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Cette exposition organisée par le Whitney Museum of American Art à New York illustre le travail de l'artiste de la fin des années 1950 au début des années 1990. Ruscha, né en 1937, a d'abord été peintre, influencé par le mouvement du 'pop art'. Puis son travail évolue ; il essaie diverses techniques, travaille des séries, fait des photos et des films, produit des livres photographiques, réalise des tableaux virtuels en projetant de la lumière dans des pièces vides... Le travail photographique de Ed Ruscha a été relativement peu exposé même s'il montre bien des liens avec les autres sphères de son activité artistique, notamment le dessin : sujets-objets, appartements, paysages urbains, composition, utilisations de la lumière, effets d'ombres. Ed Ruscha a représenté les Etats-Unis à la Biennale de Venise 2005.
Photography, Artistic --- Ruscha, Edward --- motion pictures [visual works] --- dwellings --- service stations --- show-windows --- Architecture --- Photography --- parking [area] --- architecture [discipline] --- Ruscha, Ed --- United States --- Photographie --- 77.071 RUSCHA --- concept art --- conceptuele kunst --- fotografie --- kunst --- Ruscha Ed --- twintigste eeuw --- Verenigde Staten --- Ruscha, Edward, --- Exhibitions --- Photography, Artistic - Exhibitions --- Ruscha, Edward - Exhibitions --- lichtreclame --- United States of America
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samenst. en org. tent. Bernard Blistène --- schilderkunst --- twintigste eeuw --- Ruscha Edward --- woord en beeld --- Verenigde Staten --- 75.071 RUSCHA --- 7.071 RUSCHA, EDWARD --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--RUSCHA, EDWARD --- -Ruscha, Ed --- Ruscha, Edward, --- Ruscha, Edward --- Exhibitions --- Ruscha, Ed --- Exhibitions. --- Art --- artists' books [books] --- easel paintings [paintings by form] --- paintings [visual works]
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Art --- Ruscha, Ed --- Neal Benezra, Kerry Brougher; with a contribution by Phyllis Rosenzweig --- kunst --- schilderkunst --- twintigste eeuw --- Ruscha Edward --- Verenigde Staten --- 75.071 RUSCHA --- Ruscha, Edward --- Exhibitions --- Ruscha, Edward - Exhibitions. --- Ruscha, Edward,
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- Auto-maticity: Ruscha and performative photography / Margaret Iversen##- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar##- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James##- Exit ghost: Douglas Huebler's face value / Gordon Hughes##- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski##- Roni Horn's Icelandic encyclopedia / Mark Godfrey##- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd##- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle##- Morning cleaning: Jeff Wall and The large glass / Christine Conley.
77.01 --- 7.039 --- kunst --- fotografie --- fotografietheorie --- twintigste eeuw --- eenentwintigste eeuw --- Ruscha Ed --- Becher Bernd --- Becher Hilla --- Bochner Mel --- Horn Roni --- Demand Thomas --- Wall Jeff --- Levine Sherrie --- 77.038 --- Fotografie--Semiotiek van de fotografie. Theorie --- Hedendaagse kunststromingen.Post-moderne kunst --- Photography, Artistic. --- Photography in art. --- Art and photography. --- Photographers. --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie
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Architecture and photography share the condition of being suspended be¬tween fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is un-derstood to be a record of what was in front of the camera—just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life.In Epics in the Everyday, Jesús Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers—in different ways—with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.
Architecture --- Photography --- photography [process] --- architecture [object genre] --- realism [philosophical movement] --- 72.01 --- 77.046 --- fotografie --- fotografietheorie --- architectuur --- architectuurfotografie --- twintigste eeuw --- Henderson Nigel --- Ruscha Ed --- Ruff Thomas --- Demand Thomas --- Becher Bernd --- Becher Hilla --- Architectuur (theorie) --- Architectuurtheorie --- Architectuurfotografie --- Photographie --- Rapport art-architecture --- Réalisme --- Avant-garde --- Architectural photography. --- Architecture and photography. --- Photographic reproduction of plans, drawings, etc. --- Realism in art.
