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Psychological study of literature --- 82:159.9 --- Literatuur en psychologie. Literatuur en psychoanalyse --- Psychoanalysis and literature. --- Subconsciousness in literature. --- Subconsciousness. --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Psychoanalysis and literature --- Subconsciousness --- Subconsciousness in literature --- Unconscious (Psychology) --- Unconsciousness --- Psychology --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature --- Inconscient --- Psychanalyse et littérature --- Inconscient dans la littérature
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Five pre-eminent legal theorists tackle a range of fundamental questions on the nature of the philosophy of criminal law. Their essays explore the extent to which and the ways in which our systems of criminal law can be seen as rational and principled. The essays discuss some of the principles by which, it is often thought, a system of law should be structured, and they ask whether our own systems are genuinely principled or riven by basic contradictions, reflecting deeper political and social conflicts. The volume as a whole shows how lively and exciting contemporary legal theory can be.
Criminal law. Criminal procedure --- Legal theory and methods. Philosophy of law --- Criminal law --- Droit pénal --- Philosophy --- Philosophie --- -Crime --- Crimes and misdemeanors --- Criminals --- Law, Criminal --- Penal codes --- Penal law --- Pleas of the crown --- Public law --- Crime --- Criminal justice, Administration of --- Criminal procedure --- Law and legislation --- Legal status, laws, etc. --- Philosophy. --- -Philosophy --- Droit pénal --- Arts and Humanities --- Criminal law - Philosophy
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This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.
Poetry --- English literature --- anno 1600-1699 --- anno 1500-1599 --- English poetry --- Political poetry, English --- Politics and literature --- Authority in literature. --- Literature --- Literature and politics --- History and criticism. --- History --- Political aspects --- Courts and courtiers in literature. --- Authors and patrons --- Skelton, John, --- Dunbar, William, --- Criticism and interpretation. --- Skeleton, John, --- Arts and Humanities
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Absalon ; Art in Ruins ; Iain Baxter ; Louise Bourgeois ; Marcel Broodthaers, Lygia Clark ; Claude Closky ; Brian D. Collier ; Jimmie Durham ; Fiaschli & Weiss . General Idea ; Izsa Genzken ; Gruppe Geflecht ; Eva Hesse ; Mike kelley ; John Latham ; Sherrie Levine ; Allan McCollum ; Gustav Metzger ; Hélio Oiticica ; Gabriel Orozco ; Katrina palmer ; Adrian Piper ; Falke Pisano ; Issa Samb ; Gregor Schneider ; Kenneth Snelson ; Song Dong ; Josef Strau ; Alina Szapocznikow ; Joëlle Tuerlinckx , 2ric Watier ; Erwin Wurm
art criticism --- performance art --- assemblages [sculpture] --- found objects --- theme --- philosophy of art --- kunstbeschouwing --- sculpture [visual work] --- thema's in de kunst --- Art --- Object (Aesthetics) --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Wurm Erwin --- Watier Eric --- Tuerlinckx Joëlle --- Szapocznikow Alina --- Strau Josef --- Song Dong --- Snelson Kenneth --- Schneider Gregor --- Samb Issa --- Pisano Falke --- Piper Adrian --- Palmer Katrina --- Orozco Gabriel --- Oiticica Hélio --- Metzger Gustav --- McCollum Allan --- Levine Sherrie --- Latham John --- Kelley Mike --- Hesse Eva --- Gruppe Geflecht --- Genzken Isa --- General idea --- Weiss David --- Fischli Peter --- Durham Jimmie --- Collier Brian D. --- 7.038/039 --- 7.01 --- Closky Claude --- Clark Lygia --- Broodthaers Marcel --- Bourgeois Louise --- Baxter Iain --- Art in ruins --- Absalon --- objecten --- objet trouvé --- kunsttheorie --- Aesthetics, European --- Art, theory --- Kunst ; theorie, filosofie, esthetica --- sculpture [visual works] --- Kunsttheorie ; kunst en object --- Objectkunst --- Objet trouvé --- Appropriaton Art --- Object (Aesthetics). --- Collier Brian D --- Aesthetic object --- Aesthetics --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet usuel --- Objet d'art --- Objet symbolique --- Performance --- Kunst --- beeldhouwwerken [beeldmateriaal] --- assemblages [beeldhouwwerken] --- performances [live] --- kunstkritiek --- thema --- kunstfilosofie
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A landmark publication that catalogues the history and development of the printed image Gutenberg's invention of moveable type made it possible to print letters. But images could only be printed using two other technologies that were developed alongside letterpress. One depended on wooden blocks which were cut and printed in relief, the other on copper plates into which lines were cut by engraving or etching and were printed on a rolling press. Copper-plate printmaking developed into a huge business employing thousands of people, and dominated image production for nearly four centuries across the whole of Europe.Its processes remained very stable, and a man of 1500 could have walked into a printing shop of 1800 and understood what was going on. During the nineteenth century this world was displaced by new technologies, of which photography was by far the most important
copper engravings [visual works] --- printing [process] --- Book history --- Graphic arts --- wood engravings [prints] --- illustrations [layout features] --- anno 1500-1799 --- anno 1800-1899 --- Europe --- 76 <4> --- 76 "15/18" --- Grafische kunsten. Grafiek. Prentkunst--Europa --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 <4> Grafische kunsten. Grafiek. Prentkunst--Europa --- Prints --- Prints, European --- 21.32 history of the graphic arts. --- Prints, European. --- Druckgrafik. --- Handel. --- Sammeln. --- Technik. --- Technique --- History. --- Technique. --- 1500-1799. --- Europa. --- 2132 history of the graphic arts. --- Estampe européenne --- Estampe --- Histoire.
