Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Psycholinguistics --- Psychiatry --- Brain damage --- Language and languages --- Language disorders. --- Speech disorders. --- Complications. --- Physiological aspects. --- Troubles du langage --- Parole, troubles de la

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Violence on télévision --- Television --- Reality television programs --- Social aspects --- Société des auteurs et compositeurs dramatiques (France) --- Violence on television --- Television - Social aspects --- Médias et opinion publique --- Médias --- Rumeur --- Téléréalité --- Violence --- Télévision et société --- Influence --- Sociologie --- A la télévision

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films are often considered "cerebral" because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky's films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.

Emotions in motion pictures. --- Motion pictures --- Aronofsky, Darren --- Criticism and interpretation. --- Émotions --- Au cinéma. --- Critique et interprétation. --- Émotions --- Au cinéma. --- Critique et interprétation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

'Finnish Film Studios' provides a thorough examination of Finnish film industry through the core decades of the studio era, from the early 1920s to the early 1960s. Laine analyses the contributions of fully integrated major companies, Suomi-Filmi, Suomen Filmiteollisuus and Fennada-Filmi, in addition to minor companies and independent producers that were responsible for some of the canonized work of the studio era, including the films of Teuvo Tulio and Nyrki Tapiovaara.

Motion picture industry. --- Motion pictures. --- Motion pictures --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History and criticism --- Motion picture industry