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From one of America's iconic writers, a stunning book of electric honesty and passion. Joan Didion explores an intensely personal yet universal experience: a portrait of a marriage& and a life, in good times and bad& that will speak to anyone who has ever loved a husband or wife or child. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later& the night before New Year's Eve& the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion's attempt to make sense of the & weeks and then months that cut loose any fixed idea I ever had about death, about illness . . . about marriage and children and memory . . . about the shallowness of sanity, about life itself'.'
Grief. --- Journalists --- Loss (Psychology). --- Mothers and daughters --- Novelists, American --- Novelists, American --- Psychoanalyse --- Widows --- Family relationships. --- cultuur en religie. --- Didion, Joan. --- Dunne, John Gregory, --- Didion, Joan --- Didion, Joan --- Death and burial. --- Marriage. --- Family.
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'. . . In Cold Blood, The Electric Kool-Aid Acid Test, Fear and Loathing in Las Vegas, Slouching Towards Bethlehem, The Armies of the Night . . .' Starting in 1965 and spanning a ten-year period, a group of writers including Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, and Michael Herr emerged and joined a few of their pioneering elders, including Truman Capote and Norman Mailer, to remake American letters. The perfect chroniclers of an age of frenzied cultural change, they were blessed with the insight that traditional tools of reporting would prove inadequate to tell the story of a nation manically hopscotching from hope to doom and back again& from war to rock, assassination to drugs, hippies to Yippies, Kennedy to the dark lord Nixon. Traditional just-the-facts reporting simply couldn't provide a neat and symmetrical order to this chaos. Marc Weingarten has interviewed many of the major players to provide a startling behind-the-scenes account of the rise and fall of the most revolutionary literary outpouring of the postwar era, set against the backdrop of some of the most turbulent& and significant& years in contemporary American life. These are the stories behind those stories, from Tom Wolfe's white-suited adventures in the counterculture to Hunter S. Thompson's drug-addled invention of gonzo to Michael Herr's redefinition of war reporting in the hell of Vietnam. Weingarten also tells the deeper backstory, recounting the rich and surprising history of the editors and the magazines who made the movement possible, notably the three greatest editors of the era& Harold Hayes at 'Esquire', Clay Felker at 'New York', and Jann Wenner at 'Rolling Stone'. And finally Weingarten takes us through the demise of the New Journalists, a tragedy of hubris, miscalculation, and corporate menacing. This is the story of perhaps the last great good time in American journalism, a time when writers didn't just cover stories but immersed themse
American prose literature --- Journalism --- Reportage literature, American --- History and criticism. --- History --- Mailer, Norman --- Didion, Joan --- Wolfe, Tom --- Criticism and interpretation.
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Lijden in de kunst --- Lijden in de literatuur --- Souffrance dans l'art --- Souffrance dans la littérature --- Suffering in art --- Suffering in literature --- Toughness (Personality trait) --- Toughness (Personality trait). --- Aesthetics --- Suffering in literature. --- Suffering in art. --- Psychological aspects. --- Weil, Simone, --- Arendt, Hannah, --- Sontag, Susan, --- MacCarthy, Mary, --- Arbus, Diane, --- Didion, Joan. --- Arendt, Hannah --- Sontag, Susan --- Arbus, Diane --- Didion, Joan --- McCarthy, Mary --- Psychological aspects --- Philosophy --- Art --- Weil, Simone --- Attitudes --- Book --- Emotions
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In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990's novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is iro
American fiction --- American fiction. --- Bellettrie. --- Literature and history --- Literature and history. --- Littérature et histoire --- Roman américain --- Roman. --- History and criticism. --- History --- Histoire et critique. --- 1900-1999. --- Geschichte 1994-2003. --- Fiction --- American literature --- anno 1990-1999 --- History and criticism --- 20th century --- United States --- Pynchon, Thomas --- O'Brien, Tim --- Morrison, Toni --- Roth, Philip --- Didion, Joan --- DeLillo, Don --- Lethem, Jonathan --- Criticism and interpretation --- Eugenides, Jeffrey
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Using a new approach to literature and culture, this book aims to bridge the gap between science and the humanities by suggesting the many areas where they connect.
