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Octave Mirbeau was born in Trévières, Normandy, on 16 February 1848. He had a quiet childhood, which seemingly came to an abrupt end when he was sent to a Jesuit college at Vannes in 1859. The next four years were a miserable experience for the young Mirbeau, and the barbarity, tyranny and snobbery he encountered there - which seemed to him a microcosm of French society - would never be far from his writing for the rest of his life. Mirbeau registered to study law at university in 1866 but in 1868 would claim that 'he had been eating nothing and smoking up to 180 pipes of opium a day' (Levi, 1
French drama. --- Interpersonal relations --- French literature
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Drama --- Mass communications --- Hörspiel. --- Radio plays --- Radio --- History and criticism. --- Production and direction. --- Authorship.
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A collection which considers the crucial role of radio in small nations, presenting diverse voices and diverse themes and held together by passionate and scrupulous research.
Radio broadcasting --- Broadcasting --- Broadcasting industry --- Communication and traffic --- Cultural industries --- Telecommunication --- Social aspects. --- Planning. --- Radio broadcasting. --- Radio programs. --- Radio audiences. --- Audiences, Radio --- Radio listeners --- Audiences --- Radio programs --- Programs, Radio --- Radio shows --- Shows, Radio --- Radio scripts --- Radio --- Radio industry and trade --- Mass media --- Social aspects --- Rating
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This anthology explores the resilience and ubiquity of the Gothic in cinema from its earliest days to its most contemporary iterations.
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Basil Macdonald Hastings’s dramatization of Joseph Conrad’s Victory enjoyed a run of over eighty performances at London’s Globe Theatre in 1919 with actor-producer Marie Löhr in the role of Lena. It remains the most successful stage adaptation of Conrad’s fiction and Conrad himself was closely involved in the development of the script. This generously illustrated volume presents the complete script of Macdonald Hastings’s play, the collected theatre reviews of the production, and the stage censor’s confidential report on the script. The volume also features a substantial introduction placing the original novel and its subsequent dramatization in a stimulating critical and cultural context.
Conrad, Joseph, --- Hastings, Basil Macdonald, --- Stage adaptations --- Criticism and interpretation. --- Europeans --- Women musicians --- Abused women --- Revenge --- Stage adaptations. --- Adaptations, Stage --- Drama --- Literature --- Authors and theater --- Battered women --- Victims of crimes --- Women --- Battered woman syndrome --- Musicians, Women --- Women as musicians --- Musicians --- Ethnology --- Technique --- Adaptations
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"Hamlet" by Olivier, Kaurismäki or Shepard and "Pride and Prejudice" in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs an
Film adaptations -- History and criticism. --- Literature -- Adaptations -- History and criticism. --- Literature --- Film adaptations --- Languages & Literatures --- Literature - General --- History and criticism --- Adaptations --- History and criticism. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Cultural appropriation. --- Philology --- Authors --- Authorship --- Appropriation, Cultural --- Cultural fusion --- Adaptation. --- appropriation.
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A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the war’s upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
World War, 1914-1918 --- Arts, British --- Arts and society --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- History --- Social aspects --- Arts and society. --- Arts, British. --- Art and the war. --- 1900-1999. --- Great Britain. --- World War (1914-1918) --- 1900-1999 --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
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