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Poetry --- English literature --- anno 1600-1699 --- English poetry --- Metaphysics in literature. --- History and criticism. --- Poésie anglaise --- Métaphysique --- Histoire et critique. --- Dans la littérature.
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Literature --- Poetics --- Poétique --- Poëtica --- Poetics. --- Littérature --- History and criticism --- Theory, etc. --- Histoire et critique --- Théorie, etc --- Theory, etc --- 82-1 --- Poëzie --- 82-1 Poëzie --- Littérature --- Poétique --- Théorie, etc --- Poetry --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History and criticism&delete& --- Technique --- Literature - History and criticism - Theory, etc. --- Literature History and criticism --- Literature - History and criticism - Theory, etc
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Poetry --- Japanese language --- Asian literature --- Renga --- Haikai --- Japanese poetry --- History and criticism --- Translations into English --- History and criticism. --- Translations into English. --- Renga - History and criticism --- Haikai - History and criticism --- Japanese poetry - To 1868- - History and criticism --- Renga - Translations into English --- Haikai - Translations into English
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English literature --- American literature --- Comparative literature --- Comparative literature --- Comparative literature --- Comparative literature --- History and criticism. --- History and criticism. --- English and Japanese. --- Japanese and English. --- American and Japanese. --- Japanese and American.
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Japanese diaries. --- Japanese literature --- Translations into English.
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Dryden's writings are studded with names, conspicuously those of his literary predecessors and contemporaries. He defined himself as a writer in relation to other writers, and in doing so was something of a pioneer professional man of letters: poet, playwright, critic, prose stylist, England's foremost verse translator, the first literary historian to provide a conception of periods, and what would now be termed a comparatist. This 1993 book looks at Dryden's literary relationships with Ben Jonson and with French authors (notably Corneille), at issues raised by the work thought to be his greatest by Romantic and contemporary readers, Fables Ancient and Modern; and at Samuel Johnson's definition of Dryden, whose biography in Johnson's Lives was the author's favourite. The book has implications for questions of literary reception, influence and intertextuality, as well as for the reputation and context of Dryden himself.
Authority in literature --- Authorship --- English poetry --- Influence (Literary, artistic, etc.) --- Intertextuality --- Criticism --- Semiotics --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Originality in literature --- Authoring (Authorship) --- Writing (Authorship) --- History --- Roman influences --- Dryden, John, --- Criticism and interpretation --- History. --- Influence. --- Knowledge --- Literature. --- Rome --- In literature. --- Dryden, John --- Authority in literature. --- Influence (Literary, artistic, etc.). --- Intertextuality. --- Roman influences. --- Arts and Humanities --- Drāydan, Jawn, --- Dryden, --- Author of Absalom & Achitophel, --- Author of Absalom and Achitophel, --- Absalom & Achitophel, Author of, --- Drydon, John, --- Bays, --- Bayes, --- Person of quality, --- D-n, --- Driden, John, --- Drajden, Džon, --- Драјден, Џон,
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Japanese poetry --- Poésie japonaise --- History and criticism. --- Histoire et critique. --- Tanka (Poésie japonaise)
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