutes les facettes. L'artiste s'inspire de la nature et combine le travail artisanal et les méthodes industrielles de la production
glas (materiaal) --- porselein --- toegepaste kunst --- Wirkkala, Tapio --- Iittala --- 1945 - 1985 --- Finland --- Italië --- Duitsland --- Design --- Nature --- History --- Wirkkala, Tapio , --- 20e siècle --- Finlande --- ed. Marianne Aav --- design --- grafisch design --- stedenbouw --- kunst --- Wirkkala Tapio --- glas --- glaswerk --- glaskunst --- Murano --- meubels --- meubilair --- meubelkunst --- 745.071 WIRKKALA --- departement Beeldende Kunst 08 --- Creation (Literary, artistic, etc.) --- Design - Finland - History - 20th century - Exhibitions --- Wirkkala, Tapio , - 1915-1985 - Exhibitions, --- Wirkkala, Tapio , - 1915-1985
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Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles's career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonathan Rosenbaum has long believed that to dwell on this aspect of the Welles canon is to overlook the wealth of information available by studying the unrealized works. Discovering Orson Welles collects Rosenbaum's writings to date on Welles--some thirty-five years of them--and makes an irrefutable case for the seriousness of his work, illuminating both Welles the artist and Welles the man. The book is also a chronicle of Rosenbaum's highly personal writer's journey and his efforts to arrive at the truth. The essays, interviews, and reviews are arranged chronologically and are accompanied by commentary that updates the scholarship. Highlights include Rosenbaum's 1972 interview with Welles about his first Hollywood project, Heart of Darkness; Rosenbaum's rebuttal to Pauline Kael's famous essay "Raising Kane"; detailed essays and comprehensive discussions of Welles's major unfinished work, including two unrealized projects, The Big Brass Ring and The Cradle Will Rock; and an account of Rosenbaum's work as consultant on the 1998 re-editing of Touch of Evil, based on a studio memo by Welles.
Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion picture industry --- Biography --- Analysis, appreciation. --- History and criticism --- Employees --- Welles, Orson, --- Welles, George Orson, --- Uėlls, Orson, --- Gouels, Orson, --- Jeeves, O. W., --- Spelvin, G. O., --- Magnificent Ambersons (Motion picture) --- Criticism and interpretation. --- Cinéma --- History --- Histoire --- Welles, Orson --- Welles, George Orson --- Uėlls, Orson --- Gouels, Orson --- Jeeves, O. W. --- Spelvin, G. O. --- The gGeat One --- american director. --- biographical. --- career. --- chimes at midnight. --- cinema. --- creative control. --- creative process. --- don quixote. --- f for fake. --- film criticism. --- film director. --- film studies. --- films. --- heart of darkness. --- hollywood. --- innovation. --- movie studies. --- movies. --- orson welles. --- othello. --- personal interviews. --- raising kane. --- studio memo. --- the big brass ring. --- the cradle will rock. --- the ultimate auteur. --- touch of evil. --- unfinished films. --- unfinished work. --- welles canon. --- Welles, orson, 1915-1985 --- Critique et interprétation
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