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Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection 'Futurist Cinema', Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Motion pictures --- History. --- Futurism (Art) --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Action in art --- Art --- Art, Modern --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Futurisme (cinéma) --- Films expérimentaux --- Experimental films --- Futurism, Cinema, Film Studies, Avant-garde. --- History --- Futurisme (cinéma) --- Films expérimentaux
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Die Ehe stellt das Sozialmodell der bürgerlichen Moderne par excellence dar. Mit der Integration von Liebe, Freundschaft und Sexualität schafft sie den Brückenschlag zwischen Privatheit und Öffentlichkeit. Doch so prädestiniert die Ehe hinsichtlich der Absorption der politischen, wirtschaftlichen und kulturellen Bedingungen und Bedürfnisse der bürgerlichen Moderne scheint, so sehr steht sie auch in der Kritik. Die Beiträger*innen nehmen diskursive Infragestellungen der Ehe in kulturellen Artefakten der Romania von 1870 bis 1930 in den Blick und analysieren sie aus kultur- und literaturwissenschaftlicher Perspektive.
LITERARY CRITICISM / European / French. --- Bourgeoisie. --- Cultural Studies. --- Culture. --- Family. --- French Literature. --- Friendship. --- Italian Literature. --- Literary Studies. --- Literature. --- Love. --- Marriage. --- Modernity. --- Romance Studies. --- Sexuality. --- Social Relations. --- Society.
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