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Book history --- Graphic arts --- Prints --- History. --- Technique. --- prints [visual works]
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Poetry --- Classical Latin literature --- Latin poetry --- Humor in literature --- Poésie latine --- Humour dans la littérature --- History and criticism --- Histoire et critique --- -Latin wit and humor --- -Rome in literature --- Latin literature --- Augustus Emperor of Rome --- -Influence --- Rome --- History --- -Latin poetry --- Latin wit and humor --- Rome in literature. --- History and criticism. --- Augustus, --- Influence. --- Poésie latine --- Humour dans la littérature --- Octavius Caesar, --- Gaius Octavius, --- Octavius, Gaius, --- Octavianus, --- Octavianus, Gaius Julius Caesar, --- Gaius Julius Caesar Octavianus, --- Octavian, --- Caius Julius Caesar Octavianus, --- T︠S︡ezarʹ Oktavian Avgust, --- Oktavian-Avgust, T︠S︡ezarʹ, --- Avgust, T︠S︡ezarʹ Oktavian, --- Octavianus Augustus, --- Augusto, --- Cesarz August, --- Ogusṭus, --- Augustus Caesar, --- Gaius Octavius Thurinus, --- Octavio Augusto, --- Cayo Octavio Turino, --- Thurinus, Gaius Octavius, --- Turino, Cayo Octavio, --- אוגוסטוס --- In literature. --- Poesie --- Histoire critique --- Humour
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Logic --- Language and languages --- Logique --- Langage et langues --- Philosophy --- Philosophie --- -Logic --- 801.56 --- Argumentation --- Deduction (Logic) --- Deductive logic --- Dialectic (Logic) --- Logic, Deductive --- Intellect --- Psychology --- Science --- Reasoning --- Thought and thinking --- Foreign languages --- Languages --- Anthropology --- Communication --- Ethnology --- Information theory --- Meaning (Psychology) --- Philology --- Linguistics --- Syntaxis. Semantiek --- Methodology --- Logic. --- Philosophy. --- 801.56 Syntaxis. Semantiek --- Language and languages - Philosophy
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Computer science --- Mathematical logic --- Artificial intelligence. Robotics. Simulation. Graphics --- Electronic digital computers --- Logic, Symbolic and mathematical --- Programmation des ordinateurs --- Logique symbolique et mathématique --- Programming --- 510.6 --- Computer programming --- 681.3*F4 --- 681.3*I2 --- Computers --- Electronic computer programming --- Electronic data processing --- Programming (Electronic computers) --- Coding theory --- Algebra of logic --- Logic, Universal --- Symbolic and mathematical logic --- Symbolic logic --- Mathematics --- Algebra, Abstract --- Metamathematics --- Set theory --- Syllogism --- Mathematical logic and formal languages (Theory of computation) --- Artificial intelligence. AI --- Computer programming. --- Logic, Symbolic and mathematical. --- 681.3*I2 Artificial intelligence. AI --- 681.3*F4 Mathematical logic and formal languages (Theory of computation) --- 510.6 Mathematical logic --- Logique symbolique et mathématique --- Verification --- Modal Logic --- Parallelism --- Temporal Logic
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Philosophy and psychology of culture --- Great Britain --- 82.015.9 --- Deconstruction --- Poststructuralism --- -Philosophy, British --- Philosophy, Modern --- -Modern philosophy --- British philosophy --- Philosophy, English --- Post-structuralism --- Structuralism --- Criticism --- Semiotics and literature --- Literaire stromingen: postmodernisme --- History --- Intellectual life --- -82.015.9 --- 82.015.9 Literaire stromingen: postmodernisme --- -Literaire stromingen: postmodernisme --- -Philosophy and psychology of culture --- -British philosophy --- Modern philosophy --- -Criticism --- -History --- Intellectual life -
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