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Aitken, Doug --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Obrist Hans Ulrich --- Wilson Robert --- Vogel Amos --- Ruscha Ed --- Rondinone Ugo --- Rist Pipilotti --- Prince Richard --- Nicolai Carsten --- Lynn Greg --- Koolhaas Rem --- Jodorowsky Alejandro --- Huyghe Pierre --- Höller Carsten --- Hill Gary --- Herzog Werner --- Figgis Mike --- Ferro Pablo --- Eliassson Olafur --- Douglas Stan --- Denis Claire --- Conner Bruce --- Burden Chris --- Barney Matthew --- Baldessari John --- Anger Kenneth --- Altman Robert --- Ahtila Eija-Liisa --- kunsttheorie --- narratologie --- architectuur --- 7.071 AITK --- 7.071 AAAA --- installaties --- film
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Ruscha, Edward °1937 (°Omaha, Nebraska, Verenigde Staten) --- Schilderkunst ; grafiek ; 1960-1982 ; Edward Ruscha --- Pop-Art ; California --- Kunst en woord ; kunst en taal --- 75.07 --- 76.07 --- 75.038 --- (069) --- Schilderkunst ; schilders --- Grafische kunst ; grafische kunstenaars A-Z --- Schilderkunst ; 1950 - 2000 --- (Musea. Collecties) --- Exhibitions --- Ruscha, Edward --- Exhibitions. --- Ruscha, Ed --- Ruscha, Edward, --- Art --- artists' books [books] --- easel paintings [paintings by form] --- works on paper --- texts [documents] --- paintings [visual works]
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Art --- Magritte, René --- anno 1900-1999 --- Stephanie Barron, Michel Draguet With the Assistance of Sara Cochran Essays by Richard Armstrong, Roberta Bernstein, Thierry de Duve [et al.] --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- Magritte René --- België --- twintigste eeuw --- surrealisme --- Verenigde Staten --- Copley William --- Broodthaers Marcel --- Johns Jasper --- Artschwager Richard --- Ruscha Ed --- Celmins Vija --- Gober Robert --- 7.038 --- Art, Modern --- Johnson, Ray --- Celmins, Vija --- Warhol, Andy --- Oldenburg, Claes --- Rosenquist, James --- Shaw, Jim --- Ray, Charles --- Pettibon, Raymond --- Guston, Philippe --- Bochner, Mel --- Kippenberger, Martin --- Huebler, Douglas --- De Ménil, Dominique --- Ménil, John de --- Surrealist --- Painting --- art history --- Iconography --- Art styles --- painting [image-making] --- Salle, David --- Johns, Jasper --- Artschwager, Richard --- Kosuth, Joseph --- Gober, Robert --- Ruscha, Ed --- Kelley, Mike --- Weiner, Lawrence --- Kruger, Barbara --- Baldessari, John --- Levine, Sherrie --- Prince, Richard --- Lichtenstein, Roy --- Polke, Sigmar --- Antin, Eleanor --- Rauschenberg, Robert --- Koons, Jeff --- Broodthaers, Marcel --- Belgium --- hedendaagse kunst --- Copley, William --- 20ste eeuw --- Surrealism --- Criticism and interpretation --- Exhibitions --- Stephanie Barron, Michel Draguet ; With the Assistance of Sara Cochran ; Essays by Richard Armstrong, Roberta Bernstein, Thierry de Duve [et al.] --- hedendaagse kunst. --- surrealisme. --- Magritte, René. --- Copley, William. --- De Ménil, Dominique. --- Ménil, John de. --- Broodthaers, Marcel. --- Johns, Jasper. --- Artschwager, Richard. --- Ruscha, Ed. --- Celmins, Vija. --- Gober, Robert. --- 20ste eeuw.
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fotografie --- fotografietheorie --- Verenigde Staten --- twintigste eeuw --- landschap --- landschapsfotografie --- documentaire fotografie --- New Topographics --- Adams Robert --- Gohlke Frank --- Baltz Lewis --- O'Sullivan Timothy H. --- Deal Joe --- Schort John --- Shore Stephen --- Stackpole Peter --- Smithson Robert --- Jackson William Henry --- Adams Ansel --- Becher Bernd & Hilla --- Ruscha Ed --- Graham Dan --- Wessel Henry --- Black James Wallace --- Nixon Nicholas --- Garnett William --- Lawrence George --- Antonioni Michelangelo --- Godard Jean-Luc --- Kepes Gyorgy --- Alajalov Constantin --- Orloff Deborah --- Burtynsky Edward --- Hanson David T. --- 77.047 --- Landscape photography --- New topographics (Photography) --- Hanson David T --- O'Sullivan Timothy H
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
artistieke fotografie --- photography [process] --- Conceptual --- Photography --- conceptuele kunst --- Conceptual art --- Photography, Artistic --- Art and photography --- kunst --- fotografie --- kunst en fotografie --- concept art --- kunstenaarsboeken --- artists' books --- Verenigde Staten --- twintigste eeuw --- Ruscha Ed --- LeWitt Sol --- Bochner Mel --- Dibbets Jan --- Snow Michael --- Wallace Ian --- Nauman Bruce --- Paolini Giulio --- Broodthaers Marcel --- Baldessari John --- van Elk Ger --- Acconci Vito --- Heizer Michael --- Matta-Clark Gordon --- Burgin Victor --- Rosler Martha --- Huebler Douglas --- Sekula Allan --- Kawara On --- Shore Stephen --- Antin Eleanor --- Boetti Alighiero --- Attalai Gabor --- Smithson Robert --- Baumgarten Lothar --- Winogrand Garry --- Celmins Vija --- Klein William --- Clemente Francesco --- Ader Bas Jan --- Maurer Dora --- Polke Sigmar --- Sikora Rudolf --- Kiefer Anselm --- Barry Robert --- Denes Agnes --- Kosuth Joseph --- Anselmo Giovanni --- Becher Bernd & Hilla --- Wall Jeff --- Baxter Iain --- N.E. Thing Co. --- Klein Yves --- Ruppersberg Allen --- Manzoni Piero --- Prini Emilio --- Vaccari Francesco --- Mulas Ugo --- Zorio Gilberto --- Oppenheim Dennis --- Wegman William --- Conrad Tony --- Boltanski Christian --- Wilson Martha Story --- Feldmann Hans-Peter --- Anderson Laurie --- Messager Annette --- Gilbert & George --- Piper Adrian --- Graham Dan --- Salvo --- Mangione Salvatore --- Penone Giuseppe --- Export Valie --- Dimitrijevic Braco --- Nemetschek Peter --- Haacke Hans --- 7.038 --- Exhibitions --- History --- N.E. Thing Co --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Arte Povera --- conceptual artists --- LeWitt, Sol --- Penone, Giuseppe --- Ruscha, Ed --- Acconci, Vito --- Bochner, Mel --- Nauman, Bruce --- Baldessari, John --- anno 1960-1969 --- anno 1970-1979 --- Conceptual art - Exhibitions --- Photography, Artistic - Exhibitions --- Art and photography - Exhibitions
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