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Acconci, Vito ; Andre, Carl ; Asher, Michael ; Barry, Robert ; Broodthaers, Marcel ; Buren, Daniel ; Burr, Tom ; Campbell, Jim ; Campus, Peter ; Coleman, John ; Conner, Bruce ; Cornell, Joseph ; Deleuze, Gilles ; Dion, Mark ; Divola, John ; Duchamp, Marcel ; Riverhead (New York) ; Foster, Hal ; Gamboa Jr., Harry ; Gordon, Douglas ; Graham, Dan ; Green, Renée ; Guattari, Félix ; Haacke, Hans ; Hall, David ; Finlay, Ian Hamilton ; Hammons, David ; Heizer, Michael ; Hill, Gary ; Holt, Nancy ; Holzer, Jenny ; Jonas, Joan ; Judd, Donald ; Kabakov, Ilya ; Kapoor, Anish ; Kaprow, Allan ; Kienholz, Ed ; Kienholz, Nancy Reddin ; Kosuth, Joseph ; Levine, Les ; LeWitt, Sol ; de Maria, Walter ; Morris, Robert ; Nauman, Bruce ; Oppenheim, Dennis ; Osorio, Pepón ; Owens, Craig ; Paik, Nam June ; Piper, Adrian ; Rousseau, Jean-Jacques ; Serra, Richard ; Serrano, Andres ; Smithson, Robert ; Thater, Diana ; Tinguely, Jean ; Turrell, James ; Warhol, Andy

Environment (Art) --- Installations (Art) --- Environment (Art). --- Installations (Art). --- Installation art --- Art, Modern --- Assemblage (Art)

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Marie-Jo Lafontaine est une artiste belge internationalement reconnue. Photographie, vidéo, son, sculpture, installation, «architecture» sont les genres artistiques utilisés par l'artiste «hypermédia». Le corps - sa beauté, ses passions, ses travers, sa dématérialisation - et la perception que nous pouvons en avoir sont au coeur de son projet artistique mené depuis 30 ans. Le livre a été conçu dans le cadre des deux expositions à Angers, l'une au Musée Lurçat, la seconde au Musée des Beaux-Arts. L'artiste a pris soin de dessiner son livre avec l'aide de la graphiste allemande Saskia Helena Kruse. Il s'agit bel et bien d'un livre d'artiste à tous points de vue.

Lafontaine, Marie-Jo --- departement Beeldende Kunst 08 --- hedendaagse fotografie --- Sculpture --- Art vidéo --- Installation-art --- Photographie --- Catalogues d'exposition

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Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960's, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960's, 1970's, and 1980's.Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970's. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"

Film --- Film installations (Art) --- Installations (Art) --- Installation art --- Art, Modern --- Environment (Art) --- Motion pictures --- Video installations (Art)

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A study of Kusama's era-defining work, a "sublime, miraculous field of phalluses," against the background of abstraction, eroticism, sexuality, and softness.

Installations (Art) --- Kusama, Yayoi, --- Criticism and interpretation. --- Kusama, Yayoi, -- 1929- -- Exhibitions. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Installations (Art). --- Installation art --- Kusama, Yayoi --- 草間弥生 --- 草間彌生

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As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.

Art and motion pictures. --- Motion pictures --- Art and moving-pictures --- Motion pictures and art --- Philosophy. --- Art, Modern --- Contemporary art --- Modernism (Art) --- Film Theory, Installation Art, Objectness.