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Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in their own way struggle with coming to terms with Artaud. A key concept in Lacanian psychoanalytic theories, desire lies at the root of the Theatre of Cruelty; Kane and Beckett prove that desire and cruelty are inextricably linked to one another, but that they appear in radically different disguises. Relying on Kane and Beckett, this book not only shed

English drama --- Cruelty in literature. --- Desire in literature. --- Psychoanalysis and literature. --- History and criticism. --- French influences. --- Kane, Sarah, --- Beckett, Samuel, --- Artaud, Antonin, --- Criticism and interpretation. --- Influence. --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature --- English literature --- Artaud, Antoine Marie Joseph, --- Arto, Antonen, --- Beckett, Samuel --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Bikit, Sāmūʼil, --- Artaud, Antoine Marie Joseph --- Arto, Antonen

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Shakespeare, William --- Criticism and interpretation --- Stage history --- Belgium --- Netherlands --- Theatrical science --- History of the Netherlands --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019

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