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"This book is not about Shakespeare. That is to say, it is not concerned with the playwright, born in 1564, who made a career in London, and died in his native Stratford-upon-Avon in 1616; nor does it deal with his works. At best, Shakespeare, thus understood, plays a marginal role in this study. What I am concerned with, in other words, is not essential Shakespeare, but his fictional afterlives: how subsequent generations of creative writers have tried to make sense of his life, his works, and the interrelationship between them. Shakespeare, thus understood, is truly 'myriad- minded', and has led an infinity of lives. He has been a Protestant, a Catholic, a Jew and an agnostic; a philanderer and a faithful husband; gay, bisexual, and straight; revolutionary and conservative; black and white; male and female. As one of the icons of Western literature, multiple, often diametrically opposite fictions have been devised around his name. Some of these have been disguised as facts, but most fictional representations are easy to distinguish from serious biographical studies"--
Shakespeare, William --- Auteurs dramatiques --- Art --- Dans la littérature --- Appréciation --- Shakespeare, William, --- Dans la littérature. --- Appréciation. --- Dramatists in literature. --- Appreciation. --- In literature.
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International economic relations --- Economic sociology --- 836 Multinationale ondernemingen --- 843 Middenveld --- 835 Natuurlijke rijkdommen --- 339.96 --- International business enterprises --- Labor unions --- Industrial unions --- Labor, Organized --- Labor organizations --- Organized labor --- Trade-unions --- Unions, Labor --- Unions, Trade --- Working-men's associations --- Labor movement --- Societies --- Central labor councils --- Guilds --- Syndicalism --- Business enterprises, International --- Corporations, International --- Global corporations --- International corporations --- MNEs (International business enterprises) --- Multinational corporations --- Multinational enterprises --- Transnational corporations --- Business enterprises --- Corporations --- Joint ventures --- Ontwikkelingshulp. Ontwikkelingssamenwerking. Ontwikkelingsproblematiek --- International finance --- International business enterprises. --- International finance. --- Labor unions. --- 339.96 Ontwikkelingshulp. Ontwikkelingssamenwerking. Ontwikkelingsproblematiek --- International monetary system --- International money --- Finance --- 836 (Multi-)nationale ondernemingen
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Labour conflicts --- Limburg [Belgium, province] --- Arbeidsverhoudingen --- Mijnen --- Mines --- Relations du travail --- Syndicalisme --- Vakbeweging --- Strikes and lockouts --- -Coal miners --- -#C9201 --- Miners --- Combinations of labor --- Lockouts --- Work stoppages --- Direct action --- Labor disputes --- Strikebreakers --- -Labor unions --- Labor unions --- Coal miners --- -Strikes and lockouts --- -Labour conflicts --- #C9201 --- Colliers (Coal miners)
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Poetry --- Dutch language
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Physics --- Science --- History. --- Wetenschap : mythen --- Wetenschap : sagen --- 001.891 --- sagen --- geschiedenis der natuurwetenschappen, natuurwetenschappers --- geschiedenis --- natuurkunde --- natuurwetenschappen --- #gsdb8 --- #gsdbf
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Voor de Nederlandse poëzielezer is Gerrit Kouwenaar (1923) een begrip. Het werk van deze dichter is veelvuldig bekroond en geen literatuurgeschiedenis laat zijn impact onvermeld. Kouwenaars stijl en poëtica zijn overbekend en hebben latere generaties dichters, critici en letterkundigen diepgaand beïnvloed. Toch blijken de interpretaties van zijn gedichten elkaar voortdurend tegen te spreken. Hoe is het mogelijk dat een oeuvre zoveel strijdige lezingen ontlokt, en toch zo sober, vertrouwd en herkenbaar lijkt te zijn? Die paradox staat centraal in dit boek. Gaston Franssen reconstrueert de interpretatiegeschiedenis van Kouwenaars gedichten en laat zien dat deze aangestuurd wordt door leesconventies. Ook toont hij de mogelijkheden en beperkingen van die conventies aan. Gerrit Kouwenaar en de politiek van het lezen presenteert daarmee niet alleen een scherpe analyse van de mechanismen die werkzaam zijn binnen de professionele poëziebeschouwing, maar biedt ook een uitdagende en creatieve lectuur van Kouwenaars werk. Dat maakt dit boek tot een pleidooi voor een vrolijke wetenschap van de literaire interpretatie, dat geen enkele poëzielezer onberoerd zal laten. Gaston Franssen is als docent moderne Nederlandse letterkunde verbonden aan de Universiteit van Amsterdam. Hij publiceerde met regelmaat over poëzie in Parmentier en Dietsche Warande & Belfort.
Lucebert --- Kouwenaar, Gerrit --- 839.3 "19" KOUWENAAR, GERRIT --- 82-1 --- Nederlandse literatuur--20e eeuw. Periode 1900-1999--KOUWENAAR, GERRIT --- 82-1 Poëzie --- 839.3 "19" KOUWENAAR, GERRIT Nederlandse literatuur--20e eeuw. Periode 1900-1999--KOUWENAAR, GERRIT --- Kouwenaar, Gerrit, --- Poëzie --- Criticism and interpretation. --- Criticism and interpretation --- 82-1 Poëzie. Gedichten. Versvorm --- Poëzie. Gedichten. Versvorm --- 82-1 Poetry. Poems. Verse --- Poetry. Poems. Verse --- Kouwenaar, Gerrit - Criticism and interpretation --- Kouwenaar, Gerrit (1923-....) --- Critique et interprétation
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This is an entertaining account of Shakespeare's afterlives in fiction. Paul Franssen offers the first sustained analysis of stories and films that involve the character of Shakespeare. Taking a broad international and historical perspective, he shows how fictions about Shakespeare help us understand what he meant to a certain age, nation, or author, and how they have become a vital aspect of the Shakespeare industry. Appearing sometimes as a ghost or time-traveller, fictional Shakespeares have been made to speak to many issues, such as the French Revolution, the Irish conflict, colonialism, the Anglo-American relationship, sexual orientation, race and class. Written in an accessible style, this book will appeal to advanced students as well as academic researchers in Shakespeare studies, film and cultural studies, literary reception and creative writing.
Dramatists in literature. --- Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Appreciation. --- In literature.
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