Quantum theory in literature. --- Postmodernism (Literature) --- Literature and science --- Physics in literature. --- American fiction --- History --- History and criticism. --- 20th century --- History and criticism --- Physics in literature --- United States --- Quantum theory in literature --- DeLillo, Don --- Pynchon, Thomas --- Didion, Joan, 1934- . A Book of Common Prayer --- O'Brien, Tim
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American literature --- Thematology --- anno 1900-1999 --- Quests (Expeditions) in literature --- Quests in literature --- Quêtes (Expéditions) dans la littérature --- Quêtes (littérature) --- Quêtes dans la littérature --- Voyage initiatique (littérature) --- Zoektochten (Expeditie) in de literatuur --- Zoektochten in de literatuur --- American prose literature --- History and criticism. --- 20th century --- History and criticism --- Bowles, Paul Frederick --- Criticism and interpretation --- Theroux, Paul --- Matthiessen, Peter --- Collins, Michael --- Didion, Joan --- Dillard, Annie --- Haley, Alex Palmer --- Arlen, Michael --- Clark, Eleanor --- McPhee, John --- Hoagland, Edward --- Morris, Mary --- Zweig, Paul --- Doerr, Harriet --- Dickey, James --- Bellow, Saul --- Mailer, Norman
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""The world is so sad and solemn,"" wrote Nathaniel Hawthorne, ""that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves."" From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer
American fiction --- History and criticism --- Hawthorne, Nathaniel --- Influence --- Romanticism --- United States --- Frederic, Harold --- Criticism and interpretation --- Faulkner, William --- McCullers, Carson --- O'Connor, Flannery Mary --- Styron, William --- Cheever, John --- Gardner, John Champlin, Jr. --- Oates, Joyce Carol --- Didion, Joan --- Manichaeism in literature. --- History and criticism. --- Hawthorne, Nathaniel, --- Gotorn, Nataniėlʹ --- Hotorn, Natanijel --- Huo-sang --- Huo-sang, Na-sa-ni-erh --- Hothorna, Netheniyala --- Готорн, Натаниэль --- האטארן, נאטאניעל, --- Huosang --- Huosang, Nasa'nier --- Nasa'nier Huosang --- 霍桑, --- 霍桑, 纳撒尼尔, --- 纳撒尼尔 霍桑, --- Hās̲ūran, Nātānīl --- Hās̲ūrn, Nātānīl --- هاثورن، ناتانيل --- Influence.
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In Marriage, Violence and the Nation in the American Literary West, William R. Handley examines literary interpretations of the Western American past. Handley argues that although scholarship provides a narrative of western history that counters optimistic story of frontier individualism by focusing on the victims of conquest, twentieth-century American fiction tells a different story of intra-ethnic violence surrounding marriages and families. He examines works of historiography,as well as writing by Zane Grey, Willa Cather, Wallace Stegner and Joan Didion among others, to argue that these works highlight white Americans' anxiety about what happens to American 'character' when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperialism brings violence home in retrospective narratives that allegorise national pasts and futures through intimate relationships.
American literature --- Novelists, American --- Domestic fiction, American --- National characteristics, American, in literature. --- Western stories --- Frontier and pioneer life in literature. --- Family violence in literature. --- Women pioneers in literature. --- Marriage in literature. --- Violence in literature. --- American novelists --- History and criticism. --- Homes and haunts --- West (U.S.) --- Intellectual life. --- In literature. --- Family violence in literature --- Frontier and pioneer life in literature --- Marriage in literature --- National characteristics, American, in literature --- Violence in literature --- Women pioneers in literature --- History and criticism --- Arts and Humanities --- Literature --- Domestic fiction [American ] --- National characteristics [American ] --- West [U.S.] in literature --- Cather, Willa Sibert --- Criticism and interpretation --- Stegner, Wallace Earle --- Didion, Joan --- Fitzgerald, Francis Scott --- Grey, Zane --- Wister, Owen --- Turner, Frederick Jackson
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Politics, Desire, and the Hollywood Novel pays close attention to six authors-Nathanael West, Raymond Chandler, Budd Schulberg, Joan Didion, Bruce Wagner, and Elmore Leonard-who have toiled in the film industry and written to tell about it. More specifically, Rhodes considers both screenplays and novels with an eye toward the different formulations of sexuality, art, and ultimately political action that exist in these two kinds of storytelling.
Desire in literature. --- Motion picture industry in literature. --- American fiction --- History and criticism. --- Leonard, Elmore, --- Wagner, Bruce, --- Didion, Joan --- Chandler, Raymond, --- Schulberg, Budd --- West, Nathanael, --- Леонард, Элмор, --- לנארד, אלמור, --- צ׳אנדלר, ריימונד, --- צ׳נדלר, ריימונד, --- レイモンドチャンドラー, --- Schulberg, Seymour Wilson, --- Weinstein, Nathan, --- וסט, נתנאל, --- Criticism and interpretation. --- Hollywood (Los Angeles, Calif.) --- Hūlīwūd (Los Angeles, Calif.) --- Hollywood (Calif.) --- In literature. --- Desire in literature --- Motion picture industry in literature --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- History and criticism --- Leonard, Elmore
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