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This is a study in the political, social, and cultural content of a particular literary form - the novel of slavery cast as a first-person slave narrative. The text explores the complex relationship between nostalgia and critique, and asks how African-American intellectuals made use of this form.
African Americans in literature. --- African Americans --- American fiction --- First person narrative. --- Influence (Literary, artistic, etc.) --- Literary form --- Literature and society --- Slavery in literature. --- Slaves' writings, American --- American slaves' writings --- American literature --- Slavery and slaves in literature --- Slaves in literature --- Afro-Americans in literature --- Negroes in literature --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Narrative, First person --- Fiction --- Narration (Rhetoric) --- Intellectual life --- African American authors --- History and criticism. --- History --- Technique --- African Americans in literature --- First-person narrative --- Slavery in literature --- African American authors&delete& --- History and criticism --- American enslaved persons' writings --- Enslaved persons in literature --- Enslaved persons' writings, American --- First-person narrative.
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As liminal beings, ghosts seem particularly appropriate to define, question or challenge hybrid cultures where several, seemingly irreconcilable, identities coexist. The present volume wonders how they manifest themselves in the English-speaking world, and whether there is a specifically postcolonial kind of haunting. The twenty-two articles deal with textual, translational or historical ghosts, and take us to Canada, Australia, Africa, India or the Caribbean. Poems by Gerry Turcotte literally haunt the volume, which thus juxtaposes theory and practice in a dynamic and fruitful way. De par leur liminalité, les fantômes semblent particulièrement adaptés pour définir, interroger ou remettre en question des cultures hybrides où coexistent plusieurs identités apparemment inconciliables. Ce volume explore leurs diverses manifestations dans le monde anglophone, se demandant s’il existe une hantise proprement postcoloniale. Les vingt-deux articles nous présentent des fantômes historiques ou textuels, et nous emmènent du Canada à l’Australie, de l’Afrique à l’Inde ou à la Caraïbe. Des poèmes de Gerry Turcotte hantent littéralement le volume, qui juxtapose ainsi théorie et pratique de façon dynamique et féconde.
Literature (General) --- traduction --- politique --- mythologie --- intertextualité --- spectralité --- littérature postcoloniale --- fantôme --- commonwealth --- translation --- politics --- mythology --- intertextuality --- spectrality --- postcolonial literature --- ghost --- ghostwriting
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