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William Scott’s Troublemakers explores how a major change in the nature and forms of working-class power affected novels about U.S. industrial workers in the first half of the twentieth century. With the rise of mechanization and assembly-line labor from the 1890's to the 1930's, these laborers found that they had been transformed into a class of “mass” workers who, since that time, have been seen alternately as powerless, degraded victims or heroic, empowered icons who could rise above their oppression only through the help of representative organizations located outside the workplace. Analyzing portrayals of workers in such novels as Upton Sinclair’s The Jungle, Ruth McKenney's Industrial Valley, and Jack London’s The Iron Heel, William Scott moves beyond narrow depictions of these laborers to show their ability to resist exploitation through their direct actions—sit-down strikes, sabotage, and other spontaneous acts of rank-and-file “troublemaking” on the job—often carried out independently of union leadership. The novel of the mass industrial worker invites us to rethink our understanding of modern forms of representation through its attempts to imagine and depict workers’ agency in an environment where it appears to be completely suppressed.
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France --- Marseille (France) --- History --- History.
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Mass communications --- Communicatie --- Communication --- Communication [Primitive ] --- Communication humaine --- Mass communication --- Signes et symboles --- Signs and symbols --- Symbolen en tekens --- Symboles et signes --- Symbols and signs --- Tekens en symbolen
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"The Model of Poesy is one of the most exciting literary discoveries of recent years. A manuscript treatise on poetics written by William Scott in 1599, at the end of the most revolutionary decade in English literary history, it includes rich discussions of the works of Sidney, Spenser, Shakespeare and their contemporaries. Scott's work presents a powerful and coherent theoretical account of all aspects of poetics, from the nature of representation to the rules of versification, with a commitment to relating theory to contemporary practice. For Scott, any theory of literature must make sense not of the classics but of what English writers are doing now: Scott is at the same time the most scholarly and the most relevant of English Renaissance critics. In this groundbreaking edition, Gavin Alexander presents a text of The Model of Poesy framed by a detailed introduction and an extensive commentary, which together demonstrate the range and value of Scott's thought"--
Poetics --- English poetry --- Poétique --- Poésie anglaise --- Early works to 1800. --- History and criticism --- Ouvrages avant 1800 --- Histoire et critique --- Poetics. --- Poetik. --- Englisch. --- Poétique --- Poésie anglaise
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Greek language --- Oral-formulaic analysis. --- Oral tradition --- Rhetoric, Ancient. --- Simile. --- Grec --- Analyse des formules orales --- Tradition orale --- Rhétorique ancienne --- Comparaison (Rhétorique) --- Figures of speech. --- Figures de rhétorique --- Homer --- Literary style. --- Oral-formulaic analysis --- Rhetoric, Ancient --- Simile --- Figures of speech --- Literary style --- -Oral-formulaic analysis --- -Rhetoric, Ancient --- Classical languages --- Greek rhetoric --- Latin language --- Latin rhetoric --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- Parabole --- Formulaic analysis, Oral --- Folk literature --- Indo-European languages --- Classical philology --- Greek philology --- Rhetoric --- History and criticism --- Methodology --- -Literary style --- -Hóiméar --- Hūmīrūs --- Homeros --- Homerus --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- -Homer --- Homère --- Rhétorique ancienne --- Comparaison (Rhétorique) --- Figures de rhétorique --- Ancient rhetoric --- Hóiméar --- Grec (langue) --- Comparaison (rhétorique) --- Figures de rhétorique. --- Homer. --- Oral tradition. --- Literature --- Style, Literary --- Language and languages --- Style --- Greece. --- al-Yūnān --- Ancient Greece --- Ellada --- Ellas --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grčija --- Grèce --- Grecia --- Gret͡sii͡ --- Griechenland --- Hellada --- Hellas --- Hellenic Republic --- Hellēnikē Dēmokratia --- Kingdom of Greece --- République hellénique --- Royaume de Grèce --- Vasileion tēs Hellados --- Xila --- Yaṿan --- Yūnān --- Comparaison (rhétorique) --- Figures de rhétorique.
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Music, Greek and Roman --- Drama --- Tragedy --- History and criticism --- Chorus (Greek drama) --- Aeschylus --- Dramatic production --- Stage history --- Greek drama --- Tragedy. --- Incidental music --- History and criticism. --- Dramatic production. --- Stage history. --- Chorus (Greek drama). --- Music, Greek and Roman - History and criticism --- Drama - Chorus (Greek drama) --- Aeschylus - Dramatic production --- Aeschylus - Stage history
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An examination of the aesthetic qualities of the Homeric simile
Simile. --- Rhetoric, Ancient. --- Oral tradition --- Oral-formulaic analysis. --- Greek language --- Figures of speech. --- Homer --- Literary style. --- Parabole --- Figures of speech --- Ancient rhetoric --- Classical languages --- Greek rhetoric --- Latin language --- Latin rhetoric --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Rhetoric --- History and criticism --- Methodology --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero
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