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Greek drama (Tragedy) --- Tragédie grecque --- History and criticism --- Histoire et critique --- Euripides --- Philoctetes. --- Literatura grega (crítica e interpretação) --- Euripides. --- EurÍpedes --- Euripide, 480-406 av. J.-C. --- Criticism and interpretation. --- Literatura grega (crítica e interpretação). --- EurÍpedes, --- Tragédie grecque --- Philoctetes (Greek mythology) --- Mythology, Greek --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης

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This is the first full-scale commentary on Euripides "Alexandros", which is one of the best preserved fragmentary tragedies. It yields insight into aspects of Euripidean style, ideology and dramatic technique (e.g. rhetoric, stagecraft and imagery) and addresses textual and philological matters, on the basis of a re-inspection of the papyrus fragments. This book offers a reconstruction of the play and an investigation of issues of characterization, staging, textual transmission and reception, not least because Alexandros has enjoyed a fascinating Nachleben in literary, dramaturgical and performative terms. It also contributes to the readers? understanding of the trends of later Euripidean drama, especially the dramatist's innovation and experimentation with plot-patterns and staging conventions. Furthermore, the analysis of Alexandros could stimulate a more comprehensive reading of the extant Trojan Women coming from the same production, which bears the features of a "connected trilogy". Thus, the information retrieved through the interrogation of the rich fragmentary material serves to supplement and contextualize the extant tragic corpus, showcasing the vitality and multiformity of Euripidean drama as a whole.

Euripides. --- Tragédie grecque --- Pâris --- Euripide --- Critique et interprétation. --- Greek drama. --- fragmentary plays. --- tragedy.

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Euripides’ Cyclops is presented here in a new prose translation that is faithful to the original text, accompanied by a detailed introduction on the author, the work, and historical context. The volume also includes an extensive linguistic and substantive commentary, which does not presuppose knowledge of the Greek language. In der Blütezeit der griechischen Tragödie musste jeder der drei Dramatiker, die an den Großen Dionysien, dem bedeutendsten Dionysosfest Athens, im Rahmen des Tragödienwettbewerbs um den Sieg kämpften, nicht nur drei Tragödien präsentieren, sondern auch ein heiteres Nachspiel, das nach den Satyrn, die immer den Chor bildeten, Satyrspiel hieß. Der Kyklops des Euripides ist das einzige vollständig erhaltene Exemplar dieser dramatischen Gattung. Das Stück behandelt die jedem Zuschauer aus der Odyssee wohlbekannte Begegnung des Odysseus mit dem Kyklopen Polyphem.

Euripides, --- LITERARY CRITICISM / Ancient & Classical --- E-books --- Cyclopes (Greek mythology) --- Polyphemus - (Cyclops) --- Odysseus, - King of Ithaca (Mythological character) --- Silenus - (Mythological character)

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Classical Greek literature --- Iphigenia (Greek mythology) --- 880 --- #GOSA:VIII.Oud.EUR.O --- Drama --- Literature Greek and Classical literatures --- Mythology, Greek --- Drama. --- Euripides --- Translations into French. --- Mythologie grecque --- Théâtre --- Translations into French

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Classical Greek literature --- Seven against Thebes (Greek mythology) --- Sept contre Thèbes (Mythologie grecque) --- Drama --- Théâtre --- Euripides. --- Drama. --- -Drama --- Sept contre Thèbes (Mythologie grecque) --- Théâtre --- Seven against Thebes (Greek mythology) - Drama.