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Volume 1 of Nothing but Love in God's Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement.Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Music Restoration Project at Baylor University, brings this vivid, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luther King Jr. and other leaders used music to underscore and support their message; and reveals how the songs themselves traveled and changed as the fight for freedom for African Americans continued. Darden makes an unassailable case for the importance of black sacred music not only to the civil rights era but also to present-day struggles in and beyond the United States.Taking us from the Deep South to Chicago and on to the nation's capital, Darden's grittily detailed, lively telling is peppered throughout with the words of those who were there, famous and forgotten alike: activists such as Rep. John Lewis, the Reverend Ralph Abernathy, and Willie Bolden, as well as musical virtuosos such as Harry Belafonte, Duke Ellington, and The Mighty Wonders. Expertly assembled from published and unpublished writing, oral histories, and rare recordings, this is the history of the soundtrack that fueled the long march toward freedom and equality for the black community in the United States and that continues to inspire and uplift people all over the world.

Gospel music --- African Americans --- Spirituals (Songs) --- History and criticism. --- Civil rights --- History. --- Music

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Das Werk umfasst neben Vorreden und Ehrentexten 38 Lieder, die sich den fünf katechetischen ,Hauptstücken' (Dekalog, Apostolisches Glaubensbekenntnis, Vaterunser, Taufe, Abendmahl) widmen, während sich 12 weitere Lieder mit der dem Kleinen Katechismus beigegebenen Haustafel befassen. Rists Ziel ist es, gemeisam mit seinen Komponisten einen spezifisch lyrisch-musikalischen Beitrag zur memorialen Aneignung des Katechismus zu leisten, der im frühneuzeitlichen Luthertum im Anschluss an den Wittenberger Reformator als das fundamentale Basislehrbuch des christlichen Glaubens und als ,kleine Biblia' galt. Die Kompositionen lieferten der Zittauer Organist Andreas Hammerschmidt und der Lüneburger Kantor Michael Jacobi. Die Quellentexte werden durch einen textkritischen Apparat und einen reichhaltigen Stellenkommentar (Nachweis von Traditionsgut, Klärung prosopographischer, bibliographischer und historischer Sachverhalte) sowie durch editorische Berichte, Nachworte und Register präzise erschlossen. Ein umfänglicher Anhang bietet sämtliche verfügbaren (teils archivalischen) Dokumente zur Entstehungsgeschichte des Werkes und zur Kooperation Rists mit seinen Komponisten dar.

Church music --- Lutheran Church --- Church music - Lutheran Church - Early works to 1800 --- Gospel music. --- Contemporary Christian music.

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Black gospel music grew from obscure nineteenth-century beginnings to become the leading style of sacred music in black American communities after World War II. Jerma A. Jackson traces the music's unique history, profiling the careers of several singers and demonstrating the important role women played in popularizing gospel.

Gospel music --- African Americans --- Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism. --- Social aspects

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